Bibliography for FLM170 Film History and the Canon

[1]
Welles, Orson, Cotton, Joseph, and Moorhead, Agnes, ‘Citizen Kane’. BBC2, 13AD [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000A6D70%3Fbcast%3D38970013

[2]
Benyahia, Sarah Casey. and Mortimer, Claire, 1964-, ‘The History of the Canon [IN] Doing film studies: a subject guide for students’, in Doing film studies: a subject guide for students, London: Routledge, 2013, pp. 27–39.

[3]
Cartmell, Deborah and ebrary, Inc, Classics in film and fiction, vol. Film/fiction. London: Pluto Press, 2000.

[4]
Crowther, Paul, Defining art, creating the canon: artistic value in an era of doubt. Oxford: Clarendon, 2011.

[5]
P. Gillett, Movie greats: a critical study of classic cinema. Oxford: Berg, 2008.

[6]
J. Rosenbaum, ‘Introduction [IN] Essential cinema: on the necessity of film canons’, in Essential cinema: on the necessity of film canons, Johns Hopkins pbk. ed., Baltimore, Md: Johns Hopkins University Press, 2008, pp. xi–xxi [Online]. Available: http://ebookcentral.proquest.com/lib/falmouth-ebooks/reader.action?ppg=12&docID=3318521&tm=1497952617295

[7]
Schrader, Paul, ‘Canon Fodder: As the sun finally sets on the century of cinema, by what criteria do we determine its masterworks?’, Film Comment, vol. Sept-Oct, pp. 33–49, 2006 [Online]. Available: http://paulschrader.org/articles/pdf/2006-FilmComment_Schrader.pdf

[8]
Virginia Wright Wexman, ‘The Critic as Consumer: Film Study in the University, “Vertigo”, and the Film Canon’, Film Quarterly, vol. Vol. 39, no. No. 3, pp. 32–41.

[9]
Renoir, Jean, Fresnay, Pierre, and Von Stroheim, Erich, ‘La Grande Illusion’. Optimum World DVD [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F001DA462%3Fbcast%3D106995379

[10]
P. Younger, ‘Film as art [IN] The Routledge companion to film history’, in The Routledge companion to film history, London: Routledge, 2011, pp. 27–38 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203841532

[11]
Faulkner, Christopher, The social cinema of Jean Renoir. Guildford: Princeton University Press, 1986.

[12]
C. Fowler, The European cinema reader. London: Routledge, 2002.

[13]
M. O’Shaughnessy, Jean Renoir, vol. French film directors. Manchester, UK: Manchester University Press, 2000.

[14]
O’Shaughnessy, Martin, ‘Reception [IN] La grande illusion: (Jean Renoir, 1937)’, in La grande illusion: (Jean Renoir, 1937), vol. Ciné-Files: the French film guides, London: Distributed in the United States and Canada exclusively by Palgrave Macmillan, 2009, pp. 99–110 [Online]. Available: http://ebookcentral.proquest.com/lib/falmouth-ebooks/reader.action?ppg=108&docID=676960&tm=1497953105554

[15]
Renoir, Jean, ‘Jean Renoir: Part I: From La Belle Epoque to World War II’, vol. OMNIBUS. BBC1, 4AD.

[16]
Renoir, Jean, ‘Jean Renoir: Part II: Hollywood and beyond’, vol. OMNIBUS. BBC1, 11AD.

[17]
B. Shelton, ‘Chapter on Renoir [IN] A cultural study of the art film: book 1’, in A cultural study of the art film: book 1, Lewiston: Edwin Mellen Press, 2003, pp. 143–155.

[18]
‘Jean Renoir on Technology and Art : The New Yorker’. .

[19]
H. Hawks, C. Grant, and R. Russell, ‘His girl friday’. Elstree Hill DVD [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F00002B64%3Fbcast%3D33277449

[20]
R. Dyer, ‘Sections "Stars as Images; Stars and “Character”; Living Stars” [IN] The film studies reader’, in The film studies reader, London: Arnold, 2000, pp. 121–134.

[21]
P. Decherney, Hollywood and the culture elite: how the movies became American, vol. Film and culture. New York: Columbia University Press, 2005 [Online]. Available: http://ezproxy.falmouth.ac.uk/login?url=http://site.ebrary.com/lib/falmouth/Doc?id=10183538

[22]
L. Fischer and M. Landy, Stars: the film reader. London: Routledge, 2004.

[23]
C. Gledhill, Stardom: industry of desire. London: Routledge, 1991 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203400425

[24]
Dyer, Richard, ‘Stars [IN] Film theory and criticism: introductory readings’, in Film theory and criticism: introductory readings, 7th ed., New York: Oxford University Press, 2009, pp. 480–485.

[25]
J. Ellis, ‘Stars as a Cinematic Phenomenon [IN] Film theory and criticism: introductory readings’, in Film theory and criticism: introductory readings, 6th ed., New York: Oxford University Press, 2004.

[26]
Hill, John and Gibson, Pamela Church, American cinema and Hollywood: critical approaches. Oxford: Oxford University Press, 2000.

[27]
Kerr, Paul, The Hollywood film industry: a reader. London: Routledge & Kegan Paul in association with the British Film Institute, 1986.

[28]
Fraser, George MacDonald and Kobal Collection, The Hollywood history of the world: from One million years B.C. to Apocalypse now, 1st Ballatine Books ed. New York: Fawcett Columbine, 1989.

[29]
Bergman, Ingmar, Sydow, Max von, Bjornstrand, Gunnar, and Ekerot, Bengt, ‘The Seventh seal [Det Sjunde inseglet]’. Palisades Tartan DVD [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0005A5DC%3Fbcast%3D67338783

[30]
Betz, M., ‘Recovering European Art Cinema [IN] Beyond the subtitle: remapping European art cinema’, in Beyond the subtitle: remapping European art cinema, Minneapolis: University of Minnesota Press, 2009, pp. 1–20 [Online]. Available: http://ebookcentral.proquest.com/lib/falmouth-ebooks/reader.action?ppg=12&docID=445623&tm=1497954388872

[31]
A. Gazetas, ‘Symbolist Traditions in the Cinema: 1950s-1970s [IN] An introduction to world cinema’, in An introduction to world cinema, 2nd ed., Jefferson, N.C.: McFarland, 2008, pp. 190–201.

[32]
Macnab, Geoffrey and ebrary, Inc, Ingmar Bergman: the life and films of the last great European director. London: Distributed in the United States and Canada Exclusively by Palgrave Macmillan, 2009.

[33]
I. Singer, Ingmar Bergman, cinematic philosopher: reflections on his creativity. Cambridge, Mass: MIT Press, 2007 [Online]. Available: https://ebookcentral.proquest.com/lib/falmouth-ebooks/detail.action?docID=3338746

[34]
Wood, Robin, Ingmar Bergman. London: Studio Vista, 1969 [Online]. Available: http://ezproxy.falmouth.ac.uk/login?url=http://site.ebrary.com/lib/falmouth/Doc?id=10715470

[35]
Wexman, Virginia Wright, Film and authorship, vol. Rutgers depth of field series. London: Rutgers University Press, 2003.

[36]
A. B. Kovács, Screening modernism: European art cinema, 1950-1980, vol. Cinema and modernity. Chicago, Ill: University of Chicago Press, 2007 [Online]. Available: http://ezproxy.falmouth.ac.uk/login?url=http://site.ebrary.com/lib/falmouth/Doc?id=10266077

[37]
Kurosawa, Akira, Mifune, Toshiro, and Kyo, Machiko, ‘Rashomon’. Optimum, 2008 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F001F9C90%3Fbcast%3D105813089

[38]
M. Yoshimoto, ‘Japanese Cinema in Search of a discipline [IN] Kurosawa: film studies and Japanese cinema’, in Kurosawa: film studies and Japanese cinema, vol. Asia-Pacific : culture, politics, and society, Durham, NC: Duke University Press, 2000, pp. 7–49.

[39]
Andrew, Geoff, Film: the critics’ choice. ; 150 masterpieces of world cinema selected and defined by the experts. London: Aurum, 2001.

[40]
M. H. Gibbs and ebrary, Inc, Film and political culture in postwar Japan, vol. Framing film : the history and art of cinema. New York: Peter Lang, 2012 [Online]. Available: http://ezproxy.falmouth.ac.uk/login?url=http://site.ebrary.com/lib/falmouth/Doc?id=10562707

[41]
Phillips, Alastair and Stringer, Julian, Japanese cinema: texts and contexts. London: Routledge, 2007.

[42]
D. Richie, Japanese cinema: an introduction, vol. Images of Asia. Hong Kong: Oxford University Press, 1990.

[43]
Russell, Catherine, Classical Japanese cinema revisited. London: Continuum, 2011.

[44]
Standish, Isolde, A new history of Japanese cinema: a century of narrative film. London: Continuum International Publishing Group - Academi, 2006 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441161543

[45]
Oshima, Nagisa, ‘The Century of Cinema: 100 years of Japanese cinema’. Oshima Production for Ch4, 13AD [Online]. Available: http://trlibdocs.fxplus.ac.uk/KalturaWeb/kaltura.php?vid=0_wi1xksdj

[46]
T. Richardson, R. Tushingham, and D. Bryan, ‘A Taste of honey’. BFI video.

[47]
Lay, Samantha, ‘Social Realism in the British Context [IN] British social realism: from documentary to Brit-grit’, in British social realism: from documentary to Brit-grit, vol. Short cuts, London and New York: Wallflower, 2002, pp. 5–23.

[48]
A. Higson, ‘Space, Place, Spectacle’, Screen, vol. 25, no. 4–5, pp. 2–21, Aug. 1984, doi: 10.1093/screen/25.4-5.2.

[49]
Hill, John, Sex, class and realism: British cinema 1956-1963. London: British Film Institute, 1986.

[50]
P. Hutchens, ‘Beyond the New Wave: Realism in British Cinema, 1959-63 [IN] The British cinema book’, in The British cinema book, 3rd ed., Basingstoke: Palgrave Macmillan, 2009, pp. 304–312.

[51]
Arthur Marwick, ‘Room at the Top, Saturday Night and Sunday Morning, and the “Cultural Revolution” in Britain’, Journal of Contemporary History, vol. 19, no. 1, pp. 127–152, 1984 [Online]. Available: https://www.jstor.org/stable/260428

[52]
J. Orr, Romantics and modernists in British cinema. Edinburgh: Edinburgh University Press, 2010 [Online]. Available: http://falmouth.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=1144283410005136&institutionId=5136&customerId=5135

[53]
S. Street, British national cinema, 2nd ed., vol. National cinemas. London: Routledge, 2009 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203868997

[54]
A. Varda, C. Marchand, and A. Bourseiller, ‘Cléo de 5 à 7’. Criterion Collection DVD.

[55]
Flitterman-Lewis, Sandy, ‘Varda in Context: French Film Production in the Early Sixties – the New Wave [IN] To desire differently: feminism and the French cinema’, in To desire differently: feminism and the French cinema, Expanded ed.,Morningside ed., New York: Columbia University Press, 1996, pp. 248–267.

[56]
Cook, D. A., ‘The French New Wave and its Native Context [IN] A history of narrative film’, in A history of narrative film, 4th ed., London: W.W. Norton, 2003.

[57]
Cowie, Peter, Revolution!: the explosion of world cinema in the 60s. London: Faber, 2004.

[58]
S. Hayward and G. Vincendeau, French film: texts and contexts, 2nd ed. London and New York: Routledge, 2000.

[59]
J. Hillier and British Film Institute, Cahiers du cinema: neo-realism, Hollywood, new wave, The 1950s, vol. Harvard film studies. Cambridge, Mass: Harvard University Press, 1985.

[60]
Neupert, Richard John and ebrary, Inc, A history of the French new wave cinema, 2nd ed., vol. Wisconsin studies in film. Madison: University of Wisconsin Press, 2007.

[61]
D. Ostrowska, Reading the French new wave: critics, writers and art cinema in France. London: Wallflower, 2008.

[62]
A. Smith, Agnes Varda, vol. French film directors. Manchester: Manchester University Press, 1998.

[63]
F. F. Coppola, G. Hackman, and J. Cazale, ‘The Conversation’. Studio Canal DVD [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000191F3%3Fbcast%3D82899187

[64]
Arnold, Gordon B., ‘Scandal and Skepticism [IN] Conspiracy theory in film, television, and politics’, in Conspiracy theory in film, television, and politics, Westport, Conn: Praeger, 2008, pp. 89–111 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781567207224

[65]
D. Field, American Cold War culture. Edinburgh: Edinburgh University Press, 2005.

[66]
Ryan, Michael and Kellner, Douglas, Camera politica: the politics and ideology of contemporary Hollywood film. Bloomington, Ind: Indiana University Press, 1990.

[67]
S. Lefait, Surveillance on screen: monitoring contemporary films and television programs. Lanham, Md: Scarecrow Press, 2013 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780810885912

[68]
C. Maland, ‘Dr. Strangelove (1964): Nightmare Comedy and the Ideology of Liberal Consensus’, American Quarterly, vol. 31, no. 5, Winter 1979, doi: 10.2307/2712432. [Online]. Available: http://www.jstor.org/stable/2712432

[69]
R. Pratt, ‘You May Think You Know What’s Going On Here [IN] Projecting paranoia’, in Projecting paranoia: conspiratorial visions in American film, [Great Britain]: University Press of Kansas, 2001, pp. 87–112.

[70]
Cukor, George, Tracy, Spencer, and Hepburn, Katharine, ‘Adam’s Rib’. WB DVD.

[71]
W. Herzog, K. Kinski, and R. Guerra, ‘Aguirre, Wrath of God [Aguirre, der Zorn Gottes]’. Anchor Bay DVD.

[72]
Pakula, Alan J, Redford, Robert, and Hoffman, Dustin, ‘All the President’s men’. Warner Brothers DVD.

[73]
F. Fellini, P. Maggio, and M. Noel, ‘Amarcord’. Warner Bros DVD.

[74]
J.-L. Godard, A. Karin, and S. Frey, ‘Bande a part’. BFI DVD.

[75]
S. Kubrick, R. O’Neal, and M. Berenson, ‘Barry Lyndon’. Warner Brothers DVD.

[76]
Pontecorvo, Gillo, Hadjadj, Brahim, Martin, Jean, and Saadi, Yacef, ‘The Battle of Algiers [La Battaglia di Alger]i: Disc I’. Criterion Collection DVD.

[77]
Sica, Vittorio de, Maggiorani, Lamberto, and Carell, Lianella, ‘Bicycle Thieves [Ladri di Biciclette]’. Arrow Films DVD.

[78]
M. Powell, E. Pressburger, D. Kerr, and J. Simmons, ‘Black narcissus’. Network DVD.

[79]
R. Scott, H. Ford, and R. Hauer, ‘Blade Runner’. Warner DVD.

[80]
Antonioni, Michelangelo, Hemmings, David, Redgrave, Vanessa, and Miles, Sarah, ‘Blow-up’. Turner Entertainment, 2009.

[81]
D. Lynch, K. MacLachlan, I. Rossellini, and D. Hopper, ‘Blue Velvet’. Sanctuary DVD.

[82]
Godard, Jean-Luc, Belmondo, Jean-Paul, and Seberg, Jean, ‘Breathless [A Bout de souffle]’. Optimum DVD.

[83]
Cukor, George, Garbo, Greta, and Taylor, Robert, ‘Camille’. Ch4, 12AD.

[84]
Fellini, Federico, Mastroianni, Marcello, and Ekberg, Anita, ‘La Dolce Vita’. Nouveaux Pictures DVD.

[85]
B. Wilder, B. Stanwyck, and F. MacMurray, ‘Double Indemnity’. Universal DVD.

[86]
Fellini, Federico, Mastroianni, Marcello, and Cardinale, Claudia, ‘8 1/2’. Nouveaux Pictures DVD.

[87]
M. Carne, J.-L. Barrault, and Arletty, ‘Les Enfants du Paradis’. Second Sight DVD.

[88]
L. Bunuel, E. Rambel, and L. Gallardo, ‘The Exterminating angel [El Angel exterminador]’. Arrow Films DVD.

[89]
Truffaut, Francois, Leaud, Jean-Pierre, and Maurier, Claire, ‘The 400 Blows [Les Quatre Cents Coups]’. 2 Entertain DVD.

[90]
Coppola, Francis Ford, Brando, Marlon, and Pacino, Al, ‘The Godfather’. Paramount DVD.

[91]
Coppola, Francis Ford, Pacino, Al, and Duvall, Robert, ‘The Godfather Part II: Disc I’. Paramount DVD.

[92]
I. Lupino, F. Lovejoy, and E. O’Brien, ‘The Hitch Hiker’. St Clair Vision DVD.

[93]
Kurosawa, Akira, Shimura, Takashi, and Kaneko, Nobuo, ‘Ikiru’. BBC Knowledge, 26AD.

[94]
K. W. Wong, M. Cheung, and T. C. W. Leung, ‘In the mood for love [Fa yeung nin wa]’. Araba DVD.

[95]
C. Akerman, N. Arestrup, and C. Wauthion, ‘I, you, he, she [Je, tu, il, elle]’. Eclipse Criterion Collection DVD.

[96]
C. Akerman, D. Seyrig, J. Decorte, and H. Storck, ‘Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles: Disc I’. Criterion DVD, 1975.

[97]
Ozu, Yasujiro, Ryu, Chishu, and Hara, Setsuko, ‘Late Spring [Banshun]’. Tartan DVD.

[98]
Antonioni, Michelangelo, Ferzetti, Gabriele, and Vitti, Monica, ‘L’Avventura’. Mr Bongo, 2008.

[99]
D. Lean, A. Guinness, and A. Quinn, ‘Lawrence of Arabia’. Columbia Tristar Home Entertainment DVD.

[100]
Kubrick, Stanley, Mason, James, Winters, Shelley, and Sellers, Peter, ‘Lolita’. Warner video.

[101]
Richardson, Tony, Courtenay, Tom, and Redgrave, Michael, ‘The Loneliness of the long distance runner’. British Film Insititue DVD.

[102]
Richardson, Tony, Burton, Richard, Bloom, Claire, and Osborne, John, ‘Look Back In Anger’. MGM DVD.

[103]
Welles, Orson, Cotten, Joseph, Costello, Dolores, and Baxter, Anne, ‘The magnificent Ambersons’. Universal DVD.

[104]
M. Powell, E. Pressburger, D. Niven, and R. Livesey, ‘A Matter of life and death’. Carlton DVD.

[105]
Scorsese, Martin, De Niro, Robert, and Keitel, Harvey, ‘Mean streets’. Universal DVD.

[106]
J.-L. Godard, B. Bardot, and M. Piccoli, ‘Le mepris’. Studio Canal DVD.

[107]
M. Curtiz, J. Crawford, J. Carson, and Z. Scott, ‘Mildred Pierce’. Warner Brothers DVD.

[108]
D. Lynch, J. Theroux, and N. Watts, ‘Mulholland Drive’. Universal Studios.

[109]
C. Laughton, R. Mitchum, and S. Winters, ‘The Night of the hunter’. MGM DVD.

[110]
S. Potter, T. Swinton, and B. Zane, ‘Orlando’. Artificial Eye DVD.

[111]
G. del Toro, S. López, M. Verdú, and I. Baquero, ‘Pan’s Labyrinth [El Laberinto del fauno]’, vol. The Guillermo del Toro collection. Optimum World DVD.

[112]
1945- Wenders, Wim, H. D. Stanton, N. Kinski, D. Stockwell, A. Clement, and H. Carson, ‘Paris, Texas’. Anchor Bay Entertainment DVD.

[113]
M. Antonioni, J. Nicholson, and M. Schneider, ‘The Passenger’. Sony DVD.

[114]
S. Ray, K. Bannerjee, and U. D. Gupta, ‘Pather Panchali’. Artificial Eye DVD.

[115]
Bergman, Ingmar, Andersson, Bibi, Ullmann, Liv, and Krook, Margaretha, ‘Persona: uncensored director’s cut’. Tartan DVD.

[116]
J. Campion, H. Hunter, and H. Keitel, ‘The Piano’. Optimum DVD.

[117]
Tati, Jacques, ‘Playtime’. BFI DVD.

[118]
Hitchcock, Alfred, Perkins, Anthony, and Leigh, Janet, ‘Psycho’. Universal DVD.

[119]
Scorsese, Martin, De Niro, Robert, and Pesci, Joe, ‘Raging bull’. MGM DVD.

[120]
Renoir, Jean, Gregor, Nora, and Dalio, Marcel, ‘La Regle du jeu’. BFI DVD.

[121]
Kurosawa, Akira, Mifune, Toshiro, and Nakadai, Tatsuya, ‘Sanjuro’. BFI DVD.

[122]
Ford, John, Wayne, John, and Hunter, Jeffrey, ‘The Searchers’. Warner DVD.

[123]
S. Donen, G. Kelly, D. O’Connor, and D. Reynolds, ‘Singin’ in the rain’. Warner Brothers DVD.

[124]
Tarkovskii, Andrei Arsenevich, Bondarchuk, Natalya, and Banionas, Donatas, ‘Solaris: Disc I’. Artificial Eye DVD.

[125]
Wilder, Billy, Curtis, Tony, Lemmon, Jack, and Monroe, Marilyn, ‘Some like it hot: Disc I’. Cinema Reserve.

[126]
Anderson, Lindsay, Harris, Richard, and Roberts, Rachel, ‘This sporting life’. BBC2, 14AD.

[127]
Tarkovskii, Andrei Arsenevich, Kaidanovsky, Aleksandr, and Solonitsyn, Anatoly, ‘Stalker: Disc I: Part I’. Artificial Eye DVD.

[128]
B. Wilder, W. Holden, and G. Swanson, ‘Sunset Boulevard’. Paramount DVD.

[129]
C. Reed, J. Cotten, and O. Welles, ‘The Third man’. Optimum DVD.

[130]
Ozu, Yasujiro, Ryu, Chishu, and Higashiyama, Chieko, ‘Tokyo Story [Tokyo monogatari]’. Tartan DVD.

[131]
Welles, Orson, Perkins, Anthony, Moreau, Jeanne, and Schneider, Romy, ‘The Trial [Le proces]’. Elstree Hill Entertainment DVD.

[132]
K. Mizoguchi, M. Mori, M. Kyo, and K. Tanaka, ‘Ugetsu’. Criterion Collection DVD.

[133]
V. de Sica, C. Battisti, and M. Casilio, ‘Umberto D’. Nouveaux DVD.

[134]
Hitchcock, Alfred, Stewart, James, and Novak, Kim, ‘Vertigo’. Universal DVD.

[135]
L. Bunuel, S. Pinal, and F. Rabal, ‘Viridiana’. Arrow DVD.

[136]
Godard, Jean-Luc, Karina, Anna, and Rebbot, Saddy, ‘Vivre Sa Vie’. Ch4, 11AD.

[137]
Godard, Jean-Luc, Darc, Mireille, and Yanne, Jean, ‘Weekend’. Artificial Eye DVD.

[138]
Bergman, Ingmar, Sjostrom, Victor, and Andersson, Bibi, ‘Wild Strawberries [Smultronstället]’. BBC2, 19AD.

[139]
1945- Wenders, Wim, B. Ganz, S. Dommartin, O. Sander, C. Bois, and P. Falk, ‘Wings of Desire [Der Himmel über Berlin]’. Anchor Bay Entertainment DVD.

[140]
Kurosawa, Akira, Mifune, Toshiro, and Tono, Eijiro, ‘Yojimbo’. BFI.

Bibliography for FLM170 Film History and the Canon BETA