Bibliography for FLM170 Film History and the Canon

Akerman, Chantal, Niels Arestrup, and Claire Wauthion. n.d. ‘I, You, He, She [Je, Tu, Il, Elle]’. Eclipse Criterion Collection DVD.

Akerman, Chantal, Delphine Seyrig, Jan Decorte, and Henri Storck. 1975. ‘Jeanne Dielman, 23, Quai Du Commerce, 1080 Bruxelles: Disc I’. Criterion DVD.

Anderson, Lindsay, Harris, Richard, and Roberts, Rachel. 14AD. ‘This Sporting Life’. BBC2.

Andrew, Geoff. 2001. Film: The Critics’ Choice. ; 150 Masterpieces of World Cinema Selected and Defined by the Experts. London: Aurum.

Antonioni, Michelangelo, Ferzetti, Gabriele, and Vitti, Monica. 2008. ‘L’Avventura’. Mr Bongo.

Antonioni, Michelangelo, Hemmings, David, Redgrave, Vanessa, and Miles, Sarah. 2009. ‘Blow-Up’. Turner Entertainment.

Antonioni, Michelangelo, Jack Nicholson, and Maria Schneider. n.d. ‘The Passenger’. Sony DVD.

Arnold, Gordon B. 2008. ‘Scandal and Skepticism [IN] Conspiracy Theory in Film, Television, and Politics’. In Conspiracy Theory in Film, Television, and Politics, 89–111. Westport, Conn: Praeger. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781567207224.

Arthur Marwick. 1984. ‘Room at the Top, Saturday Night and Sunday Morning, and the “Cultural Revolution” in Britain’. Journal of Contemporary History 19 (1): 127–52. https://www.jstor.org/stable/260428.

Benyahia, Sarah Casey., and Mortimer, Claire, 1964-. 2013. ‘The History of the Canon [IN] Doing Film Studies: A Subject Guide for Students’. In Doing Film Studies: A Subject Guide for Students, 27–39. London: Routledge.

Bergman, Ingmar, Andersson, Bibi, Ullmann, Liv, and Krook, Margaretha. n.d. ‘Persona: Uncensored Director’s Cut’. Tartan DVD.

Bergman, Ingmar, Sjostrom, Victor, and Andersson, Bibi. 19AD. ‘Wild Strawberries [Smultronstället]’. BBC2.

Bergman, Ingmar, Sydow, Max von, Bjornstrand, Gunnar, and Ekerot, Bengt. n.d. ‘The Seventh Seal [Det Sjunde Inseglet]’. Palisades Tartan DVD. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0005A5DC%3Fbcast%3D67338783.

Betz, M. 2009a. ‘Recovering European Art Cinema [IN] Beyond the Subtitle: Remapping European Art Cinema’. Electronic resource. In Beyond the Subtitle: Remapping European Art Cinema, 1–20. Minneapolis: University of Minnesota Press. http://ebookcentral.proquest.com/lib/falmouth-ebooks/reader.action?ppg=12&docID=445623&tm=1497954388872.

Bunuel, Luis, Silvia Pinal, and Francisco Rabal. n.d. ‘Viridiana’. Arrow DVD.

Bunuel, Luis, Enrique Rambel, and Lucy Gallardo. n.d. ‘The Exterminating Angel [El Angel Exterminador]’. Arrow Films DVD.

Campion, Jane, Holly Hunter, and Harvey Keitel. n.d. ‘The Piano’. Optimum DVD.

Carne, Marcel, Jean-Louis Barrault, and Arletty. n.d. ‘Les Enfants Du Paradis’. Second Sight DVD.

Cartmell, Deborah and ebrary, Inc. 2000. Classics in Film and Fiction. Electronic resource. Vol. Film/fiction. London: Pluto Press.

Cook, D. A. 2003. ‘The French New Wave and Its Native Context [IN] A History of Narrative Film’. In A History of Narrative Film, 4th ed. London: W.W. Norton.

Coppola, Francis Ford, Brando, Marlon, and Pacino, Al. n.d. ‘The Godfather’. Paramount DVD.

Coppola, Francis Ford, Gene Hackman, and John Cazale. n.d. ‘The Conversation’. Studio Canal DVD. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000191F3%3Fbcast%3D82899187.

Coppola, Francis Ford, Pacino, Al, and Duvall, Robert. n.d. ‘The Godfather Part II: Disc I’. Paramount DVD.

Cowie, Peter. 2004. Revolution!: The Explosion of World Cinema in the 60s. London: Faber.

Crowther, Paul. 2011. Defining Art, Creating the Canon: Artistic Value in an Era of Doubt. Oxford: Clarendon.

Cukor, George, Garbo, Greta, and Taylor, Robert. 12AD. ‘Camille’. Ch4.

Cukor, George, Tracy, Spencer, and Hepburn, Katharine. n.d. ‘Adam’s Rib’. WB DVD.

Curtiz, Michael, Joan Crawford, Jack Carson, and Zachary Scott. n.d. ‘Mildred Pierce’. Warner Brothers DVD.

Decherney, Peter. 2005. Hollywood and the Culture Elite: How the Movies Became American. Vol. Film and culture. New York: Columbia University Press. http://ezproxy.falmouth.ac.uk/login?url=http://site.ebrary.com/lib/falmouth/Doc?id=10183538.

Donen, Stanley, Gene Kelly, Donald O’Connor, and Debbie Reynolds. n.d. ‘Singin’ in the Rain’. Warner Brothers DVD.

Dyer, Richard. 2000. ‘Sections "Stars as Images; Stars and “Character”; Living Stars” [IN] The Film Studies Reader’. In The Film Studies Reader, 121–34. London: Arnold.

Dyer, Richard. 2009b. ‘Stars [IN] Film Theory and Criticism: Introductory Readings’. In Film Theory and Criticism: Introductory Readings, 7th ed, 480–85. New York: Oxford University Press.

Ellis, John. 2004. ‘Stars as a Cinematic Phenomenon [IN] Film Theory and Criticism: Introductory Readings’. In Film Theory and Criticism: Introductory Readings, 6th ed. New York: Oxford University Press.

Faulkner, Christopher. 1986. The Social Cinema of Jean Renoir. Guildford: Princeton University Press.

Fellini, Federico, Pupella Maggio, and Magali Noel. n.d. ‘Amarcord’. Warner Bros DVD.

Fellini, Federico, Mastroianni, Marcello, and Cardinale, Claudia. n.d. ‘8 1/2’. Nouveaux Pictures DVD.

Fellini, Federico, Mastroianni, Marcello, and Ekberg, Anita. n.d. ‘La Dolce Vita’. Nouveaux Pictures DVD.

Field, Douglas. 2005. American Cold War Culture. Edinburgh: Edinburgh University Press.

Fischer, Lucy, and Marcia Landy. 2004. Stars: The Film Reader. London: Routledge.

Flitterman-Lewis, Sandy. 1996. ‘Varda in Context: French Film Production in the Early Sixties – the New Wave [IN] To Desire Differently: Feminism and the French Cinema’. In To Desire Differently: Feminism and the French Cinema, Expanded ed.,Morningside ed, 248–67. New York: Columbia University Press.

Ford, John, Wayne, John, and Hunter, Jeffrey. n.d. ‘The Searchers’. Warner DVD.

Fowler, Catherine. 2002. The European Cinema Reader. London: Routledge.

Fraser, George MacDonald and Kobal Collection. 1989. The Hollywood History of the World: From One Million Years B.C. to Apocalypse Now. 1st Ballatine Books ed. New York: Fawcett Columbine.

Gazetas, Aristides. 2008. ‘Symbolist Traditions in the Cinema: 1950s-1970s [IN] An Introduction to World Cinema’. In An Introduction to World Cinema, 2nd ed, 190–201. Jefferson, N.C.: McFarland.

Gibbs, Michael H. and ebrary, Inc. 2012. Film and Political Culture in Postwar Japan. Electronic resource. Vol. Framing film : the history and art of cinema. New York: Peter Lang. http://ezproxy.falmouth.ac.uk/login?url=http://site.ebrary.com/lib/falmouth/Doc?id=10562707.

Gillett, Philip. 2008. Movie Greats: A Critical Study of Classic Cinema. Oxford: Berg.

Gledhill, Christine. 1991. Stardom: Industry of Desire. London: Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203400425.

Godard, Jean-Luc, Brigitte Bardot, and Michel Piccoli. n.d. ‘Le Mepris’. Studio Canal DVD.

Godard, Jean-Luc, Belmondo, Jean-Paul, and Seberg, Jean. n.d. ‘Breathless [A Bout de Souffle]’. Optimum DVD.

Godard, Jean-Luc, Darc, Mireille, and Yanne, Jean. n.d. ‘Weekend’. Artificial Eye DVD.

Godard, Jean-Luc, Anna Karin, and Sami Frey. n.d. ‘Bande a Part’. BFI DVD.

Godard, Jean-Luc, Karina, Anna, and Rebbot, Saddy. 11AD. ‘Vivre Sa Vie’. Ch4.

Hawks, Howard, Cary Grant, and Rosalind Russell. n.d. ‘His Girl Friday’. Elstree Hill DVD. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F00002B64%3Fbcast%3D33277449.

Hayward, Susan, and Ginette Vincendeau. 2000. French Film: Texts and Contexts. 2nd ed. London and New York: Routledge.

Herzog, Werner, Klaus Kinski, and Ruy Guerra. n.d. ‘Aguirre, Wrath of God [Aguirre, Der Zorn Gottes]’. Anchor Bay DVD.

Higson, A. 1984. ‘Space, Place, Spectacle’. Screen 25 (4–5): 2–21. https://doi.org/10.1093/screen/25.4-5.2.

Hill, John. 1986. Sex, Class and Realism: British Cinema 1956-1963. London: British Film Institute.

Hill, John and Gibson, Pamela Church. 2000. American Cinema and Hollywood: Critical Approaches. Oxford: Oxford University Press.

Hillier, Jim and British Film Institute. 1985. Cahiers Du Cinema: Neo-Realism, Hollywood, New Wave, The 1950s. Vol. Harvard film studies. Cambridge, Mass: Harvard University Press.

Hitchcock, Alfred, Perkins, Anthony, and Leigh, Janet. n.d. ‘Psycho’. Universal DVD.

Hitchcock, Alfred, Stewart, James, and Novak, Kim. n.d. ‘Vertigo’. Universal DVD.

Hutchens, Peter. 2009. ‘Beyond the New Wave: Realism in British Cinema, 1959-63 [IN] The British Cinema Book’. In The British Cinema Book, 3rd ed, 304–12. Basingstoke: Palgrave Macmillan.

‘Jean Renoir on Technology and Art : The New Yorker’. n.d.

Kerr, Paul. 1986. The Hollywood Film Industry: A Reader. London: Routledge & Kegan Paul in association with the British Film Institute.

Kovács, András Bálint. 2007. Screening Modernism: European Art Cinema, 1950-1980. Vol. Cinema and modernity. Chicago, Ill: University of Chicago Press. http://ezproxy.falmouth.ac.uk/login?url=http://site.ebrary.com/lib/falmouth/Doc?id=10266077.

Kubrick, Stanley, Mason, James, Winters, Shelley, and Sellers, Peter. n.d. ‘Lolita’. Warner video.

Kubrick, Stanley, Ryan O’Neal, and Marisa Berenson. n.d. ‘Barry Lyndon’. Warner Brothers DVD.

Kurosawa, Akira, Mifune, Toshiro, and Kyo, Machiko. 2008. ‘Rashomon’. Optimum. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F001F9C90%3Fbcast%3D105813089.

Kurosawa, Akira, Mifune, Toshiro, and Nakadai, Tatsuya. n.d. ‘Sanjuro’. BFI DVD.

Kurosawa, Akira, Mifune, Toshiro, and Tono, Eijiro. n.d. ‘Yojimbo’. BFI.

Kurosawa, Akira, Shimura, Takashi, and Kaneko, Nobuo. 26AD. ‘Ikiru’. BBC Knowledge.

Laughton, Charles, Robert Mitchum, and Shelley Winters. n.d. ‘The Night of the Hunter’. MGM DVD.

Lay, Samantha. 2002. ‘Social Realism in the British Context [IN] British Social Realism: From Documentary to Brit-Grit’. In British Social Realism: From Documentary to Brit-Grit, Short cuts:5–23. London and New York: Wallflower.

Lean, David, Alec Guinness, and Anthony Quinn. n.d. ‘Lawrence of Arabia’. Columbia Tristar Home Entertainment DVD.

Lefait, Sebastien. 2013. Surveillance on Screen: Monitoring Contemporary Films and Television Programs. Electronic resource. Lanham, Md: Scarecrow Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780810885912.

Lupino, Ida, Frank Lovejoy, and Edmond O’Brien. n.d. ‘The Hitch Hiker’. St Clair Vision DVD.

Lynch, David, Kyle MacLachlan, Isabella Rossellini, and Dennis Hopper. n.d. ‘Blue Velvet’. Sanctuary DVD.

Lynch, David, Justin Theroux, and Naomi Watts. n.d. ‘Mulholland Drive’. Universal Studios.

Macnab, Geoffrey and ebrary, Inc. 2009. Ingmar Bergman: The Life and Films of the Last Great European Director. Electronic resource. London: Distributed in the United States and Canada Exclusively by Palgrave Macmillan.

Maland, Charles. 1979. ‘Dr. Strangelove (1964): Nightmare Comedy and the Ideology of Liberal Consensus’. American Quarterly 31 (5). https://doi.org/10.2307/2712432.

Mizoguchi, Kenji, Masayuki Mori, Machiko Kyo, and Kinuyo Tanaka. n.d. ‘Ugetsu’. Criterion Collection DVD.

Neupert, Richard John and ebrary, Inc. 2007. A History of the French New Wave Cinema. Electronic resource. 2nd ed. Vol. Wisconsin studies in film. Madison: University of Wisconsin Press.

Orr, John. 2010. Romantics and Modernists in British Cinema. Electronic resource. Edinburgh: Edinburgh University Press. http://falmouth.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=1144283410005136&institutionId=5136&customerId=5135.

O’Shaughnessy, Martin. 2000. Jean Renoir. Vol. French film directors. Manchester, UK: Manchester University Press.

O’Shaughnessy, Martin. 2009c. ‘Reception [IN] La Grande Illusion: (Jean Renoir, 1937)’. Electronic resource. In La Grande Illusion: (Jean Renoir, 1937), Ciné-Files: the French film guides:99–110. London: Distributed in the United States and Canada exclusively by Palgrave Macmillan. http://ebookcentral.proquest.com/lib/falmouth-ebooks/reader.action?ppg=108&docID=676960&tm=1497953105554.

Oshima, Nagisa. 13AD. ‘The Century of Cinema: 100 Years of Japanese Cinema’. Oshima Production for Ch4. http://trlibdocs.fxplus.ac.uk/KalturaWeb/kaltura.php?vid=0_wi1xksdj.

Ostrowska, Dorota. 2008. Reading the French New Wave: Critics, Writers and Art Cinema in France. London: Wallflower.

Ozu, Yasujiro, Ryu, Chishu, and Hara, Setsuko. n.d. ‘Late Spring [Banshun]’. Tartan DVD.

Ozu, Yasujiro, Ryu, Chishu, and Higashiyama, Chieko. n.d. ‘Tokyo Story [Tokyo Monogatari]’. Tartan DVD.

Pakula, Alan J, Redford, Robert, and Hoffman, Dustin. n.d. ‘All the President’s Men’. Warner Brothers DVD.

Phillips, Alastair and Stringer, Julian. 2007. Japanese Cinema: Texts and Contexts. Electronic resource. London: Routledge.

Pontecorvo, Gillo, Hadjadj, Brahim, Martin, Jean, and Saadi, Yacef. n.d. ‘The Battle of Algiers [La Battaglia Di Alger]i: Disc I’. Criterion Collection DVD.

Potter, Sally, Tilda Swinton, and Billy Zane. n.d. ‘Orlando’. Artificial Eye DVD.

Powell, Michael, Emeric Pressburger, Deborah Kerr, and Jean Simmons. n.d. ‘Black Narcissus’. Network DVD.

Powell, Michael, Emeric Pressburger, David Niven, and Roger Livesey. n.d. ‘A Matter of Life and Death’. Carlton DVD.

Pratt, Ray. 2001. ‘You May Think You Know What’s Going On Here [IN] Projecting Paranoia’. In Projecting Paranoia: Conspiratorial Visions in American Film, 87–112. [Great Britain]: University Press of Kansas.

Ray, Satyajit, Kanu Bannerjee, and Uma Das Gupta. n.d. ‘Pather Panchali’. Artificial Eye DVD.

Reed, Carol, Joseph Cotten, and Orson Welles. n.d. ‘The Third Man’. Optimum DVD.

Renoir, Jean. 4AD. ‘Jean Renoir: Part I: From La Belle Epoque to World War II’. BBC1.

———. 11AD. ‘Jean Renoir: Part II: Hollywood and Beyond’. BBC1.

Renoir, Jean, Fresnay, Pierre, and Von Stroheim, Erich. n.d. ‘La Grande Illusion’. Optimum World DVD. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F001DA462%3Fbcast%3D106995379.

Renoir, Jean, Gregor, Nora, and Dalio, Marcel. n.d. ‘La Regle Du Jeu’. BFI DVD.

Richardson, Tony, Burton, Richard, Bloom, Claire, and Osborne, John. n.d. ‘Look Back In Anger’. MGM DVD.

Richardson, Tony, Courtenay, Tom, and Redgrave, Michael. n.d. ‘The Loneliness of the Long Distance Runner’. British Film Insititue DVD.

Richardson, Tony, Rita Tushingham, and Dora Bryan. n.d. ‘A Taste of Honey’. BFI video.

Richie, Donald. 1990. Japanese Cinema: An Introduction. Vol. Images of Asia. Hong Kong: Oxford University Press.

Rosenbaum, Jonathan. 2008. ‘Introduction [IN] Essential Cinema: On the Necessity of Film Canons’. Electronic resource. In Essential Cinema: On the Necessity of Film Canons, Johns Hopkins pbk. ed, xi–xxi. Baltimore, Md: Johns Hopkins University Press. http://ebookcentral.proquest.com/lib/falmouth-ebooks/reader.action?ppg=12&docID=3318521&tm=1497952617295.

Russell, Catherine. 2011. Classical Japanese Cinema Revisited. Electronic resource. London: Continuum.

Ryan, Michael and Kellner, Douglas. 1990. Camera Politica: The Politics and Ideology of Contemporary Hollywood Film. Bloomington, Ind: Indiana University Press.

Schrader, Paul. 2006. ‘Canon Fodder: As the Sun Finally Sets on the Century of Cinema, by What Criteria Do We Determine Its Masterworks?’ Film Comment Sept-Oct: 33–49. http://paulschrader.org/articles/pdf/2006-FilmComment_Schrader.pdf.

Scorsese, Martin, De Niro, Robert, and Keitel, Harvey. n.d. ‘Mean Streets’. Universal DVD.

Scorsese, Martin, De Niro, Robert, and Pesci, Joe. n.d. ‘Raging Bull’. MGM DVD.

Scott, Ridley, Harrison Ford, and Rutger Hauer. n.d. ‘Blade Runner’. Warner DVD.

Shelton, Bob. 2003. ‘Chapter on Renoir [IN] A Cultural Study of the Art Film: Book 1’. In A Cultural Study of the Art Film: Book 1, 143–55. Lewiston: Edwin Mellen Press.

Sica, Vittorio de, Carlo Battisti, and Maria Casilio. n.d. ‘Umberto D’. Nouveaux DVD.

Sica, Vittorio de, Maggiorani, Lamberto, and Carell, Lianella. n.d. ‘Bicycle Thieves [Ladri Di Biciclette]’. Arrow Films DVD.

Singer, Irving. 2007. Ingmar Bergman, Cinematic Philosopher: Reflections on His Creativity. Cambridge, Mass: MIT Press. https://ebookcentral.proquest.com/lib/falmouth-ebooks/detail.action?docID=3338746.

Smith, Alison. 1998. Agnes Varda. Vol. French film directors. Manchester: Manchester University Press.

Standish, Isolde. 2006. A New History of Japanese Cinema: A Century of Narrative Film. London: Continuum International Publishing Group - Academi. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441161543.

Street, Sarah. 2009. British National Cinema. 2nd ed. Vol. National cinemas. London: Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203868997.

Tarkovskii, Andrei Arsenevich, Bondarchuk, Natalya, and Banionas, Donatas. n.d. ‘Solaris: Disc I’. Artificial Eye DVD.

Tarkovskii, Andrei Arsenevich, Kaidanovsky, Aleksandr, and Solonitsyn, Anatoly. n.d. ‘Stalker: Disc I: Part I’. Artificial Eye DVD.

Tati, Jacques. n.d. ‘Playtime’. BFI DVD.

Toro, Guillermo del, Sergi López, Maribel Verdú, and Ivana Baquero. n.d. ‘Pan’s Labyrinth [El Laberinto Del Fauno]’. Optimum World DVD.

Truffaut, Francois, Leaud, Jean-Pierre, and Maurier, Claire. n.d. ‘The 400 Blows [Les Quatre Cents Coups]’. 2 Entertain DVD.

Varda, Agnes, Corinne Marchand, and Antoine Bourseiller. n.d. ‘Cléo de 5 À 7’. Criterion Collection DVD.

Virginia Wright Wexman. n.d. ‘The Critic as Consumer: Film Study in the University, “Vertigo”, and the Film Canon’. Film Quarterly Vol. 39 (No. 3): 32–41.

Welles, Orson, Cotten, Joseph, Costello, Dolores, and Baxter, Anne. n.d. ‘The Magnificent Ambersons’. Universal DVD.

Welles, Orson, Cotton, Joseph, and Moorhead, Agnes. 13AD. ‘Citizen Kane’. BBC2. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000A6D70%3Fbcast%3D38970013.

Welles, Orson, Perkins, Anthony, Moreau, Jeanne, and Schneider, Romy. n.d. ‘The Trial [Le Proces]’. Elstree Hill Entertainment DVD.

Wenders, Wim, 1945-, Bruno Ganz, Solveig Dommartin, Otto Sander, Curt Bois, and Peter Falk. n.d. ‘Wings of Desire [Der Himmel Über Berlin]’. Anchor Bay Entertainment DVD.

Wenders, Wim, 1945-, Harry Dean Stanton, Nastassja Kinski, Dean Stockwell, Aurore Clement, and Hunter Carson. n.d. ‘Paris, Texas’. Anchor Bay Entertainment DVD.

Wexman, Virginia Wright. 2003. Film and Authorship. Vol. Rutgers depth of field series. London: Rutgers University Press.

Wilder, Billy, Curtis, Tony, Lemmon, Jack, and Monroe, Marilyn. n.d. ‘Some like It Hot: Disc I’. Cinema Reserve.

Wilder, Billy, William Holden, and Gloria Swanson. n.d. ‘Sunset Boulevard’. Paramount DVD.

Wilder, Billy, Barbara Stanwyck, and Fred MacMurray. n.d. ‘Double Indemnity’. Universal DVD.

Wong, Kar Wai, Maggie Cheung, and Tony Chiu Wai Leung. n.d. ‘In the Mood for Love [Fa Yeung Nin Wa]’. Araba DVD.

Wood, Robin. 1969. Ingmar Bergman. London: Studio Vista. http://ezproxy.falmouth.ac.uk/login?url=http://site.ebrary.com/lib/falmouth/Doc?id=10715470.

Yoshimoto, Mitsuhiro. 2000. ‘Japanese Cinema in Search of a Discipline [IN] Kurosawa: Film Studies and Japanese Cinema’. In Kurosawa: Film Studies and Japanese Cinema, Asia-Pacific : culture, politics, and society:7–49. Durham, NC: Duke University Press.

Younger, Prakash. 2011. ‘Film as Art [IN] The Routledge Companion to Film History’. In The Routledge Companion to Film History, 27–38. London: Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203841532.

Bibliography for FLM170 Film History and the Canon BETA