[1]
Akerman, C. et al. I, you, he, she [Je, tu, il, elle]. Eclipse Criterion Collection DVD.
[2]
Akerman, C. et al. 1975. Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles: Disc I.
[3]
Anderson, Lindsay et al. 14AD. This sporting life. BBC2.
[4]
Andrew, Geoff 2001. Film: the critics’ choice. ; 150 masterpieces of world cinema selected and defined by the experts. Aurum.
[5]
Antonioni, M. et al. The Passenger. Sony DVD.
[6]
Antonioni, Michelangelo et al. 2009. Blow-up. Turner Entertainment.
[7]
Antonioni, Michelangelo et al. 2008. L’Avventura. Mr Bongo.
[8]
Arnold, Gordon B. 2008. Scandal and Skepticism [IN] Conspiracy theory in film, television, and politics. Conspiracy theory in film, television, and politics. Praeger. 89–111.
[9]
Arthur Marwick 1984. Room at the Top, Saturday Night and Sunday Morning, and the ‘Cultural Revolution’ in Britain. Journal of Contemporary History. 19, 1 (1984), 127–152.
[10]
Benyahia, Sarah Casey. and Mortimer, Claire, 1964- 2013. The History of the Canon [IN] Doing film studies: a subject guide for students. Doing film studies: a subject guide for students. Routledge. 27–39.
[11]
Bergman, Ingmar et al. Persona: uncensored director’s cut. Tartan DVD.
[12]
Bergman, Ingmar et al. The Seventh seal [Det Sjunde inseglet]. Palisades Tartan DVD.
[13]
Bergman, Ingmar et al. 19AD. Wild Strawberries [Smultronstället]. BBC2.
[14]
Betz, M. 2009. Recovering European Art Cinema [IN] Beyond the subtitle: remapping European art cinema. Beyond the subtitle: remapping European art cinema. University of Minnesota Press. 1–20.
[15]
Bunuel, L. et al. The Exterminating angel [El Angel exterminador]. Arrow Films DVD.
[16]
Bunuel, L. et al. Viridiana. Arrow DVD.
[17]
Campion, J. et al. The Piano. Optimum DVD.
[18]
Carne, M. et al. Les Enfants du Paradis. Second Sight DVD.
[19]
Cartmell, Deborah and ebrary, Inc 2000. Classics in film and fiction. Pluto Press.
[20]
Cook, D. A. 2003. The French New Wave and its Native Context [IN] A history of narrative film. A history of narrative film. W.W. Norton.
[21]
Coppola, F.F. et al. The Conversation. Studio Canal DVD.
[22]
Coppola, Francis Ford et al. The Godfather. Paramount DVD.
[23]
Coppola, Francis Ford et al. The Godfather Part II: Disc I. Paramount DVD.
[24]
Cowie, Peter 2004. Revolution!: the explosion of world cinema in the 60s. Faber.
[25]
Crowther, Paul 2011. Defining art, creating the canon: artistic value in an era of doubt. Clarendon.
[26]
Cukor, George et al. Adam’s Rib. WB DVD.
[27]
Cukor, George et al. 12AD. Camille. Ch4.
[28]
Curtiz, M. et al. Mildred Pierce. Warner Brothers DVD.
[29]
Decherney, P. 2005. Hollywood and the culture elite: how the movies became American. Columbia University Press.
[30]
Donen, S. et al. Singin’ in the rain. Warner Brothers DVD.
[31]
Dyer, R. 2000. Sections "Stars as Images; Stars and ‘Character’; Living Stars” [IN] The film studies reader. The film studies reader. Arnold. 121–134.
[32]
Dyer, Richard 2009. Stars [IN] Film theory and criticism: introductory readings. Film theory and criticism: introductory readings. Oxford University Press. 480–485.
[33]
Ellis, J. 2004. Stars as a Cinematic Phenomenon [IN] Film theory and criticism: introductory readings. Film theory and criticism: introductory readings. Oxford University Press.
[34]
Faulkner, Christopher 1986. The social cinema of Jean Renoir. Princeton University Press.
[35]
Fellini, F. et al. Amarcord. Warner Bros DVD.
[36]
Fellini, Federico et al. 8 1/2. Nouveaux Pictures DVD.
[37]
Fellini, Federico et al. La Dolce Vita. Nouveaux Pictures DVD.
[38]
Field, D. 2005. American Cold War culture. Edinburgh University Press.
[39]
Fischer, L. and Landy, M. 2004. Stars: the film reader. Routledge.
[40]
Flitterman-Lewis, Sandy 1996. Varda in Context: French Film Production in the Early Sixties – the New Wave [IN] To desire differently: feminism and the French cinema. To desire differently: feminism and the French cinema. Columbia University Press. 248–267.
[41]
Ford, John et al. The Searchers. Warner DVD.
[42]
Fowler, C. 2002. The European cinema reader. Routledge.
[43]
Fraser, George MacDonald and Kobal Collection 1989. The Hollywood history of the world: from One million years B.C. to Apocalypse now. Fawcett Columbine.
[44]
Gazetas, A. 2008. Symbolist Traditions in the Cinema: 1950s-1970s [IN] An introduction to world cinema. An introduction to world cinema. McFarland. 190–201.
[45]
Gibbs, M.H. and ebrary, Inc 2012. Film and political culture in postwar Japan. Peter Lang.
[46]
Gillett, P. 2008. Movie greats: a critical study of classic cinema. Berg.
[47]
Gledhill, C. 1991. Stardom: industry of desire. Routledge.
[48]
Godard, Jean-Luc et al. Breathless [A Bout de souffle]. Optimum DVD.
[49]
Godard, Jean-Luc et al. 11AD. Vivre Sa Vie. Ch4.
[50]
Godard, Jean-Luc et al. Weekend. Artificial Eye DVD.
[51]
Godard, J.-L. et al. Bande a part. BFI DVD.
[52]
Godard, J.-L. et al. Le mepris. Studio Canal DVD.
[53]
Hawks, H. et al. His girl friday. Elstree Hill DVD.
[54]
Hayward, S. and Vincendeau, G. 2000. French film: texts and contexts. Routledge.
[55]
Herzog, W. et al. Aguirre, Wrath of God [Aguirre, der Zorn Gottes]. Anchor Bay DVD.
[56]
Higson, A. 1984. Space, Place, Spectacle. Screen. 25, 4–5 (Aug. 1984), 2–21. DOI:https://doi.org/10.1093/screen/25.4-5.2.
[57]
Hill, John 1986. Sex, class and realism: British cinema 1956-1963. British Film Institute.
[58]
Hill, John and Gibson, Pamela Church 2000. American cinema and Hollywood: critical approaches. Oxford University Press.
[59]
Hillier, J. and British Film Institute 1985. Cahiers du cinema: neo-realism, Hollywood, new wave, The 1950s. Harvard University Press.
[60]
Hitchcock, Alfred et al. Psycho. Universal DVD.
[61]
Hitchcock, Alfred et al. Vertigo. Universal DVD.
[62]
Hutchens, P. 2009. Beyond the New Wave: Realism in British Cinema, 1959-63 [IN] The British cinema book. The British cinema book. Palgrave Macmillan. 304–312.
[63]
Jean Renoir on Technology and Art : The New Yorker: .
[64]
Kerr, Paul 1986. The Hollywood film industry: a reader. Routledge & Kegan Paul in association with the British Film Institute.
[65]
Kovács, A.B. 2007. Screening modernism: European art cinema, 1950-1980. University of Chicago Press.
[66]
Kubrick, S. et al. Barry Lyndon. Warner Brothers DVD.
[67]
Kubrick, Stanley et al. Lolita. Warner video.
[68]
Kurosawa, Akira et al. 26AD. Ikiru. BBC Knowledge.
[69]
Kurosawa, Akira et al. 2008. Rashomon. Optimum.
[70]
Kurosawa, Akira et al. Sanjuro. BFI DVD.
[71]
Kurosawa, Akira et al. Yojimbo. BFI.
[72]
Laughton, C. et al. The Night of the hunter. MGM DVD.
[73]
Lay, Samantha 2002. Social Realism in the British Context [IN] British social realism: from documentary to Brit-grit. British social realism: from documentary to Brit-grit. Wallflower. 5–23.
[74]
Lean, D. et al. Lawrence of Arabia. Columbia Tristar Home Entertainment DVD.
[75]
Lefait, S. 2013. Surveillance on screen: monitoring contemporary films and television programs. Scarecrow Press.
[76]
Lupino, I. et al. The Hitch Hiker. St Clair Vision DVD.
[77]
Lynch, D. et al. Blue Velvet. Sanctuary DVD.
[78]
Lynch, D. et al. Mulholland Drive. Universal Studios.
[79]
Macnab, Geoffrey and ebrary, Inc 2009. Ingmar Bergman: the life and films of the last great European director. Distributed in the United States and Canada Exclusively by Palgrave Macmillan.
[80]
Maland, C. 1979. Dr. Strangelove (1964): Nightmare Comedy and the Ideology of Liberal Consensus. American Quarterly. 31, 5 (Winter 1979). DOI:https://doi.org/10.2307/2712432.
[81]
Mizoguchi, K. et al. Ugetsu. Criterion Collection DVD.
[82]
Neupert, Richard John and ebrary, Inc 2007. A history of the French new wave cinema. University of Wisconsin Press.
[83]
Orr, J. 2010. Romantics and modernists in British cinema. Edinburgh University Press.
[84]
O’Shaughnessy, M. 2000. Jean Renoir. Manchester University Press.
[85]
O’Shaughnessy, Martin 2009. Reception [IN] La grande illusion: (Jean Renoir, 1937). La grande illusion: (Jean Renoir, 1937). Distributed in the United States and Canada exclusively by Palgrave Macmillan. 99–110.
[86]
Oshima, Nagisa 13AD. The Century of Cinema: 100 years of Japanese cinema. Oshima Production for Ch4.
[87]
Ostrowska, D. 2008. Reading the French new wave: critics, writers and art cinema in France. Wallflower.
[88]
Ozu, Yasujiro et al. Late Spring [Banshun]. Tartan DVD.
[89]
Ozu, Yasujiro et al. Tokyo Story [Tokyo monogatari]. Tartan DVD.
[90]
Pakula, Alan J et al. All the President’s men. Warner Brothers DVD.
[91]
Phillips, Alastair and Stringer, Julian 2007. Japanese cinema: texts and contexts. Routledge.
[92]
Pontecorvo, Gillo et al. The Battle of Algiers [La Battaglia di Alger]i: Disc I. Criterion Collection DVD.
[93]
Potter, S. et al. Orlando. Artificial Eye DVD.
[94]
Powell, M. et al. A Matter of life and death. Carlton DVD.
[95]
Powell, M. et al. Black narcissus. Network DVD.
[96]
Pratt, R. 2001. You May Think You Know What’s Going On Here [IN] Projecting paranoia. Projecting paranoia: conspiratorial visions in American film. University Press of Kansas. 87–112.
[97]
Ray, S. et al. Pather Panchali. Artificial Eye DVD.
[98]
Reed, C. et al. The Third man. Optimum DVD.
[99]
Renoir, Jean 4AD. Jean Renoir: Part I: From La Belle Epoque to World War II. BBC1.
[100]
Renoir, Jean 11AD. Jean Renoir: Part II: Hollywood and beyond. BBC1.
[101]
Renoir, Jean et al. La Grande Illusion. Optimum World DVD.
[102]
Renoir, Jean et al. La Regle du jeu. BFI DVD.
[103]
Richardson, T. et al. A Taste of honey. BFI video.
[104]
Richardson, Tony et al. Look Back In Anger. MGM DVD.
[105]
Richardson, Tony et al. The Loneliness of the long distance runner. British Film Insititue DVD.
[106]
Richie, D. 1990. Japanese cinema: an introduction. Oxford University Press.
[107]
Rosenbaum, J. 2008. Introduction [IN] Essential cinema: on the necessity of film canons. Essential cinema: on the necessity of film canons. Johns Hopkins University Press. xi–xxi.
[108]
Russell, Catherine 2011. Classical Japanese cinema revisited. Continuum.
[109]
Ryan, Michael and Kellner, Douglas 1990. Camera politica: the politics and ideology of contemporary Hollywood film. Indiana University Press.
[110]
Schrader, Paul 2006. Canon Fodder: As the sun finally sets on the century of cinema, by what criteria do we determine its masterworks? Film Comment. Sept-Oct, (2006), 33–49.
[111]
Scorsese, Martin et al. Mean streets. Universal DVD.
[112]
Scorsese, Martin et al. Raging bull. MGM DVD.
[113]
Scott, R. et al. Blade Runner. Warner DVD.
[114]
Shelton, B. 2003. Chapter on Renoir [IN] A cultural study of the art film: book 1. A cultural study of the art film: book 1. Edwin Mellen Press. 143–155.
[115]
Sica, V. de et al. Umberto D. Nouveaux DVD.
[116]
Sica, Vittorio de et al. Bicycle Thieves [Ladri di Biciclette]. Arrow Films DVD.
[117]
Singer, I. 2007. Ingmar Bergman, cinematic philosopher: reflections on his creativity. MIT Press.
[118]
Smith, A. 1998. Agnes Varda. Manchester University Press.
[119]
Standish, Isolde 2006. A new history of Japanese cinema: a century of narrative film. Continuum International Publishing Group - Academi.
[120]
Street, S. 2009. British national cinema. Routledge.
[121]
Tarkovskii, Andrei Arsenevich et al. Solaris: Disc I. Artificial Eye DVD.
[122]
Tarkovskii, Andrei Arsenevich et al. Stalker: Disc I: Part I. Artificial Eye DVD.
[123]
Tati, Jacques Playtime. BFI DVD.
[124]
Toro, G. del et al. Pan’s Labyrinth [El Laberinto del fauno]. Optimum World DVD.
[125]
Truffaut, Francois et al. The 400 Blows [Les Quatre Cents Coups]. 2 Entertain DVD.
[126]
Varda, A. et al. Cléo de 5 à 7. Criterion Collection DVD.
[127]
Virginia Wright Wexman The Critic as Consumer: Film Study in the University, ‘Vertigo’, and the Film Canon. Film Quarterly. Vol. 39, No. 3, 32–41.
[128]
Welles, Orson et al. 13AD. Citizen Kane. BBC2.
[129]
Welles, Orson et al. The magnificent Ambersons. Universal DVD.
[130]
Welles, Orson et al. The Trial [Le proces]. Elstree Hill Entertainment DVD.
[131]
Wenders, Wim, 1945- et al. Paris, Texas. Anchor Bay Entertainment DVD.
[132]
Wenders, Wim, 1945- et al. Wings of Desire [Der Himmel über Berlin]. Anchor Bay Entertainment DVD.
[133]
Wexman, Virginia Wright 2003. Film and authorship. Rutgers University Press.
[134]
Wilder, B. et al. Double Indemnity. Universal DVD.
[135]
Wilder, B. et al. Sunset Boulevard. Paramount DVD.
[136]
Wilder, Billy et al. Some like it hot: Disc I. Cinema Reserve.
[137]
Wong, K.W. et al. In the mood for love [Fa yeung nin wa].
[138]
Wood, Robin 1969. Ingmar Bergman. Studio Vista.
[139]
Yoshimoto, M. 2000. Japanese Cinema in Search of a discipline [IN] Kurosawa: film studies and Japanese cinema. Kurosawa: film studies and Japanese cinema. Duke University Press. 7–49.
[140]
Younger, P. 2011. Film as art [IN] The Routledge companion to film history. The Routledge companion to film history. Routledge. 27–38.