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Welles, Orson, Cotton, Joseph, & Moorhead, Agnes. Citizen Kane. (13AD).
2.
Benyahia, Sarah Casey. & Mortimer, Claire, 1964-. The History of the Canon [IN] Doing film studies: a subject guide for students. in Doing film studies: a subject guide for students 27–39 (Routledge, 2013).
3.
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Crowther, Paul. Defining art, creating the canon: artistic value in an era of doubt. (Clarendon, 2011).
5.
Gillett, P. Movie greats: a critical study of classic cinema. (Berg, 2008).
6.
Rosenbaum, J. Introduction [IN] Essential cinema: on the necessity of film canons. in Essential cinema: on the necessity of film canons xi–xxi (Johns Hopkins University Press, 2008).
7.
Schrader, Paul. Canon Fodder: As the sun finally sets on the century of cinema, by what criteria do we determine its masterworks? Film Comment Sept-Oct, 33–49 (2006).
8.
Virginia Wright Wexman. The Critic as Consumer: Film Study in the University, ‘Vertigo’, and the Film Canon. Film Quarterly Vol. 39, 32–41.
9.
Renoir, Jean, Fresnay, Pierre, & Von Stroheim, Erich. La Grande Illusion.
10.
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11.
Faulkner, Christopher. The social cinema of Jean Renoir. (Princeton University Press, 1986).
12.
Fowler, C. The European cinema reader. (Routledge, 2002).
13.
O’Shaughnessy, M. Jean Renoir. vol. French film directors (Manchester University Press, 2000).
14.
O’Shaughnessy, Martin. Reception [IN] La grande illusion: (Jean Renoir, 1937). in La grande illusion: (Jean Renoir, 1937) vol. Ciné-Files: the French film guides 99–110 (Distributed in the United States and Canada exclusively by Palgrave Macmillan, 2009).
15.
Renoir, Jean. Jean Renoir: Part I: From La Belle Epoque to World War II. vol. OMNIBUS (4AD).
16.
Renoir, Jean. Jean Renoir: Part II: Hollywood and beyond. vol. OMNIBUS (11AD).
17.
Shelton, B. Chapter on Renoir [IN] A cultural study of the art film: book 1. in A cultural study of the art film: book 1 143–155 (Edwin Mellen Press, 2003).
18.
Jean Renoir on Technology and Art : The New Yorker.
19.
Hawks, H., Grant, C. & Russell, R. His girl friday.
20.
Dyer, R. Sections "Stars as Images; Stars and ‘Character’; Living Stars” [IN] The film studies reader. in The film studies reader 121–134 (Arnold, 2000).
21.
Decherney, P. Hollywood and the culture elite: how the movies became American. vol. Film and culture (Columbia University Press, 2005).
22.
Fischer, L. & Landy, M. Stars: the film reader. (Routledge, 2004).
23.
Gledhill, C. Stardom: industry of desire. (Routledge, 1991).
24.
Dyer, Richard. Stars [IN] Film theory and criticism: introductory readings. in Film theory and criticism: introductory readings 480–485 (Oxford University Press, 2009).
25.
Ellis, J. Stars as a Cinematic Phenomenon [IN] Film theory and criticism: introductory readings. in Film theory and criticism: introductory readings (Oxford University Press, 2004).
26.
Hill, John & Gibson, Pamela Church. American cinema and Hollywood: critical approaches. (Oxford University Press, 2000).
27.
Kerr, Paul. The Hollywood film industry: a reader. (Routledge & Kegan Paul in association with the British Film Institute, 1986).
28.
Fraser, George MacDonald & Kobal Collection. The Hollywood history of the world: from One million years B.C. to Apocalypse now. (Fawcett Columbine, 1989).
29.
Bergman, Ingmar, Sydow, Max von, Bjornstrand, Gunnar, & Ekerot, Bengt. The Seventh seal [Det Sjunde inseglet].
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Betz, M. Recovering European Art Cinema [IN] Beyond the subtitle: remapping European art cinema. in Beyond the subtitle: remapping European art cinema 1–20 (University of Minnesota Press, 2009).
31.
Gazetas, A. Symbolist Traditions in the Cinema: 1950s-1970s [IN] An introduction to world cinema. in An introduction to world cinema 190–201 (McFarland, 2008).
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Macnab, Geoffrey & ebrary, Inc. Ingmar Bergman: the life and films of the last great European director. (Distributed in the United States and Canada Exclusively by Palgrave Macmillan, 2009).
33.
Singer, I. Ingmar Bergman, cinematic philosopher: reflections on his creativity. (MIT Press, 2007).
34.
Wood, Robin. Ingmar Bergman. (Studio Vista, 1969).
35.
Wexman, Virginia Wright. Film and authorship. vol. Rutgers depth of field series (Rutgers University Press, 2003).
36.
Kovács, A. B. Screening modernism: European art cinema, 1950-1980. vol. Cinema and modernity (University of Chicago Press, 2007).
37.
Kurosawa, Akira, Mifune, Toshiro, & Kyo, Machiko. Rashomon. (2008).
38.
Yoshimoto, M. Japanese Cinema in Search of a discipline [IN] Kurosawa: film studies and Japanese cinema. in Kurosawa: film studies and Japanese cinema vol. Asia-Pacific : culture, politics, and society 7–49 (Duke University Press, 2000).
39.
Andrew, Geoff. Film: the critics’ choice. ; 150 masterpieces of world cinema selected and defined by the experts. (Aurum, 2001).
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Gibbs, M. H. & ebrary, Inc. Film and political culture in postwar Japan. vol. Framing film : the history and art of cinema (Peter Lang, 2012).
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43.
Russell, Catherine. Classical Japanese cinema revisited. (Continuum, 2011).
44.
Standish, Isolde. A new history of Japanese cinema: a century of narrative film. (Continuum International Publishing Group - Academi, 2006).
45.
Oshima, Nagisa. The Century of Cinema: 100 years of Japanese cinema. (13AD).
46.
Richardson, T., Tushingham, R. & Bryan, D. A Taste of honey.
47.
Lay, Samantha. Social Realism in the British Context [IN] British social realism: from documentary to Brit-grit. in British social realism: from documentary to Brit-grit vol. Short cuts 5–23 (Wallflower, 2002).
48.
Higson, A. Space, Place, Spectacle. Screen 25, 2–21 (1984).
49.
Hill, John. Sex, class and realism: British cinema 1956-1963. (British Film Institute, 1986).
50.
Hutchens, P. Beyond the New Wave: Realism in British Cinema, 1959-63 [IN] The British cinema book. in The British cinema book 304–312 (Palgrave Macmillan, 2009).
51.
Arthur Marwick. Room at the Top, Saturday Night and Sunday Morning, and the ‘Cultural Revolution’ in Britain. Journal of Contemporary History 19, 127–152 (1984).
52.
Orr, J. Romantics and modernists in British cinema. (Edinburgh University Press, 2010).
53.
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54.
Varda, A., Marchand, C. & Bourseiller, A. Cléo de 5 à 7.
55.
Flitterman-Lewis, Sandy. Varda in Context: French Film Production in the  Early Sixties – the New Wave [IN] To desire differently: feminism and the French cinema. in To desire differently: feminism and the French cinema 248–267 (Columbia University Press, 1996).
56.
Cook, D. A. The French New Wave and its Native Context [IN] A history of narrative film. in A history of narrative film (W.W. Norton, 2003).
57.
Cowie, Peter. Revolution!: the explosion of world cinema in the 60s. (Faber, 2004).
58.
Hayward, S. & Vincendeau, G. French film: texts and contexts. (Routledge, 2000).
59.
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60.
Neupert, Richard John & ebrary, Inc. A history of the French new wave cinema. vol. Wisconsin studies in film (University of Wisconsin Press, 2007).
61.
Ostrowska, D. Reading the French new wave: critics, writers and art cinema in France. (Wallflower, 2008).
62.
Smith, A. Agnes Varda. vol. French film directors (Manchester University Press, 1998).
63.
Coppola, F. F., Hackman, G. & Cazale, J. The Conversation.
64.
Arnold, Gordon B. Scandal and Skepticism [IN] Conspiracy theory in film, television, and politics. in Conspiracy theory in film, television, and politics 89–111 (Praeger, 2008).
65.
Field, D. American Cold War culture. (Edinburgh University Press, 2005).
66.
Ryan, Michael & Kellner, Douglas. Camera politica: the politics and ideology of contemporary Hollywood film. (Indiana University Press, 1990).
67.
Lefait, S. Surveillance on screen: monitoring contemporary films and television programs. (Scarecrow Press, 2013).
68.
Maland, C. Dr. Strangelove (1964): Nightmare Comedy and the Ideology of Liberal Consensus. American Quarterly 31, (1979).
69.
Pratt, R. You May Think You Know What’s Going On Here [IN] Projecting paranoia. in Projecting paranoia: conspiratorial visions in American film 87–112 (University Press of Kansas, 2001).
70.
Cukor, George, Tracy, Spencer, & Hepburn, Katharine. Adam’s Rib.
71.
Herzog, W., Kinski, K. & Guerra, R. Aguirre, Wrath of God [Aguirre, der Zorn Gottes].
72.
Pakula, Alan J, Redford, Robert, & Hoffman, Dustin. All the President’s men.
73.
Fellini, F., Maggio, P. & Noel, M. Amarcord.
74.
Godard, J.-L., Karin, A. & Frey, S. Bande a part.
75.
Kubrick, S., O’Neal, R. & Berenson, M. Barry Lyndon.
76.
Pontecorvo, Gillo, Hadjadj, Brahim, Martin, Jean, & Saadi, Yacef. The Battle of Algiers [La Battaglia di Alger]i: Disc I.
77.
Sica, Vittorio de, Maggiorani, Lamberto, & Carell, Lianella. Bicycle Thieves [Ladri di Biciclette].
78.
Powell, M., Pressburger, E., Kerr, D. & Simmons, J. Black narcissus.
79.
Scott, R., Ford, H. & Hauer, R. Blade Runner.
80.
Antonioni, Michelangelo, Hemmings, David, Redgrave, Vanessa, & Miles, Sarah. Blow-up. (2009).
81.
Lynch, D., MacLachlan, K., Rossellini, I. & Hopper, D. Blue Velvet.
82.
Godard, Jean-Luc, Belmondo, Jean-Paul, & Seberg, Jean. Breathless [A Bout de souffle].
83.
Cukor, George, Garbo, Greta, & Taylor, Robert. Camille. (12AD).
84.
Fellini, Federico, Mastroianni, Marcello, & Ekberg, Anita. La Dolce Vita.
85.
Wilder, B., Stanwyck, B. & MacMurray, F. Double Indemnity.
86.
Fellini, Federico, Mastroianni, Marcello, & Cardinale, Claudia. 8 1/2.
87.
Carne, M., Barrault, J.-L., & Arletty. Les Enfants du Paradis.
88.
Bunuel, L., Rambel, E. & Gallardo, L. The Exterminating angel [El Angel exterminador].
89.
Truffaut, Francois, Leaud, Jean-Pierre, & Maurier, Claire. The 400 Blows [Les Quatre Cents Coups].
90.
Coppola, Francis Ford, Brando, Marlon, & Pacino, Al. The Godfather.
91.
Coppola, Francis Ford, Pacino, Al, & Duvall, Robert. The Godfather Part II: Disc I.
92.
Lupino, I., Lovejoy, F. & O’Brien, E. The Hitch Hiker.
93.
Kurosawa, Akira, Shimura, Takashi, & Kaneko, Nobuo. Ikiru. (26AD).
94.
Wong, K. W., Cheung, M. & Leung, T. C. W. In the mood for love [Fa yeung nin wa].
95.
Akerman, C., Arestrup, N. & Wauthion, C. I, you, he, she [Je, tu, il, elle].
96.
Akerman, C., Seyrig, D., Decorte, J. & Storck, H. Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles: Disc I. (1975).
97.
Ozu, Yasujiro, Ryu, Chishu, & Hara, Setsuko. Late Spring [Banshun].
98.
Antonioni, Michelangelo, Ferzetti, Gabriele, & Vitti, Monica. L’Avventura. (2008).
99.
Lean, D., Guinness, A. & Quinn, A. Lawrence of Arabia.
100.
Kubrick, Stanley, Mason, James, Winters, Shelley, & Sellers, Peter. Lolita.
101.
Richardson, Tony, Courtenay, Tom, & Redgrave, Michael. The Loneliness of the long distance runner.
102.
Richardson, Tony, Burton, Richard, Bloom, Claire, & Osborne, John. Look Back In Anger.
103.
Welles, Orson, Cotten, Joseph, Costello, Dolores, & Baxter, Anne. The magnificent Ambersons.
104.
Powell, M., Pressburger, E., Niven, D. & Livesey, R. A Matter of life and death.
105.
Scorsese, Martin, De Niro, Robert, & Keitel, Harvey. Mean streets.
106.
Godard, J.-L., Bardot, B. & Piccoli, M. Le mepris.
107.
Curtiz, M., Crawford, J., Carson, J. & Scott, Z. Mildred Pierce.
108.
Lynch, D., Theroux, J. & Watts, N. Mulholland Drive.
109.
Laughton, C., Mitchum, R. & Winters, S. The Night of the hunter.
110.
Potter, S., Swinton, T. & Zane, B. Orlando.
111.
Toro, G. del, López, S., Verdú, M. & Baquero, I. Pan’s Labyrinth [El Laberinto del fauno]. vol. The Guillermo del Toro collection.
112.
Wenders, Wim, 1945- et al. Paris, Texas.
113.
Antonioni, M., Nicholson, J. & Schneider, M. The Passenger.
114.
Ray, S., Bannerjee, K. & Gupta, U. D. Pather Panchali.
115.
Bergman, Ingmar, Andersson, Bibi, Ullmann, Liv, & Krook, Margaretha. Persona: uncensored director’s cut.
116.
Campion, J., Hunter, H. & Keitel, H. The Piano.
117.
Tati, Jacques. Playtime.
118.
Hitchcock, Alfred, Perkins, Anthony, & Leigh, Janet. Psycho.
119.
Scorsese, Martin, De Niro, Robert, & Pesci, Joe. Raging bull.
120.
Renoir, Jean, Gregor, Nora, & Dalio, Marcel. La Regle du jeu.
121.
Kurosawa, Akira, Mifune, Toshiro, & Nakadai, Tatsuya. Sanjuro.
122.
Ford, John, Wayne, John, & Hunter, Jeffrey. The Searchers.
123.
Donen, S., Kelly, G., O’Connor, D. & Reynolds, D. Singin’ in the rain.
124.
Tarkovskii, Andrei Arsenevich, Bondarchuk, Natalya, & Banionas, Donatas. Solaris: Disc I.
125.
Wilder, Billy, Curtis, Tony, Lemmon, Jack, & Monroe, Marilyn. Some like it hot: Disc I.
126.
Anderson, Lindsay, Harris, Richard, & Roberts, Rachel. This sporting life. (14AD).
127.
Tarkovskii, Andrei Arsenevich, Kaidanovsky, Aleksandr, & Solonitsyn, Anatoly. Stalker: Disc I: Part I.
128.
Wilder, B., Holden, W. & Swanson, G. Sunset Boulevard.
129.
Reed, C., Cotten, J. & Welles, O. The Third man.
130.
Ozu, Yasujiro, Ryu, Chishu, & Higashiyama, Chieko. Tokyo Story [Tokyo monogatari].
131.
Welles, Orson, Perkins, Anthony, Moreau, Jeanne, & Schneider, Romy. The Trial [Le proces].
132.
Mizoguchi, K., Mori, M., Kyo, M. & Tanaka, K. Ugetsu.
133.
Sica, V. de, Battisti, C. & Casilio, M. Umberto D.
134.
Hitchcock, Alfred, Stewart, James, & Novak, Kim. Vertigo.
135.
Bunuel, L., Pinal, S. & Rabal, F. Viridiana.
136.
Godard, Jean-Luc, Karina, Anna, & Rebbot, Saddy. Vivre Sa Vie. (11AD).
137.
Godard, Jean-Luc, Darc, Mireille, & Yanne, Jean. Weekend.
138.
Bergman, Ingmar, Sjostrom, Victor, & Andersson, Bibi. Wild Strawberries [Smultronstället]. (19AD).
139.
Wenders, Wim, 1945- et al. Wings of Desire [Der Himmel über Berlin].
140.
Kurosawa, Akira, Mifune, Toshiro, & Tono, Eijiro. Yojimbo.