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Welles, Orson, Cotton, Joseph, Moorhead, Agnes: Citizen Kane, https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000A6D70%3Fbcast%3D38970013, (13)AD.
2.
Benyahia, Sarah Casey., Mortimer, Claire, 1964-: The History of the Canon [IN] Doing film studies: a subject guide for students. In: Doing film studies: a subject guide for students. pp. 27–39. Routledge, London (2013).
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Cartmell, Deborah, ebrary, Inc: Classics in film and fiction. Pluto Press, London (2000).
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Crowther, Paul: Defining art, creating the canon: artistic value in an era of doubt. Clarendon, Oxford (2011).
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Gillett, P.: Movie greats: a critical study of classic cinema. Berg, Oxford (2008).
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Rosenbaum, J.: Introduction [IN] Essential cinema: on the necessity of film canons. In: Essential cinema: on the necessity of film canons. pp. xi–xxi. Johns Hopkins University Press, Baltimore, Md (2008).
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Schrader, Paul: Canon Fodder: As the sun finally sets on the century of cinema, by what criteria do we determine its masterworks? Film Comment. Sept-Oct, 33–49 (2006).
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Virginia Wright Wexman: The Critic as Consumer: Film Study in the University, ‘Vertigo’, and the Film Canon. Film Quarterly. Vol. 39, 32–41.
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Renoir, Jean, Fresnay, Pierre, Von Stroheim, Erich: La Grande Illusion, https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F001DA462%3Fbcast%3D106995379.
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Younger, P.: Film as art [IN] The Routledge companion to film history. In: The Routledge companion to film history. pp. 27–38. Routledge, London (2011).
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Faulkner, Christopher: The social cinema of Jean Renoir. Princeton University Press, Guildford (1986).
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Fowler, C.: The European cinema reader. Routledge, London (2002).
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O’Shaughnessy, M.: Jean Renoir. Manchester University Press, Manchester, UK (2000).
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O’Shaughnessy, Martin: Reception [IN] La grande illusion: (Jean Renoir, 1937). In: La grande illusion: (Jean Renoir, 1937). pp. 99–110. Distributed in the United States and Canada exclusively by Palgrave Macmillan, London (2009).
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Renoir, Jean: Jean Renoir: Part I: From La Belle Epoque to World War II, (4)AD.
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Renoir, Jean: Jean Renoir: Part II: Hollywood and beyond, (11)AD.
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Shelton, B.: Chapter on Renoir [IN] A cultural study of the art film: book 1. In: A cultural study of the art film: book 1. pp. 143–155. Edwin Mellen Press, Lewiston (2003).
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Jean Renoir on Technology and Art : The New Yorker.
19.
Hawks, H., Grant, C., Russell, R.: His girl friday, https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F00002B64%3Fbcast%3D33277449.
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Dyer, R.: Sections "Stars as Images; Stars and ‘Character’; Living Stars” [IN] The film studies reader. In: The film studies reader. pp. 121–134. Arnold, London (2000).
21.
Decherney, P.: Hollywood and the culture elite: how the movies became American. Columbia University Press, New York (2005).
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Fischer, L., Landy, M.: Stars: the film reader. Routledge, London (2004).
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Gledhill, C.: Stardom: industry of desire. Routledge, London (1991).
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Dyer, Richard: Stars [IN] Film theory and criticism: introductory readings. In: Film theory and criticism: introductory readings. pp. 480–485. Oxford University Press, New York (2009).
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Ellis, J.: Stars as a Cinematic Phenomenon [IN] Film theory and criticism: introductory readings. In: Film theory and criticism: introductory readings. Oxford University Press, New York (2004).
26.
Hill, John, Gibson, Pamela Church: American cinema and Hollywood: critical approaches. Oxford University Press, Oxford (2000).
27.
Kerr, Paul: The Hollywood film industry: a reader. Routledge & Kegan Paul in association with the British Film Institute, London (1986).
28.
Fraser, George MacDonald, Kobal Collection: The Hollywood history of the world: from One million years B.C. to Apocalypse now. Fawcett Columbine, New York (1989).
29.
Bergman, Ingmar, Sydow, Max von, Bjornstrand, Gunnar, Ekerot, Bengt: The Seventh seal [Det Sjunde inseglet], https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0005A5DC%3Fbcast%3D67338783.
30.
Betz, M.: Recovering European Art Cinema [IN] Beyond the subtitle: remapping European art cinema. In: Beyond the subtitle: remapping European art cinema. pp. 1–20. University of Minnesota Press, Minneapolis (2009).
31.
Gazetas, A.: Symbolist Traditions in the Cinema: 1950s-1970s [IN] An introduction to world cinema. In: An introduction to world cinema. pp. 190–201. McFarland, Jefferson, N.C. (2008).
32.
Macnab, Geoffrey, ebrary, Inc: Ingmar Bergman: the life and films of the last great European director. Distributed in the United States and Canada Exclusively by Palgrave Macmillan, London (2009).
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Singer, I.: Ingmar Bergman, cinematic philosopher: reflections on his creativity. MIT Press, Cambridge, Mass (2007).
34.
Wood, Robin: Ingmar Bergman. Studio Vista, London (1969).
35.
Wexman, Virginia Wright: Film and authorship. Rutgers University Press, London (2003).
36.
Kovács, A.B.: Screening modernism: European art cinema, 1950-1980. University of Chicago Press, Chicago, Ill (2007).
37.
Kurosawa, Akira, Mifune, Toshiro, Kyo, Machiko: Rashomon, https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F001F9C90%3Fbcast%3D105813089, (2008).
38.
Yoshimoto, M.: Japanese Cinema in Search of a discipline [IN] Kurosawa: film studies and Japanese cinema. In: Kurosawa: film studies and Japanese cinema. pp. 7–49. Duke University Press, Durham, NC (2000).
39.
Andrew, Geoff: Film: the critics’ choice. ; 150 masterpieces of world cinema selected and defined by the experts. Aurum, London (2001).
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Gibbs, M.H., ebrary, Inc: Film and political culture in postwar Japan. Peter Lang, New York (2012).
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Phillips, Alastair, Stringer, Julian: Japanese cinema: texts and contexts. Routledge, London (2007).
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Richie, D.: Japanese cinema: an introduction. Oxford University Press, Hong Kong (1990).
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Russell, Catherine: Classical Japanese cinema revisited. Continuum, London (2011).
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Standish, Isolde: A new history of Japanese cinema: a century of narrative film. Continuum International Publishing Group - Academi, London (2006).
45.
Oshima, Nagisa: The Century of Cinema: 100 years of Japanese cinema, http://trlibdocs.fxplus.ac.uk/KalturaWeb/kaltura.php?vid=0_wi1xksdj, (13)AD.
46.
Richardson, T., Tushingham, R., Bryan, D.: A Taste of honey.
47.
Lay, Samantha: Social Realism in the British Context [IN] British social realism: from documentary to Brit-grit. In: British social realism: from documentary to Brit-grit. pp. 5–23. Wallflower, London and New York (2002).
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Higson, A.: Space, Place, Spectacle. Screen. 25, 2–21 (1984). https://doi.org/10.1093/screen/25.4-5.2.
49.
Hill, John: Sex, class and realism: British cinema 1956-1963. British Film Institute, London (1986).
50.
Hutchens, P.: Beyond the New Wave: Realism in British Cinema, 1959-63 [IN] The British cinema book. In: The British cinema book. pp. 304–312. Palgrave Macmillan, Basingstoke (2009).
51.
Arthur Marwick: Room at the Top, Saturday Night and Sunday Morning, and the ‘Cultural Revolution’ in Britain. Journal of Contemporary History. 19, 127–152 (1984).
52.
Orr, J.: Romantics and modernists in British cinema. Edinburgh University Press, Edinburgh (2010).
53.
Street, S.: British national cinema. Routledge, London (2009).
54.
Varda, A., Marchand, C., Bourseiller, A.: Cléo de 5 à 7.
55.
Flitterman-Lewis, Sandy: Varda in Context: French Film Production in the Early Sixties – the New Wave [IN] To desire differently: feminism and the French cinema. In: To desire differently: feminism and the French cinema. pp. 248–267. Columbia University Press, New York (1996).
56.
Cook, D. A.: The French New Wave and its Native Context [IN] A history of narrative film. In: A history of narrative film. W.W. Norton, London (2003).
57.
Cowie, Peter: Revolution!: the explosion of world cinema in the 60s. Faber, London (2004).
58.
Hayward, S., Vincendeau, G.: French film: texts and contexts. Routledge, London and New York (2000).
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Hillier, J., British Film Institute: Cahiers du cinema: neo-realism, Hollywood, new wave, The 1950s. Harvard University Press, Cambridge, Mass (1985).
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Neupert, Richard John, ebrary, Inc: A history of the French new wave cinema. University of Wisconsin Press, Madison (2007).
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Ostrowska, D.: Reading the French new wave: critics, writers and art cinema in France. Wallflower, London (2008).
62.
Smith, A.: Agnes Varda. Manchester University Press, Manchester (1998).
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Coppola, F.F., Hackman, G., Cazale, J.: The Conversation, https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000191F3%3Fbcast%3D82899187.
64.
Arnold, Gordon B.: Scandal and Skepticism [IN] Conspiracy theory in film, television, and politics. In: Conspiracy theory in film, television, and politics. pp. 89–111. Praeger, Westport, Conn (2008).
65.
Field, D.: American Cold War culture. Edinburgh University Press, Edinburgh (2005).
66.
Ryan, Michael, Kellner, Douglas: Camera politica: the politics and ideology of contemporary Hollywood film. Indiana University Press, Bloomington, Ind (1990).
67.
Lefait, S.: Surveillance on screen: monitoring contemporary films and television programs. Scarecrow Press, Lanham, Md (2013).
68.
Maland, C.: Dr. Strangelove (1964): Nightmare Comedy and the Ideology of Liberal Consensus. American Quarterly. 31, (1979). https://doi.org/10.2307/2712432.
69.
Pratt, R.: You May Think You Know What’s Going On Here [IN] Projecting paranoia. In: Projecting paranoia: conspiratorial visions in American film. pp. 87–112. University Press of Kansas, [Great Britain] (2001).
70.
Cukor, George, Tracy, Spencer, Hepburn, Katharine: Adam’s Rib.
71.
Herzog, W., Kinski, K., Guerra, R.: Aguirre, Wrath of God [Aguirre, der Zorn Gottes].
72.
Pakula, Alan J, Redford, Robert, Hoffman, Dustin: All the President’s men.
73.
Fellini, F., Maggio, P., Noel, M.: Amarcord.
74.
Godard, J.-L., Karin, A., Frey, S.: Bande a part.
75.
Kubrick, S., O’Neal, R., Berenson, M.: Barry Lyndon.
76.
Pontecorvo, Gillo, Hadjadj, Brahim, Martin, Jean, Saadi, Yacef: The Battle of Algiers [La Battaglia di Alger]i: Disc I.
77.
Sica, Vittorio de, Maggiorani, Lamberto, Carell, Lianella: Bicycle Thieves [Ladri di Biciclette].
78.
Powell, M., Pressburger, E., Kerr, D., Simmons, J.: Black narcissus.
79.
Scott, R., Ford, H., Hauer, R.: Blade Runner.
80.
Antonioni, Michelangelo, Hemmings, David, Redgrave, Vanessa, Miles, Sarah: Blow-up, (2009).
81.
Lynch, D., MacLachlan, K., Rossellini, I., Hopper, D.: Blue Velvet.
82.
Godard, Jean-Luc, Belmondo, Jean-Paul, Seberg, Jean: Breathless [A Bout de souffle].
83.
Cukor, George, Garbo, Greta, Taylor, Robert: Camille, (12)AD.
84.
Fellini, Federico, Mastroianni, Marcello, Ekberg, Anita: La Dolce Vita.
85.
Wilder, B., Stanwyck, B., MacMurray, F.: Double Indemnity.
86.
Fellini, Federico, Mastroianni, Marcello, Cardinale, Claudia: 8 1/2.
87.
Carne, M., Barrault, J.-L., Arletty: Les Enfants du Paradis.
88.
Bunuel, L., Rambel, E., Gallardo, L.: The Exterminating angel [El Angel exterminador].
89.
Truffaut, Francois, Leaud, Jean-Pierre, Maurier, Claire: The 400 Blows [Les Quatre Cents Coups].
90.
Coppola, Francis Ford, Brando, Marlon, Pacino, Al: The Godfather.
91.
Coppola, Francis Ford, Pacino, Al, Duvall, Robert: The Godfather Part II: Disc I.
92.
Lupino, I., Lovejoy, F., O’Brien, E.: The Hitch Hiker.
93.
Kurosawa, Akira, Shimura, Takashi, Kaneko, Nobuo: Ikiru, (26)AD.
94.
Wong, K.W., Cheung, M., Leung, T.C.W.: In the mood for love [Fa yeung nin wa].
95.
Akerman, C., Arestrup, N., Wauthion, C.: I, you, he, she [Je, tu, il, elle].
96.
Akerman, C., Seyrig, D., Decorte, J., Storck, H.: Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles: Disc I, (1975).
97.
Ozu, Yasujiro, Ryu, Chishu, Hara, Setsuko: Late Spring [Banshun].
98.
Antonioni, Michelangelo, Ferzetti, Gabriele, Vitti, Monica: L’Avventura, (2008).
99.
Lean, D., Guinness, A., Quinn, A.: Lawrence of Arabia.
100.
Kubrick, Stanley, Mason, James, Winters, Shelley, Sellers, Peter: Lolita.
101.
Richardson, Tony, Courtenay, Tom, Redgrave, Michael: The Loneliness of the long distance runner.
102.
Richardson, Tony, Burton, Richard, Bloom, Claire, Osborne, John: Look Back In Anger.
103.
Welles, Orson, Cotten, Joseph, Costello, Dolores, Baxter, Anne: The magnificent Ambersons.
104.
Powell, M., Pressburger, E., Niven, D., Livesey, R.: A Matter of life and death.
105.
Scorsese, Martin, De Niro, Robert, Keitel, Harvey: Mean streets.
106.
Godard, J.-L., Bardot, B., Piccoli, M.: Le mepris.
107.
Curtiz, M., Crawford, J., Carson, J., Scott, Z.: Mildred Pierce.
108.
Lynch, D., Theroux, J., Watts, N.: Mulholland Drive.
109.
Laughton, C., Mitchum, R., Winters, S.: The Night of the hunter.
110.
Potter, S., Swinton, T., Zane, B.: Orlando.
111.
Toro, G. del, López, S., Verdú, M., Baquero, I.: Pan’s Labyrinth [El Laberinto del fauno].
112.
Wenders, Wim, 1945-, Stanton, H.D., Kinski, N., Stockwell, D., Clement, A., Carson, H.: Paris, Texas.
113.
Antonioni, M., Nicholson, J., Schneider, M.: The Passenger.
114.
Ray, S., Bannerjee, K., Gupta, U.D.: Pather Panchali.
115.
Bergman, Ingmar, Andersson, Bibi, Ullmann, Liv, Krook, Margaretha: Persona: uncensored director’s cut.
116.
Campion, J., Hunter, H., Keitel, H.: The Piano.
117.
Tati, Jacques: Playtime.
118.
Hitchcock, Alfred, Perkins, Anthony, Leigh, Janet: Psycho.
119.
Scorsese, Martin, De Niro, Robert, Pesci, Joe: Raging bull.
120.
Renoir, Jean, Gregor, Nora, Dalio, Marcel: La Regle du jeu.
121.
Kurosawa, Akira, Mifune, Toshiro, Nakadai, Tatsuya: Sanjuro.
122.
Ford, John, Wayne, John, Hunter, Jeffrey: The Searchers.
123.
Donen, S., Kelly, G., O’Connor, D., Reynolds, D.: Singin’ in the rain.
124.
Tarkovskii, Andrei Arsenevich, Bondarchuk, Natalya, Banionas, Donatas: Solaris: Disc I.
125.
Wilder, Billy, Curtis, Tony, Lemmon, Jack, Monroe, Marilyn: Some like it hot: Disc I.
126.
Anderson, Lindsay, Harris, Richard, Roberts, Rachel: This sporting life, (14)AD.
127.
Tarkovskii, Andrei Arsenevich, Kaidanovsky, Aleksandr, Solonitsyn, Anatoly: Stalker: Disc I: Part I.
128.
Wilder, B., Holden, W., Swanson, G.: Sunset Boulevard.
129.
Reed, C., Cotten, J., Welles, O.: The Third man.
130.
Ozu, Yasujiro, Ryu, Chishu, Higashiyama, Chieko: Tokyo Story [Tokyo monogatari].
131.
Welles, Orson, Perkins, Anthony, Moreau, Jeanne, Schneider, Romy: The Trial [Le proces].
132.
Mizoguchi, K., Mori, M., Kyo, M., Tanaka, K.: Ugetsu.
133.
Sica, V. de, Battisti, C., Casilio, M.: Umberto D.
134.
Hitchcock, Alfred, Stewart, James, Novak, Kim: Vertigo.
135.
Bunuel, L., Pinal, S., Rabal, F.: Viridiana.
136.
Godard, Jean-Luc, Karina, Anna, Rebbot, Saddy: Vivre Sa Vie, (11)AD.
137.
Godard, Jean-Luc, Darc, Mireille, Yanne, Jean: Weekend.
138.
Bergman, Ingmar, Sjostrom, Victor, Andersson, Bibi: Wild Strawberries [Smultronstället], (19)AD.
139.
Wenders, Wim, 1945-, Ganz, B., Dommartin, S., Sander, O., Bois, C., Falk, P.: Wings of Desire [Der Himmel über Berlin].
140.
Kurosawa, Akira, Mifune, Toshiro, Tono, Eijiro: Yojimbo.
