Bibliography for FLM170 Film History and the Canon

Akerman, Chantal et al. ‘Jeanne Dielman, 23, Quai Du Commerce, 1080 Bruxelles: Disc I’. 1975 : n. pag. Print.

Akerman, Chantal, Niels Arestrup, and Claire Wauthion. ‘I, You, He, She [Je, Tu, Il, Elle]’. : n. pag. Print.

Anderson, Lindsay, Harris, Richard, and Roberts, Rachel. ‘This Sporting Life’. 14 AD : n. pag. Print.

Andrew, Geoff. Film: The Critics’ Choice. ; 150 Masterpieces of World Cinema Selected and Defined by the Experts. London: Aurum, 2001. Print.

Antonioni, Michelangelo et al. ‘Blow-Up’. 2009 : n. pag. Print.

Antonioni, Michelangelo, Ferzetti, Gabriele, and Vitti, Monica. ‘L’Avventura’. 2008 : n. pag. Print.

Antonioni, Michelangelo, Jack Nicholson, and Maria Schneider. ‘The Passenger’. : n. pag. Print.

Arnold, Gordon B. ‘Scandal and Skepticism [IN] Conspiracy Theory in Film, Television, and Politics’. Conspiracy Theory in Film, Television, and Politics. Westport, Conn: Praeger, 2008. 89–111. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781567207224>.

Arthur Marwick. ‘Room at the Top, Saturday Night and Sunday Morning, and the “Cultural Revolution” in Britain’. Journal of Contemporary History 19.1 (1984): 127–152. Web. <https://www.jstor.org/stable/260428>.

Benyahia, Sarah Casey., and Mortimer, Claire, 1964-. ‘The History of the Canon [IN] Doing Film Studies: A Subject Guide for Students’. Doing Film Studies: A Subject Guide for Students. London: Routledge, 2013. 27–39. Print.

Bergman, Ingmar, Andersson, Bibi, et al. ‘Persona: Uncensored Director’s Cut’. : n. pag. Print.

Bergman, Ingmar, Sydow, Max von, et al. ‘The Seventh Seal [Det Sjunde Inseglet]’. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0005A5DC%3Fbcast%3D67338783>.

Bergman, Ingmar, Sjostrom, Victor, and Andersson, Bibi. ‘Wild Strawberries [Smultronstället]’. 19 AD : n. pag. Print.

Betz, M. ‘Recovering European Art Cinema [IN] Beyond the Subtitle: Remapping European Art Cinema’. Beyond the Subtitle: Remapping European Art Cinema. Minneapolis: University of Minnesota Press, 2009. 1–20. Web. <http://ebookcentral.proquest.com/lib/falmouth-ebooks/reader.action?ppg=12&docID=445623&tm=1497954388872>.

Bunuel, Luis, Silvia Pinal, and Francisco Rabal. ‘Viridiana’. : n. pag. Print.

Bunuel, Luis, Enrique Rambel, and Lucy Gallardo. ‘The Exterminating Angel [El Angel Exterminador]’. : n. pag. Print.

Campion, Jane, Holly Hunter, and Harvey Keitel. ‘The Piano’. : n. pag. Print.

Carne, Marcel, Jean-Louis Barrault, and Arletty. ‘Les Enfants Du Paradis’. : n. pag. Print.

Cartmell, Deborah and ebrary, Inc. Classics in Film and Fiction. Film/fiction. London: Pluto Press, 2000. Print.

Cook, D. A. ‘The French New Wave and Its Native Context [IN] A History of Narrative Film’. A History of Narrative Film. 4th ed. London: W.W. Norton, 2003. Print.

Coppola, Francis Ford, Brando, Marlon, and Pacino, Al. ‘The Godfather’. : n. pag. Print.

Coppola, Francis Ford, Gene Hackman, and John Cazale. ‘The Conversation’. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000191F3%3Fbcast%3D82899187>.

Coppola, Francis Ford, Pacino, Al, and Duvall, Robert. ‘The Godfather Part II: Disc I’. : n. pag. Print.

Cowie, Peter. Revolution!: The Explosion of World Cinema in the 60s. London: Faber, 2004. Print.

Crowther, Paul. Defining Art, Creating the Canon: Artistic Value in an Era of Doubt. Oxford: Clarendon, 2011. Print.

Cukor, George, Garbo, Greta, and Taylor, Robert. ‘Camille’. 12 AD : n. pag. Print.

Cukor, George, Tracy, Spencer, and Hepburn, Katharine. ‘Adam’s Rib’. : n. pag. Print.

Curtiz, Michael et al. ‘Mildred Pierce’. : n. pag. Print.

Decherney, Peter. Hollywood and the Culture Elite: How the Movies Became American. Film and culture. New York: Columbia University Press, 2005. Web. <http://ezproxy.falmouth.ac.uk/login?url=http://site.ebrary.com/lib/falmouth/Doc?id=10183538>.

Donen, Stanley et al. ‘Singin’ in the Rain’. : n. pag. Print.

Dyer, Richard. ‘Sections "Stars as Images; Stars and “Character”; Living Stars” [IN] The Film Studies Reader’. The Film Studies Reader. London: Arnold, 2000. 121–134. Print.

Dyer, Richard. ‘Stars [IN] Film Theory and Criticism: Introductory Readings’. Film Theory and Criticism: Introductory Readings. 7th ed. New York: Oxford University Press, 2009. 480–485. Print.

Ellis, John. ‘Stars as a Cinematic Phenomenon [IN] Film Theory and Criticism: Introductory Readings’. Film Theory and Criticism: Introductory Readings. 6th ed. New York: Oxford University Press, 2004. Print.

Faulkner, Christopher. The Social Cinema of Jean Renoir. Guildford: Princeton University Press, 1986. Print.

Fellini, Federico, Pupella Maggio, and Magali Noel. ‘Amarcord’. : n. pag. Print.

Fellini, Federico, Mastroianni, Marcello, and Cardinale, Claudia. ‘8 1/2’. : n. pag. Print.

Fellini, Federico, Mastroianni, Marcello, and Ekberg, Anita. ‘La Dolce Vita’. : n. pag. Print.

Field, Douglas. American Cold War Culture. Edinburgh: Edinburgh University Press, 2005. Print.

Fischer, Lucy, and Marcia Landy. Stars: The Film Reader. London: Routledge, 2004. Print.

Flitterman-Lewis, Sandy. ‘Varda in Context: French Film Production in the Early Sixties – the New Wave [IN] To Desire Differently: Feminism and the French Cinema’. To Desire Differently: Feminism and the French Cinema. Expanded ed.,Morningside ed. New York: Columbia University Press, 1996. 248–267. Print.

Ford, John, Wayne, John, and Hunter, Jeffrey. ‘The Searchers’. : n. pag. Print.

Fowler, Catherine. The European Cinema Reader. London: Routledge, 2002. Print.

Fraser, George MacDonald and Kobal Collection. The Hollywood History of the World: From One Million Years B.C. to Apocalypse Now. 1st Ballatine Books ed. New York: Fawcett Columbine, 1989. Print.

Gazetas, Aristides. ‘Symbolist Traditions in the Cinema: 1950s-1970s [IN] An Introduction to World Cinema’. An Introduction to World Cinema. 2nd ed. Jefferson, N.C.: McFarland, 2008. 190–201. Print.

Gibbs, Michael H. and ebrary, Inc. Film and Political Culture in Postwar Japan. Framing film : the history and art of cinema. New York: Peter Lang, 2012. Web. <http://ezproxy.falmouth.ac.uk/login?url=http://site.ebrary.com/lib/falmouth/Doc?id=10562707>.

Gillett, Philip. Movie Greats: A Critical Study of Classic Cinema. Oxford: Berg, 2008. Print.

Gledhill, Christine. Stardom: Industry of Desire. London: Routledge, 1991. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203400425>.

Godard, Jean-Luc, Brigitte Bardot, and Michel Piccoli. ‘Le Mepris’. : n. pag. Print.

Godard, Jean-Luc, Belmondo, Jean-Paul, and Seberg, Jean. ‘Breathless [A Bout de Souffle]’. : n. pag. Print.

Godard, Jean-Luc, Darc, Mireille, and Yanne, Jean. ‘Weekend’. : n. pag. Print.

Godard, Jean-Luc, Anna Karin, and Sami Frey. ‘Bande a Part’. : n. pag. Print.

Godard, Jean-Luc, Karina, Anna, and Rebbot, Saddy. ‘Vivre Sa Vie’. 11 AD : n. pag. Print.

Hawks, Howard, Cary Grant, and Rosalind Russell. ‘His Girl Friday’. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F00002B64%3Fbcast%3D33277449>.

Hayward, Susan, and Ginette Vincendeau. French Film: Texts and Contexts. 2nd ed. London and New York: Routledge, 2000. Print.

Herzog, Werner, Klaus Kinski, and Ruy Guerra. ‘Aguirre, Wrath of God [Aguirre, Der Zorn Gottes]’. : n. pag. Print.

Higson, A. ‘Space, Place, Spectacle’. Screen 25.4–5 (1984): 2–21. Web.

Hill, John. Sex, Class and Realism: British Cinema 1956-1963. London: British Film Institute, 1986. Print.

Hill, John and Gibson, Pamela Church. American Cinema and Hollywood: Critical Approaches. Oxford: Oxford University Press, 2000. Print.

Hillier, Jim and British Film Institute. Cahiers Du Cinema: Neo-Realism, Hollywood, New Wave, The 1950s. Harvard film studies. Cambridge, Mass: Harvard University Press, 1985. Print.

Hitchcock, Alfred, Perkins, Anthony, and Leigh, Janet. ‘Psycho’. : n. pag. Print.

Hitchcock, Alfred, Stewart, James, and Novak, Kim. ‘Vertigo’. : n. pag. Print.

Hutchens, Peter. ‘Beyond the New Wave: Realism in British Cinema, 1959-63 [IN] The British Cinema Book’. The British Cinema Book. 3rd ed. Basingstoke: Palgrave Macmillan, 2009. 304–312. Print.

‘Jean Renoir on Technology and Art : The New Yorker’. N.p., n.d. Print.

Kerr, Paul. The Hollywood Film Industry: A Reader. London: Routledge & Kegan Paul in association with the British Film Institute, 1986. Print.

Kovács, András Bálint. Screening Modernism: European Art Cinema, 1950-1980. Cinema and modernity. Chicago, Ill: University of Chicago Press, 2007. Web. <http://ezproxy.falmouth.ac.uk/login?url=http://site.ebrary.com/lib/falmouth/Doc?id=10266077>.

Kubrick, Stanley et al. ‘Lolita’. : n. pag. Print.

Kubrick, Stanley, Ryan O’Neal, and Marisa Berenson. ‘Barry Lyndon’. : n. pag. Print.

Kurosawa, Akira, Mifune, Toshiro, and Kyo, Machiko. ‘Rashomon’. 2008. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F001F9C90%3Fbcast%3D105813089>.

Kurosawa, Akira, Mifune, Toshiro, and Nakadai, Tatsuya. ‘Sanjuro’. : n. pag. Print.

Kurosawa, Akira, Mifune, Toshiro, and Tono, Eijiro. ‘Yojimbo’. : n. pag. Print.

Kurosawa, Akira, Shimura, Takashi, and Kaneko, Nobuo. ‘Ikiru’. 26 AD : n. pag. Print.

Laughton, Charles, Robert Mitchum, and Shelley Winters. ‘The Night of the Hunter’. : n. pag. Print.

Lay, Samantha. ‘Social Realism in the British Context [IN] British Social Realism: From Documentary to Brit-Grit’. British Social Realism: From Documentary to Brit-Grit. Short cuts. London and New York: Wallflower, 2002. 5–23. Print.

Lean, David, Alec Guinness, and Anthony Quinn. ‘Lawrence of Arabia’. : n. pag. Print.

Lefait, Sebastien. Surveillance on Screen: Monitoring Contemporary Films and Television Programs. Lanham, Md: Scarecrow Press, 2013. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780810885912>.

Lupino, Ida, Frank Lovejoy, and Edmond O’Brien. ‘The Hitch Hiker’. : n. pag. Print.

Lynch, David et al. ‘Blue Velvet’. : n. pag. Print.

Lynch, David, Justin Theroux, and Naomi Watts. ‘Mulholland Drive’. : n. pag. Print.

Macnab, Geoffrey and ebrary, Inc. Ingmar Bergman: The Life and Films of the Last Great European Director. London: Distributed in the United States and Canada Exclusively by Palgrave Macmillan, 2009. Print.

Maland, Charles. ‘Dr. Strangelove (1964): Nightmare Comedy and the Ideology of Liberal Consensus’. American Quarterly 31.5 (1979): n. pag. Web. <http://www.jstor.org/stable/2712432>.

Mizoguchi, Kenji et al. ‘Ugetsu’. : n. pag. Print.

Neupert, Richard John and ebrary, Inc. A History of the French New Wave Cinema. 2nd ed. Wisconsin studies in film. Madison: University of Wisconsin Press, 2007. Print.

Orr, John. Romantics and Modernists in British Cinema. Edinburgh: Edinburgh University Press, 2010. Web. <http://falmouth.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=1144283410005136&institutionId=5136&customerId=5135>.

O’Shaughnessy, Martin. Jean Renoir. French film directors. Manchester, UK: Manchester University Press, 2000. Print.

O’Shaughnessy, Martin. ‘Reception [IN] La Grande Illusion: (Jean Renoir, 1937)’. La Grande Illusion: (Jean Renoir, 1937). Ciné-Files: the French film guides. London: Distributed in the United States and Canada exclusively by Palgrave Macmillan, 2009. 99–110. Web. <http://ebookcentral.proquest.com/lib/falmouth-ebooks/reader.action?ppg=108&docID=676960&tm=1497953105554>.

Oshima, Nagisa. ‘The Century of Cinema: 100 Years of Japanese Cinema’. 13 AD. Web. <http://trlibdocs.fxplus.ac.uk/KalturaWeb/kaltura.php?vid=0_wi1xksdj>.

Ostrowska, Dorota. Reading the French New Wave: Critics, Writers and Art Cinema in France. London: Wallflower, 2008. Print.

Ozu, Yasujiro, Ryu, Chishu, and Hara, Setsuko. ‘Late Spring [Banshun]’. : n. pag. Print.

Ozu, Yasujiro, Ryu, Chishu, and Higashiyama, Chieko. ‘Tokyo Story [Tokyo Monogatari]’. : n. pag. Print.

Pakula, Alan J, Redford, Robert, and Hoffman, Dustin. ‘All the President’s Men’. : n. pag. Print.

Phillips, Alastair and Stringer, Julian. Japanese Cinema: Texts and Contexts. London: Routledge, 2007. Print.

Pontecorvo, Gillo et al. ‘The Battle of Algiers [La Battaglia Di Alger]i: Disc I’. : n. pag. Print.

Potter, Sally, Tilda Swinton, and Billy Zane. ‘Orlando’. : n. pag. Print.

Powell, Michael, Emeric Pressburger, David Niven, et al. ‘A Matter of Life and Death’. : n. pag. Print.

Powell, Michael, Emeric Pressburger, Deborah Kerr, et al. ‘Black Narcissus’. : n. pag. Print.

Pratt, Ray. ‘You May Think You Know What’s Going On Here [IN] Projecting Paranoia’. Projecting Paranoia: Conspiratorial Visions in American Film. [Great Britain]: University Press of Kansas, 2001. 87–112. Print.

Ray, Satyajit, Kanu Bannerjee, and Uma Das Gupta. ‘Pather Panchali’. : n. pag. Print.

Reed, Carol, Joseph Cotten, and Orson Welles. ‘The Third Man’. : n. pag. Print.

Renoir, Jean. ‘Jean Renoir: Part I: From La Belle Epoque to World War II’. 4 AD : n. pag. Print.

---. ‘Jean Renoir: Part II: Hollywood and Beyond’. 11 AD : n. pag. Print.

Renoir, Jean, Fresnay, Pierre, and Von Stroheim, Erich. ‘La Grande Illusion’. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F001DA462%3Fbcast%3D106995379>.

Renoir, Jean, Gregor, Nora, and Dalio, Marcel. ‘La Regle Du Jeu’. : n. pag. Print.

Richardson, Tony et al. ‘Look Back In Anger’. : n. pag. Print.

Richardson, Tony, Courtenay, Tom, and Redgrave, Michael. ‘The Loneliness of the Long Distance Runner’. : n. pag. Print.

Richardson, Tony, Rita Tushingham, and Dora Bryan. ‘A Taste of Honey’. : n. pag. Print.

Richie, Donald. Japanese Cinema: An Introduction. Images of Asia. Hong Kong: Oxford University Press, 1990. Print.

Rosenbaum, Jonathan. ‘Introduction [IN] Essential Cinema: On the Necessity of Film Canons’. Essential Cinema: On the Necessity of Film Canons. Johns Hopkins pbk. ed. Baltimore, Md: Johns Hopkins University Press, 2008. xi–xxi. Web. <http://ebookcentral.proquest.com/lib/falmouth-ebooks/reader.action?ppg=12&docID=3318521&tm=1497952617295>.

Russell, Catherine. Classical Japanese Cinema Revisited. London: Continuum, 2011. Print.

Ryan, Michael and Kellner, Douglas. Camera Politica: The Politics and Ideology of Contemporary Hollywood Film. Bloomington, Ind: Indiana University Press, 1990. Print.

Schrader, Paul. ‘Canon Fodder: As the Sun Finally Sets on the Century of Cinema, by What Criteria Do We Determine Its Masterworks?’ Film Comment Sept-Oct (2006): 33–49. Web. <http://paulschrader.org/articles/pdf/2006-FilmComment_Schrader.pdf>.

Scorsese, Martin, De Niro, Robert, and Keitel, Harvey. ‘Mean Streets’. : n. pag. Print.

Scorsese, Martin, De Niro, Robert, and Pesci, Joe. ‘Raging Bull’. : n. pag. Print.

Scott, Ridley, Harrison Ford, and Rutger Hauer. ‘Blade Runner’. : n. pag. Print.

Shelton, Bob. ‘Chapter on Renoir [IN] A Cultural Study of the Art Film: Book 1’. A Cultural Study of the Art Film: Book 1. Lewiston: Edwin Mellen Press, 2003. 143–155. Print.

Sica, Vittorio de, Carlo Battisti, and Maria Casilio. ‘Umberto D’. : n. pag. Print.

Sica, Vittorio de, Maggiorani, Lamberto, and Carell, Lianella. ‘Bicycle Thieves [Ladri Di Biciclette]’. : n. pag. Print.

Singer, Irving. Ingmar Bergman, Cinematic Philosopher: Reflections on His Creativity. Cambridge, Mass: MIT Press, 2007. Web. <https://ebookcentral.proquest.com/lib/falmouth-ebooks/detail.action?docID=3338746>.

Smith, Alison. Agnes Varda. French film directors. Manchester: Manchester University Press, 1998. Print.

Standish, Isolde. A New History of Japanese Cinema: A Century of Narrative Film. London: Continuum International Publishing Group - Academi, 2006. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441161543>.

Street, Sarah. British National Cinema. 2nd ed. National cinemas. London: Routledge, 2009. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203868997>.

Tarkovskii, Andrei Arsenevich, Bondarchuk, Natalya, and Banionas, Donatas. ‘Solaris: Disc I’. : n. pag. Print.

Tarkovskii, Andrei Arsenevich, Kaidanovsky, Aleksandr, and Solonitsyn, Anatoly. ‘Stalker: Disc I: Part I’. : n. pag. Print.

Tati, Jacques. ‘Playtime’. : n. pag. Print.

Toro, Guillermo del et al. ‘Pan’s Labyrinth [El Laberinto Del Fauno]’. : n. pag. Print.

Truffaut, Francois, Leaud, Jean-Pierre, and Maurier, Claire. ‘The 400 Blows [Les Quatre Cents Coups]’. : n. pag. Print.

Varda, Agnes, Corinne Marchand, and Antoine Bourseiller. ‘Cléo de 5 À 7’. : n. pag. Print.

Virginia Wright Wexman. ‘The Critic as Consumer: Film Study in the University, “Vertigo”, and the Film Canon’. Film Quarterly Vol. 39.No. 3 32–41. Print.

Welles, Orson, Cotten, Joseph, et al. ‘The Magnificent Ambersons’. : n. pag. Print.

Welles, Orson, Perkins, Anthony, et al. ‘The Trial [Le Proces]’. : n. pag. Print.

Welles, Orson, Cotton, Joseph, and Moorhead, Agnes. ‘Citizen Kane’. 13 AD. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000A6D70%3Fbcast%3D38970013>.

Wenders, Wim, 1945-, Harry Dean Stanton, et al. ‘Paris, Texas’. : n. pag. Print.

Wenders, Wim, 1945-, Bruno Ganz, et al. ‘Wings of Desire [Der Himmel Über Berlin]’. : n. pag. Print.

Wexman, Virginia Wright. Film and Authorship. Rutgers depth of field series. London: Rutgers University Press, 2003. Print.

Wilder, Billy et al. ‘Some like It Hot: Disc I’. : n. pag. Print.

Wilder, Billy, William Holden, and Gloria Swanson. ‘Sunset Boulevard’. : n. pag. Print.

Wilder, Billy, Barbara Stanwyck, and Fred MacMurray. ‘Double Indemnity’. : n. pag. Print.

Wong, Kar Wai, Maggie Cheung, and Tony Chiu Wai Leung. ‘In the Mood for Love [Fa Yeung Nin Wa]’. : n. pag. Print.

Wood, Robin. Ingmar Bergman. London: Studio Vista, 1969. Web. <http://ezproxy.falmouth.ac.uk/login?url=http://site.ebrary.com/lib/falmouth/Doc?id=10715470>.

Yoshimoto, Mitsuhiro. ‘Japanese Cinema in Search of a Discipline [IN] Kurosawa: Film Studies and Japanese Cinema’. Kurosawa: Film Studies and Japanese Cinema. Asia-Pacific : culture, politics, and society. Durham, NC: Duke University Press, 2000. 7–49. Print.

Younger, Prakash. ‘Film as Art [IN] The Routledge Companion to Film History’. The Routledge Companion to Film History. London: Routledge, 2011. 27–38. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203841532>.

Bibliography for FLM170 Film History and the Canon BETA