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Welles, Orson, Cotton, Joseph, Moorhead, Agnes. Citizen Kane. Published online 13AD. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000A6D70%3Fbcast%3D38970013
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Benyahia, Sarah Casey., Mortimer, Claire, 1964-. The History of the Canon [IN] Doing film studies: a subject guide for students. In: Doing Film Studies: A Subject Guide for Students. Routledge; 2013:27-39.
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Crowther, Paul. Defining Art, Creating the Canon: Artistic Value in an Era of Doubt. Clarendon; 2011.
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Rosenbaum J. Introduction [IN] Essential cinema: on the necessity of film canons. In: Essential Cinema: On the Necessity of Film Canons. Johns Hopkins pbk. ed. Johns Hopkins University Press; 2008:xi-xxi. http://ebookcentral.proquest.com/lib/falmouth-ebooks/reader.action?ppg=12&docID=3318521&tm=1497952617295
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Schrader, Paul. Canon Fodder: As the sun finally sets on the century of cinema, by what criteria do we determine its masterworks? Film Comment. 2006;Sept-Oct:33-49. http://paulschrader.org/articles/pdf/2006-FilmComment_Schrader.pdf
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Renoir, Jean, Fresnay, Pierre, Von Stroheim, Erich. La Grande Illusion. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F001DA462%3Fbcast%3D106995379
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Younger P. Film as art [IN] The Routledge companion to film history. In: The Routledge Companion to Film History. Routledge; 2011:27-38. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203841532
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Faulkner, Christopher. The Social Cinema of Jean Renoir. Princeton University Press; 1986.
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O’Shaughnessy M. Jean Renoir. Vol French film directors. Manchester University Press; 2000.
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Renoir, Jean. Jean Renoir: Part I: From La Belle Epoque to World War II. 4AD;OMNIBUS.
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Renoir, Jean. Jean Renoir: Part II: Hollywood and beyond. 11AD;OMNIBUS.
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Hawks H, Grant C, Russell R. His girl friday. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F00002B64%3Fbcast%3D33277449
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Dyer R. Sections "Stars as Images; Stars and ‘Character’; Living Stars” [IN] The film studies reader. In: The Film Studies Reader. Arnold; 2000:121-134.
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Decherney P. Hollywood and the Culture Elite: How the Movies Became American. Vol Film and culture. Columbia University Press; 2005. http://ezproxy.falmouth.ac.uk/login?url=http://site.ebrary.com/lib/falmouth/Doc?id=10183538
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Fischer L, Landy M. Stars: The Film Reader. Routledge; 2004.
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Gledhill C. Stardom: Industry of Desire. Routledge; 1991. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203400425
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Dyer, Richard. Stars [IN] Film theory and criticism: introductory readings. In: Film Theory and Criticism: Introductory Readings. 7th ed. Oxford University Press; 2009:480-485.
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Ellis J. Stars as a Cinematic Phenomenon [IN] Film theory and criticism: introductory readings. In: Film Theory and Criticism: Introductory Readings. 6th ed. Oxford University Press; 2004.
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Kerr, Paul. The Hollywood Film Industry: A Reader. Routledge & Kegan Paul in association with the British Film Institute; 1986.
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Fraser, George MacDonald, Kobal Collection. The Hollywood History of the World: From One Million Years B.C. to Apocalypse Now. 1st Ballatine Books ed. Fawcett Columbine; 1989.
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Bergman, Ingmar, Sydow, Max von, Bjornstrand, Gunnar, Ekerot, Bengt. The Seventh seal [Det Sjunde inseglet]. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0005A5DC%3Fbcast%3D67338783
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Betz, M. Recovering European Art Cinema [IN] Beyond the subtitle: remapping European art cinema. In: Beyond the Subtitle: Remapping European Art Cinema. University of Minnesota Press; 2009:1-20. http://ebookcentral.proquest.com/lib/falmouth-ebooks/reader.action?ppg=12&docID=445623&tm=1497954388872
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Gazetas A. Symbolist Traditions in the Cinema: 1950s-1970s [IN] An introduction to world cinema. In: An Introduction to World Cinema. 2nd ed. McFarland; 2008:190-201.
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Macnab, Geoffrey, ebrary, Inc. Ingmar Bergman: The Life and Films of the Last Great European Director. Distributed in the United States and Canada Exclusively by Palgrave Macmillan; 2009.
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Singer I. Ingmar Bergman, Cinematic Philosopher: Reflections on His Creativity. MIT Press; 2007. https://ebookcentral.proquest.com/lib/falmouth-ebooks/detail.action?docID=3338746
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Wood, Robin. Ingmar Bergman. Studio Vista; 1969. http://ezproxy.falmouth.ac.uk/login?url=http://site.ebrary.com/lib/falmouth/Doc?id=10715470
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Wexman, Virginia Wright. Film and Authorship. Vol Rutgers depth of field series. Rutgers University Press; 2003.
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Kovács AB. Screening Modernism: European Art Cinema, 1950-1980. Vol Cinema and modernity. University of Chicago Press; 2007. http://ezproxy.falmouth.ac.uk/login?url=http://site.ebrary.com/lib/falmouth/Doc?id=10266077
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Kurosawa, Akira, Mifune, Toshiro, Kyo, Machiko. Rashomon. Published online 2008. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F001F9C90%3Fbcast%3D105813089
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Yoshimoto M. Japanese Cinema in Search of a discipline [IN] Kurosawa: film studies and Japanese cinema. In: Kurosawa: Film Studies and Japanese Cinema. Vol Asia-Pacific : culture, politics, and society. Duke University Press; 2000:7-49.
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Andrew, Geoff. Film: The Critics’ Choice. ; 150 Masterpieces of World Cinema Selected and Defined by the Experts. Aurum; 2001.
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Gibbs MH, ebrary, Inc. Film and Political Culture in Postwar Japan. Vol Framing film : the history and art of cinema. Peter Lang; 2012. http://ezproxy.falmouth.ac.uk/login?url=http://site.ebrary.com/lib/falmouth/Doc?id=10562707
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Phillips, Alastair, Stringer, Julian. Japanese Cinema: Texts and Contexts. Routledge; 2007.
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Standish, Isolde. A New History of Japanese Cinema: A Century of Narrative Film. Continuum International Publishing Group - Academi; 2006. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441161543
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Oshima, Nagisa. The Century of Cinema: 100 years of Japanese cinema. Published online 13AD. http://trlibdocs.fxplus.ac.uk/KalturaWeb/kaltura.php?vid=0_wi1xksdj
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Higson A. Space, Place, Spectacle. Screen. 1984;25(4-5):2-21. doi:10.1093/screen/25.4-5.2
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Hill, John. Sex, Class and Realism: British Cinema 1956-1963. British Film Institute; 1986.
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Hutchens P. Beyond the New Wave: Realism in British Cinema, 1959-63 [IN] The British cinema book. In: The British Cinema Book. 3rd ed. Palgrave Macmillan; 2009:304-312.
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Arthur Marwick. Room at the Top, Saturday Night and Sunday Morning, and the ‘Cultural Revolution’ in Britain. Journal of Contemporary History. 1984;19(1):127-152. https://www.jstor.org/stable/260428
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Orr J. Romantics and Modernists in British Cinema. Edinburgh University Press; 2010. http://falmouth.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=1144283410005136&institutionId=5136&customerId=5135
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Street S. British National Cinema. Vol National cinemas. 2nd ed. Routledge; 2009. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203868997
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Varda A, Marchand C, Bourseiller A. Cléo de 5 à 7.
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Flitterman-Lewis, Sandy. Varda in Context: French Film Production in the Early Sixties – the New Wave [IN] To desire differently: feminism and the French cinema. In: To Desire Differently: Feminism and the French Cinema. Expanded ed.,Morningside ed. Columbia University Press; 1996:248-267.
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Cook, D. A. The French New Wave and its Native Context [IN] A history of narrative film. In: A History of Narrative Film. 4th ed. W.W. Norton; 2003.
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Cowie, Peter. Revolution!: The Explosion of World Cinema in the 60s. Faber; 2004.
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Hayward S, Vincendeau G. French Film: Texts and Contexts. 2nd ed. Routledge; 2000.
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Neupert, Richard John, ebrary, Inc. A History of the French New Wave Cinema. Vol Wisconsin studies in film. 2nd ed. University of Wisconsin Press; 2007.
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Smith A. Agnes Varda. Vol French film directors. Manchester University Press; 1998.
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Coppola FF, Hackman G, Cazale J. The Conversation. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000191F3%3Fbcast%3D82899187
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Arnold, Gordon B. Scandal and Skepticism [IN] Conspiracy theory in film, television, and politics. In: Conspiracy Theory in Film, Television, and Politics. Praeger; 2008:89-111. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781567207224
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Field D. American Cold War Culture. Edinburgh University Press; 2005.
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Ryan, Michael, Kellner, Douglas. Camera Politica: The Politics and Ideology of Contemporary Hollywood Film. Indiana University Press; 1990.
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Lefait S. Surveillance on Screen: Monitoring Contemporary Films and Television Programs. Scarecrow Press; 2013. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780810885912
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Maland C. Dr. Strangelove (1964): Nightmare Comedy and the Ideology of Liberal Consensus. American Quarterly. 1979;31(5). doi:10.2307/2712432
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Pratt R. You May Think You Know What’s Going On Here [IN] Projecting paranoia. In: Projecting Paranoia: Conspiratorial Visions in American Film. University Press of Kansas; 2001:87-112.
70.
Cukor, George, Tracy, Spencer, Hepburn, Katharine. Adam’s Rib.
71.
Herzog W, Kinski K, Guerra R. Aguirre, Wrath of God [Aguirre, der Zorn Gottes].
72.
Pakula, Alan J, Redford, Robert, Hoffman, Dustin. All the President’s men.
73.
Fellini F, Maggio P, Noel M. Amarcord.
74.
Godard JL, Karin A, Frey S. Bande a part.
75.
Kubrick S, O’Neal R, Berenson M. Barry Lyndon.
76.
Pontecorvo, Gillo, Hadjadj, Brahim, Martin, Jean, Saadi, Yacef. The Battle of Algiers [La Battaglia di Alger]i: Disc I.
77.
Sica, Vittorio de, Maggiorani, Lamberto, Carell, Lianella. Bicycle Thieves [Ladri di Biciclette].
78.
Powell M, Pressburger E, Kerr D, Simmons J. Black narcissus.
79.
Scott R, Ford H, Hauer R. Blade Runner.
80.
Antonioni, Michelangelo, Hemmings, David, Redgrave, Vanessa, Miles, Sarah. Blow-up. Published online 2009.
81.
Lynch D, MacLachlan K, Rossellini I, Hopper D. Blue Velvet.
82.
Godard, Jean-Luc, Belmondo, Jean-Paul, Seberg, Jean. Breathless [A Bout de souffle].
83.
Cukor, George, Garbo, Greta, Taylor, Robert. Camille. Published online 12AD.
84.
Fellini, Federico, Mastroianni, Marcello, Ekberg, Anita. La Dolce Vita.
85.
Wilder B, Stanwyck B, MacMurray F. Double Indemnity.
86.
Fellini, Federico, Mastroianni, Marcello, Cardinale, Claudia. 8 1/2.
87.
Carne M, Barrault JL, Arletty. Les Enfants du Paradis.
88.
Bunuel L, Rambel E, Gallardo L. The Exterminating angel [El Angel exterminador].
89.
Truffaut, Francois, Leaud, Jean-Pierre, Maurier, Claire. The 400 Blows [Les Quatre Cents Coups].
90.
Coppola, Francis Ford, Brando, Marlon, Pacino, Al. The Godfather.
91.
Coppola, Francis Ford, Pacino, Al, Duvall, Robert. The Godfather Part II: Disc I.
92.
Lupino I, Lovejoy F, O’Brien E. The Hitch Hiker.
93.
Kurosawa, Akira, Shimura, Takashi, Kaneko, Nobuo. Ikiru. Published online 26AD.
94.
Wong KW, Cheung M, Leung TCW. In the mood for love [Fa yeung nin wa].
95.
Akerman C, Arestrup N, Wauthion C. I, you, he, she [Je, tu, il, elle].
96.
Akerman C, Seyrig D, Decorte J, Storck H. Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles: Disc I. Published online 1975.
97.
Ozu, Yasujiro, Ryu, Chishu, Hara, Setsuko. Late Spring [Banshun].
98.
Antonioni, Michelangelo, Ferzetti, Gabriele, Vitti, Monica. L’Avventura. Published online 2008.
99.
Lean D, Guinness A, Quinn A. Lawrence of Arabia.
100.
Kubrick, Stanley, Mason, James, Winters, Shelley, Sellers, Peter. Lolita.
101.
Richardson, Tony, Courtenay, Tom, Redgrave, Michael. The Loneliness of the long distance runner.
102.
Richardson, Tony, Burton, Richard, Bloom, Claire, Osborne, John. Look Back In Anger.
103.
Welles, Orson, Cotten, Joseph, Costello, Dolores, Baxter, Anne. The magnificent Ambersons.
104.
Powell M, Pressburger E, Niven D, Livesey R. A Matter of life and death.
105.
Scorsese, Martin, De Niro, Robert, Keitel, Harvey. Mean streets.
106.
Godard JL, Bardot B, Piccoli M. Le mepris.
107.
Curtiz M, Crawford J, Carson J, Scott Z. Mildred Pierce.
108.
Lynch D, Theroux J, Watts N. Mulholland Drive.
109.
Laughton C, Mitchum R, Winters S. The Night of the hunter.
110.
Potter S, Swinton T, Zane B. Orlando.
111.
Toro G del, López S, Verdú M, Baquero I. Pan’s Labyrinth [El Laberinto del fauno]. The Guillermo del Toro collection.
112.
Wenders, Wim 1945-, Stanton HD, Kinski N, Stockwell D, Clement A, Carson H. Paris, Texas.
113.
Antonioni M, Nicholson J, Schneider M. The Passenger.
114.
Ray S, Bannerjee K, Gupta UD. Pather Panchali.
115.
Bergman, Ingmar, Andersson, Bibi, Ullmann, Liv, Krook, Margaretha. Persona: uncensored director’s cut.
116.
Campion J, Hunter H, Keitel H. The Piano.
117.
Tati, Jacques. Playtime.
118.
Hitchcock, Alfred, Perkins, Anthony, Leigh, Janet. Psycho.
119.
Scorsese, Martin, De Niro, Robert, Pesci, Joe. Raging bull.
120.
Renoir, Jean, Gregor, Nora, Dalio, Marcel. La Regle du jeu.
121.
Kurosawa, Akira, Mifune, Toshiro, Nakadai, Tatsuya. Sanjuro.
122.
Ford, John, Wayne, John, Hunter, Jeffrey. The Searchers.
123.
Donen S, Kelly G, O’Connor D, Reynolds D. Singin’ in the rain.
124.
Tarkovskii, Andrei Arsenevich, Bondarchuk, Natalya, Banionas, Donatas. Solaris: Disc I.
125.
Wilder, Billy, Curtis, Tony, Lemmon, Jack, Monroe, Marilyn. Some like it hot: Disc I.
126.
Anderson, Lindsay, Harris, Richard, Roberts, Rachel. This sporting life. Published online 14AD.
127.
Tarkovskii, Andrei Arsenevich, Kaidanovsky, Aleksandr, Solonitsyn, Anatoly. Stalker: Disc I: Part I.
128.
Wilder B, Holden W, Swanson G. Sunset Boulevard.
129.
Reed C, Cotten J, Welles O. The Third man.
130.
Ozu, Yasujiro, Ryu, Chishu, Higashiyama, Chieko. Tokyo Story [Tokyo monogatari].
131.
Welles, Orson, Perkins, Anthony, Moreau, Jeanne, Schneider, Romy. The Trial [Le proces].
132.
Mizoguchi K, Mori M, Kyo M, Tanaka K. Ugetsu.
133.
Sica V de, Battisti C, Casilio M. Umberto D.
134.
Hitchcock, Alfred, Stewart, James, Novak, Kim. Vertigo.
135.
Bunuel L, Pinal S, Rabal F. Viridiana.
136.
Godard, Jean-Luc, Karina, Anna, Rebbot, Saddy. Vivre Sa Vie. Published online 11AD.
137.
Godard, Jean-Luc, Darc, Mireille, Yanne, Jean. Weekend.
138.
Bergman, Ingmar, Sjostrom, Victor, Andersson, Bibi. Wild Strawberries [Smultronstället]. Published online 19AD.
139.
Wenders, Wim 1945-, Ganz B, Dommartin S, Sander O, Bois C, Falk P. Wings of Desire [Der Himmel über Berlin].
140.
Kurosawa, Akira, Mifune, Toshiro, Tono, Eijiro. Yojimbo.
