Bibliography for FLM170 Film History and the Canon

1.
Welles, Orson, Cotton, Joseph, Moorhead, Agnes. Citizen Kane [Internet]. BBC2; 13AD. Available from: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000A6D70%3Fbcast%3D38970013

2.
Benyahia, Sarah Casey., Mortimer, Claire, 1964-. The History of the Canon [IN] Doing film studies: a subject guide for students. Doing film studies: a subject guide for students. London: Routledge; 2013. p. 27–39.

3.
Cartmell, Deborah, ebrary, Inc. Classics in film and fiction. London: Pluto Press; 2000.

4.
Crowther, Paul. Defining art, creating the canon: artistic value in an era of doubt. Oxford: Clarendon; 2011.

5.
Gillett P. Movie greats: a critical study of classic cinema. Oxford: Berg; 2008.

6.
Rosenbaum J. Introduction [IN] Essential cinema: on the necessity of film canons. Essential cinema: on the necessity of film canons [Internet]. Johns Hopkins pbk. ed. Baltimore, Md: Johns Hopkins University Press; 2008. p. xi–xxi. Available from: http://ebookcentral.proquest.com/lib/falmouth-ebooks/reader.action?ppg=12&docID=3318521&tm=1497952617295

7.
Schrader, Paul. Canon Fodder: As the sun finally sets on the century of cinema, by what criteria do we determine its masterworks? Film Comment [Internet]. New York: Film Society of Lincoln Center; 2006;Sept-Oct:33–49. Available from: http://paulschrader.org/articles/pdf/2006-FilmComment_Schrader.pdf

8.
Virginia Wright Wexman. The Critic as Consumer: Film Study in the University, ‘Vertigo’, and the Film Canon. Film Quarterly. University of California Press; Vol. 39(No. 3):32–41.

9.
Renoir, Jean, Fresnay, Pierre, Von Stroheim, Erich. La Grande Illusion [Internet]. Optimum World DVD; Available from: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F001DA462%3Fbcast%3D106995379

10.
Younger P. Film as art [IN] The Routledge companion to film history. The Routledge companion to film history [Internet]. London: Routledge; 2011. p. 27–38. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203841532

11.
Faulkner, Christopher. The social cinema of Jean Renoir. Guildford: Princeton University Press; 1986.

12.
Fowler C. The European cinema reader. London: Routledge; 2002.

13.
O’Shaughnessy M. Jean Renoir. Manchester, UK: Manchester University Press; 2000.

14.
O’Shaughnessy, Martin. Reception [IN] La grande illusion: (Jean Renoir, 1937). La grande illusion: (Jean Renoir, 1937) [Internet]. London: Distributed in the United States and Canada exclusively by Palgrave Macmillan; 2009. p. 99–110. Available from: http://ebookcentral.proquest.com/lib/falmouth-ebooks/reader.action?ppg=108&docID=676960&tm=1497953105554

15.
Renoir, Jean. Jean Renoir: Part I: From La Belle Epoque to World War II. BBC1; 4AD.

16.
Renoir, Jean. Jean Renoir: Part II: Hollywood and beyond. BBC1; 11AD.

17.
Shelton B. Chapter on Renoir [IN] A cultural study of the art film: book 1. A cultural study of the art film: book 1. Lewiston: Edwin Mellen Press; 2003. p. 143–155.

18.
Jean Renoir on Technology and Art : The New Yorker.

19.
Hawks H, Grant C, Russell R. His girl friday [Internet]. Elstree Hill DVD; Available from: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F00002B64%3Fbcast%3D33277449

20.
Dyer R. Sections "Stars as Images; Stars and ‘Character’; Living Stars” [IN] The film studies reader. The film studies reader. London: Arnold; 2000. p. 121–134.

21.
Decherney P. Hollywood and the culture elite: how the movies became American [Internet]. New York: Columbia University Press; 2005. Available from: http://ezproxy.falmouth.ac.uk/login?url=http://site.ebrary.com/lib/falmouth/Doc?id=10183538

22.
Fischer L, Landy M. Stars: the film reader. London: Routledge; 2004.

23.
Gledhill C. Stardom: industry of desire [Internet]. London: Routledge; 1991. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203400425

24.
Dyer, Richard. Stars [IN] Film theory and criticism: introductory readings. Film theory and criticism: introductory readings. 7th ed. New York: Oxford University Press; 2009. p. 480–485.

25.
Ellis J. Stars as a Cinematic Phenomenon [IN] Film theory and criticism: introductory readings. Film theory and criticism: introductory readings. 6th ed. New York: Oxford University Press; 2004.

26.
Hill, John, Gibson, Pamela Church. American cinema and Hollywood: critical approaches. Oxford: Oxford University Press; 2000.

27.
Kerr, Paul. The Hollywood film industry: a reader. London: Routledge & Kegan Paul in association with the British Film Institute; 1986.

28.
Fraser, George MacDonald, Kobal Collection. The Hollywood history of the world: from One million years B.C. to Apocalypse now. 1st Ballatine Books ed. New York: Fawcett Columbine; 1989.

29.
Bergman, Ingmar, Sydow, Max von, Bjornstrand, Gunnar, Ekerot, Bengt. The Seventh seal [Det Sjunde inseglet] [Internet]. Palisades Tartan DVD; Available from: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0005A5DC%3Fbcast%3D67338783

30.
Betz, M. Recovering European Art Cinema [IN] Beyond the subtitle: remapping European art cinema. Beyond the subtitle: remapping European art cinema [Internet]. Minneapolis: University of Minnesota Press; 2009. p. 1–20. Available from: http://ebookcentral.proquest.com/lib/falmouth-ebooks/reader.action?ppg=12&docID=445623&tm=1497954388872

31.
Gazetas A. Symbolist Traditions in the Cinema: 1950s-1970s [IN] An introduction to world cinema. An introduction to world cinema. 2nd ed. Jefferson, N.C.: McFarland; 2008. p. 190–201.

32.
Macnab, Geoffrey, ebrary, Inc. Ingmar Bergman: the life and films of the last great European director. London: Distributed in the United States and Canada Exclusively by Palgrave Macmillan; 2009.

33.
Singer I. Ingmar Bergman, cinematic philosopher: reflections on his creativity [Internet]. Cambridge, Mass: MIT Press; 2007. Available from: https://ebookcentral.proquest.com/lib/falmouth-ebooks/detail.action?docID=3338746

34.
Wood, Robin. Ingmar Bergman [Internet]. London: Studio Vista; 1969. Available from: http://ezproxy.falmouth.ac.uk/login?url=http://site.ebrary.com/lib/falmouth/Doc?id=10715470

35.
Wexman, Virginia Wright. Film and authorship. London: Rutgers University Press; 2003.

36.
Kovács AB. Screening modernism: European art cinema, 1950-1980 [Internet]. Chicago, Ill: University of Chicago Press; 2007. Available from: http://ezproxy.falmouth.ac.uk/login?url=http://site.ebrary.com/lib/falmouth/Doc?id=10266077

37.
Kurosawa, Akira, Mifune, Toshiro, Kyo, Machiko. Rashomon [Internet]. Optimum; 2008. Available from: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F001F9C90%3Fbcast%3D105813089

38.
Yoshimoto M. Japanese Cinema in Search of a discipline [IN] Kurosawa: film studies and Japanese cinema. Kurosawa: film studies and Japanese cinema. Durham, NC: Duke University Press; 2000. p. 7–49.

39.
Andrew, Geoff. Film: the critics’ choice. ; 150 masterpieces of world cinema selected and defined by the experts. London: Aurum; 2001.

40.
Gibbs MH, ebrary, Inc. Film and political culture in postwar Japan [Internet]. New York: Peter Lang; 2012. Available from: http://ezproxy.falmouth.ac.uk/login?url=http://site.ebrary.com/lib/falmouth/Doc?id=10562707

41.
Phillips, Alastair, Stringer, Julian. Japanese cinema: texts and contexts. London: Routledge; 2007.

42.
Richie D. Japanese cinema: an introduction. Hong Kong: Oxford University Press; 1990.

43.
Russell, Catherine. Classical Japanese cinema revisited. London: Continuum; 2011.

44.
Standish, Isolde. A new history of Japanese cinema: a century of narrative film [Internet]. London: Continuum International Publishing Group - Academi; 2006. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441161543

45.
Oshima, Nagisa. The Century of Cinema: 100 years of Japanese cinema [Internet]. Oshima Production for Ch4; 13AD. Available from: http://trlibdocs.fxplus.ac.uk/KalturaWeb/kaltura.php?vid=0_wi1xksdj

46.
Richardson T, Tushingham R, Bryan D. A Taste of honey. BFI video;

47.
Lay, Samantha. Social Realism in the British Context [IN] British social realism: from documentary to Brit-grit. British social realism: from documentary to Brit-grit. London and New York: Wallflower; 2002. p. 5–23.

48.
Higson A. Space, Place, Spectacle. Screen. 1984 Aug 1;25(4–5):2–21.

49.
Hill, John. Sex, class and realism: British cinema 1956-1963. London: British Film Institute; 1986.

50.
Hutchens P. Beyond the New Wave: Realism in British Cinema, 1959-63 [IN] The British cinema book. The British cinema book. 3rd ed. Basingstoke: Palgrave Macmillan; 2009. p. 304–312.

51.
Arthur Marwick. Room at the Top, Saturday Night and Sunday Morning, and the ‘Cultural Revolution’ in Britain. Journal of Contemporary History [Internet]. Sage Publications, Ltd.Sage Publications, Ltd.; 1984;19(1):127–152. Available from: https://www.jstor.org/stable/260428

52.
Orr J. Romantics and modernists in British cinema [Internet]. Edinburgh: Edinburgh University Press; 2010. Available from: http://falmouth.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=1144283410005136&institutionId=5136&customerId=5135

53.
Street S. British national cinema [Internet]. 2nd ed. London: Routledge; 2009. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203868997

54.
Varda A, Marchand C, Bourseiller A. Cléo de 5 à 7. Criterion Collection DVD;

55.
Flitterman-Lewis, Sandy. Varda in Context: French Film Production in the Early Sixties – the New Wave [IN] To desire differently: feminism and the French cinema. To desire differently: feminism and the French cinema. Expanded ed.,Morningside ed. New York: Columbia University Press; 1996. p. 248–267.

56.
Cook, D. A. The French New Wave and its Native Context [IN] A history of narrative film. A history of narrative film. 4th ed. London: W.W. Norton; 2003.

57.
Cowie, Peter. Revolution!: the explosion of world cinema in the 60s. London: Faber; 2004.

58.
Hayward S, Vincendeau G. French film: texts and contexts. 2nd ed. London and New York: Routledge; 2000.

59.
Hillier J, British Film Institute. Cahiers du cinema: neo-realism, Hollywood, new wave, The 1950s. Cambridge, Mass: Harvard University Press; 1985.

60.
Neupert, Richard John, ebrary, Inc. A history of the French new wave cinema. 2nd ed. Madison: University of Wisconsin Press; 2007.

61.
Ostrowska D. Reading the French new wave: critics, writers and art cinema in France. London: Wallflower; 2008.

62.
Smith A. Agnes Varda. Manchester: Manchester University Press; 1998.

63.
Coppola FF, Hackman G, Cazale J. The Conversation [Internet]. Studio Canal DVD; Available from: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fshibboleth.falmouth.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F000191F3%3Fbcast%3D82899187

64.
Arnold, Gordon B. Scandal and Skepticism [IN] Conspiracy theory in film, television, and politics. Conspiracy theory in film, television, and politics [Internet]. Westport, Conn: Praeger; 2008. p. 89–111. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781567207224

65.
Field D. American Cold War culture. Edinburgh: Edinburgh University Press; 2005.

66.
Ryan, Michael, Kellner, Douglas. Camera politica: the politics and ideology of contemporary Hollywood film. Bloomington, Ind: Indiana University Press; 1990.

67.
Lefait S. Surveillance on screen: monitoring contemporary films and television programs [Internet]. Lanham, Md: Scarecrow Press; 2013. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780810885912

68.
Maland C. Dr. Strangelove (1964): Nightmare Comedy and the Ideology of Liberal Consensus. American Quarterly [Internet]. 1979 Winter;31(5). Available from: http://www.jstor.org/stable/2712432

69.
Pratt R. You May Think You Know What’s Going On Here [IN] Projecting paranoia. Projecting paranoia: conspiratorial visions in American film. [Great Britain]: University Press of Kansas; 2001. p. 87–112.

70.
Cukor, George, Tracy, Spencer, Hepburn, Katharine. Adam’s Rib. WB DVD;

71.
Herzog W, Kinski K, Guerra R. Aguirre, Wrath of God [Aguirre, der Zorn Gottes]. Anchor Bay DVD;

72.
Pakula, Alan J, Redford, Robert, Hoffman, Dustin. All the President’s men. Warner Brothers DVD;

73.
Fellini F, Maggio P, Noel M. Amarcord. Warner Bros DVD;

74.
Godard JL, Karin A, Frey S. Bande a part. BFI DVD;

75.
Kubrick S, O’Neal R, Berenson M. Barry Lyndon. Warner Brothers DVD;

76.
Pontecorvo, Gillo, Hadjadj, Brahim, Martin, Jean, Saadi, Yacef. The Battle of Algiers [La Battaglia di Alger]i: Disc I. Criterion Collection DVD;

77.
Sica, Vittorio de, Maggiorani, Lamberto, Carell, Lianella. Bicycle Thieves [Ladri di Biciclette]. Arrow Films DVD;

78.
Powell M, Pressburger E, Kerr D, Simmons J. Black narcissus. Network DVD;

79.
Scott R, Ford H, Hauer R. Blade Runner. Warner DVD;

80.
Antonioni, Michelangelo, Hemmings, David, Redgrave, Vanessa, Miles, Sarah. Blow-up. Turner Entertainment; 2009.

81.
Lynch D, MacLachlan K, Rossellini I, Hopper D. Blue Velvet. Sanctuary DVD;

82.
Godard, Jean-Luc, Belmondo, Jean-Paul, Seberg, Jean. Breathless [A Bout de souffle]. Optimum DVD;

83.
Cukor, George, Garbo, Greta, Taylor, Robert. Camille. Ch4; 12AD.

84.
Fellini, Federico, Mastroianni, Marcello, Ekberg, Anita. La Dolce Vita. Nouveaux Pictures DVD;

85.
Wilder B, Stanwyck B, MacMurray F. Double Indemnity. Universal DVD;

86.
Fellini, Federico, Mastroianni, Marcello, Cardinale, Claudia. 8 1/2. Nouveaux Pictures DVD;

87.
Carne M, Barrault JL, Arletty. Les Enfants du Paradis. Second Sight DVD;

88.
Bunuel L, Rambel E, Gallardo L. The Exterminating angel [El Angel exterminador]. Arrow Films DVD;

89.
Truffaut, Francois, Leaud, Jean-Pierre, Maurier, Claire. The 400 Blows [Les Quatre Cents Coups]. 2 Entertain DVD;

90.
Coppola, Francis Ford, Brando, Marlon, Pacino, Al. The Godfather. Paramount DVD;

91.
Coppola, Francis Ford, Pacino, Al, Duvall, Robert. The Godfather Part II: Disc I. Paramount DVD;

92.
Lupino I, Lovejoy F, O’Brien E. The Hitch Hiker. St Clair Vision DVD;

93.
Kurosawa, Akira, Shimura, Takashi, Kaneko, Nobuo. Ikiru. BBC Knowledge; 26AD.

94.
Wong KW, Cheung M, Leung TCW. In the mood for love [Fa yeung nin wa]. Araba DVD;

95.
Akerman C, Arestrup N, Wauthion C. I, you, he, she [Je, tu, il, elle]. Eclipse Criterion Collection DVD;

96.
Akerman C, Seyrig D, Decorte J, Storck H. Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles: Disc I. Criterion DVD; 1975.

97.
Ozu, Yasujiro, Ryu, Chishu, Hara, Setsuko. Late Spring [Banshun]. Tartan DVD;

98.
Antonioni, Michelangelo, Ferzetti, Gabriele, Vitti, Monica. L’Avventura. Mr Bongo; 2008.

99.
Lean D, Guinness A, Quinn A. Lawrence of Arabia. Columbia Tristar Home Entertainment DVD;

100.
Kubrick, Stanley, Mason, James, Winters, Shelley, Sellers, Peter. Lolita. Warner video;

101.
Richardson, Tony, Courtenay, Tom, Redgrave, Michael. The Loneliness of the long distance runner. British Film Insititue DVD;

102.
Richardson, Tony, Burton, Richard, Bloom, Claire, Osborne, John. Look Back In Anger. MGM DVD;

103.
Welles, Orson, Cotten, Joseph, Costello, Dolores, Baxter, Anne. The magnificent Ambersons. Universal DVD;

104.
Powell M, Pressburger E, Niven D, Livesey R. A Matter of life and death. Carlton DVD;

105.
Scorsese, Martin, De Niro, Robert, Keitel, Harvey. Mean streets. Universal DVD;

106.
Godard JL, Bardot B, Piccoli M. Le mepris. Studio Canal DVD;

107.
Curtiz M, Crawford J, Carson J, Scott Z. Mildred Pierce. Warner Brothers DVD;

108.
Lynch D, Theroux J, Watts N. Mulholland Drive. Universal Studios;

109.
Laughton C, Mitchum R, Winters S. The Night of the hunter. MGM DVD;

110.
Potter S, Swinton T, Zane B. Orlando. Artificial Eye DVD;

111.
Toro G del, López S, Verdú M, Baquero I. Pan’s Labyrinth [El Laberinto del fauno]. Optimum World DVD;

112.
Wenders, Wim 1945-, Stanton HD, Kinski N, Stockwell D, Clement A, Carson H. Paris, Texas. Anchor Bay Entertainment DVD;

113.
Antonioni M, Nicholson J, Schneider M. The Passenger. Sony DVD;

114.
Ray S, Bannerjee K, Gupta UD. Pather Panchali. Artificial Eye DVD;

115.
Bergman, Ingmar, Andersson, Bibi, Ullmann, Liv, Krook, Margaretha. Persona: uncensored director’s cut. Tartan DVD;

116.
Campion J, Hunter H, Keitel H. The Piano. Optimum DVD;

117.
Tati, Jacques. Playtime. BFI DVD;

118.
Hitchcock, Alfred, Perkins, Anthony, Leigh, Janet. Psycho. Universal DVD;

119.
Scorsese, Martin, De Niro, Robert, Pesci, Joe. Raging bull. MGM DVD;

120.
Renoir, Jean, Gregor, Nora, Dalio, Marcel. La Regle du jeu. BFI DVD;

121.
Kurosawa, Akira, Mifune, Toshiro, Nakadai, Tatsuya. Sanjuro. BFI DVD;

122.
Ford, John, Wayne, John, Hunter, Jeffrey. The Searchers. Warner DVD;

123.
Donen S, Kelly G, O’Connor D, Reynolds D. Singin’ in the rain. Warner Brothers DVD;

124.
Tarkovskii, Andrei Arsenevich, Bondarchuk, Natalya, Banionas, Donatas. Solaris: Disc I. Artificial Eye DVD;

125.
Wilder, Billy, Curtis, Tony, Lemmon, Jack, Monroe, Marilyn. Some like it hot: Disc I. Cinema Reserve;

126.
Anderson, Lindsay, Harris, Richard, Roberts, Rachel. This sporting life. BBC2; 14AD.

127.
Tarkovskii, Andrei Arsenevich, Kaidanovsky, Aleksandr, Solonitsyn, Anatoly. Stalker: Disc I: Part I. Artificial Eye DVD;

128.
Wilder B, Holden W, Swanson G. Sunset Boulevard. Paramount DVD;

129.
Reed C, Cotten J, Welles O. The Third man. Optimum DVD;

130.
Ozu, Yasujiro, Ryu, Chishu, Higashiyama, Chieko. Tokyo Story [Tokyo monogatari]. Tartan DVD;

131.
Welles, Orson, Perkins, Anthony, Moreau, Jeanne, Schneider, Romy. The Trial [Le proces]. Elstree Hill Entertainment DVD;

132.
Mizoguchi K, Mori M, Kyo M, Tanaka K. Ugetsu. Criterion Collection DVD;

133.
Sica V de, Battisti C, Casilio M. Umberto D. Nouveaux DVD;

134.
Hitchcock, Alfred, Stewart, James, Novak, Kim. Vertigo. Universal DVD;

135.
Bunuel L, Pinal S, Rabal F. Viridiana. Arrow DVD;

136.
Godard, Jean-Luc, Karina, Anna, Rebbot, Saddy. Vivre Sa Vie. Ch4; 11AD.

137.
Godard, Jean-Luc, Darc, Mireille, Yanne, Jean. Weekend. Artificial Eye DVD;

138.
Bergman, Ingmar, Sjostrom, Victor, Andersson, Bibi. Wild Strawberries [Smultronstället]. BBC2; 19AD.

139.
Wenders, Wim 1945-, Ganz B, Dommartin S, Sander O, Bois C, Falk P. Wings of Desire [Der Himmel über Berlin]. Anchor Bay Entertainment DVD;

140.
Kurosawa, Akira, Mifune, Toshiro, Tono, Eijiro. Yojimbo. BFI;

Bibliography for FLM170 Film History and the Canon BETA