Bibliography for POPM120 : Playing Live: Performance, Musicianship and Collaboration BETA

1.

Auslander P. Performance Analysis and Popular Music: A Manifesto. Contemporary Theatre Review [Internet]. 2004 Feb;14(1):1–13. Available from: https://go.openathens.net/redirector/falmouth.ac.uk?url=http://dx.doi.org/10.1080/1026716032000128674

2.

Harrison, Mark. Contemporary music theory: a complete harmony and theory method for the pop & jazz musician, Level two. Milwaukee, Wis: Hal Leonard; 1995.

3.

Horner, Bruce, Swiss, Thomas. Key terms in popular music and culture. Oxford: Blackwell; 1999.

4.

Shuker, Roy. Understanding popular music culture [Internet]. 4th ed. London: Routledge; 2013. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9780203094358

5.

Baskerville D. Music Business Handbook and Career Guide. Thousand Oaks: SAGE Publications Inc; 2023.

6.

Waldman, Tom. We all want to change the world: rock and politics from Elvis to Eminem [Internet]. 1st Taylor Trade Pub. ed. Lanham, Md: Taylor Trade Pub; 2003. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9781461625797

7.

Machin D. Analysing popular music: image, sound, text [Internet]. Los Angeles, [Calif.]: SAGE; 2010. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9781446203378

8.

Frith S. Performing rites: on the value of popular music. Oxford: Oxford University Press; 1998.