Bibliography for POPM120 : Playing Live: Performance, Musicianship and Collaboration BETA

1

Auslander P. Performance Analysis and Popular Music: A Manifesto. Contemporary Theatre Review 2004;14:1–13. doi:10.1080/1026716032000128674

2

Harrison, Mark. Contemporary music theory: a complete harmony and theory method for the pop & jazz musician, Level two. Milwaukee, Wis: : Hal Leonard 1995.

3

Horner, Bruce, Swiss, Thomas. Key terms in popular music and culture. Oxford: : Blackwell 1999.

4

Shuker, Roy. Understanding popular music culture. 4th ed. London: : Routledge 2013. http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9780203094358

5

Baskerville D. Music Business Handbook and Career Guide. Thousand Oaks: : SAGE Publications Inc 2023.

6

Waldman, Tom. We all want to change the world: rock and politics from Elvis to Eminem. 1st Taylor Trade Pub. ed. Lanham, Md: : Taylor Trade Pub 2003. http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9781461625797

7

Machin D. Analysing popular music: image, sound, text. Los Angeles, [Calif.]: : SAGE 2010. https://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9781446203378

8

Frith S. Performing rites: on the value of popular music. Oxford: : Oxford University Press 1998.