Bibliography for POPM120 : Playing Live: Performance, Musicianship and Collaboration BETA

AUSLANDER, Philip. 2004. ‘Performance Analysis and Popular Music: A Manifesto’. Contemporary Theatre Review 14(1), [online], 1–13. Available at: https://go.openathens.net/redirector/falmouth.ac.uk?url=http://dx.doi.org/10.1080/1026716032000128674.

BASKERVILLE, David. 2023. Music Business Handbook and Career Guide. Thousand Oaks: SAGE Publications Inc.

FRITH, Simon. 1998. Performing Rites: On the Value of Popular Music. Oxford: Oxford University Press.

HARRISON, MARK. 1995. Contemporary Music Theory: A Complete Harmony and Theory Method for the Pop & Jazz Musician, Level Two. Milwaukee, Wis: Hal Leonard.

HORNER, BRUCE and SWISS, THOMAS. 1999. Key Terms in Popular Music and Culture. Oxford: Blackwell.

MACHIN, David. 2010. Analysing Popular Music: Image, Sound, Text [electronic resource]. Los Angeles, [Calif.]: SAGE. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9781446203378.

SHUKER, ROY. 2013. Understanding Popular Music Culture [electronic resource]. 4th ed. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9780203094358.

WALDMAN, TOM. 2003. We All Want to Change the World: Rock and Politics from Elvis to Eminem [electronic resource]. 1st Taylor Trade Pub. ed. Lanham, Md: Taylor Trade Pub. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9781461625797.