Bibliography for POPM120 : Playing Live: Performance, Musicianship and Collaboration BETA

Auslander, Philip. ‘Performance Analysis and Popular Music: A Manifesto’. Contemporary Theatre Review 14.1 (2004): 1–13. Web. <https://go.openathens.net/redirector/falmouth.ac.uk?url=http://dx.doi.org/10.1080/1026716032000128674>.

Baskerville, David. Music Business Handbook and Career Guide. Thousand Oaks: SAGE Publications Inc, 2023. Print.

Frith, Simon. Performing Rites: On the Value of Popular Music. Oxford: Oxford University Press, 1998. Print.

Harrison, Mark. Contemporary Music Theory: A Complete Harmony and Theory Method for the Pop & Jazz Musician, Level Two. Milwaukee, Wis: Hal Leonard, 1995. Print.

Horner, Bruce and Swiss, Thomas. Key Terms in Popular Music and Culture. Oxford: Blackwell, 1999. Print.

Machin, David. Analysing Popular Music: Image, Sound, Text. Los Angeles, [Calif.]: SAGE, 2010. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9781446203378>.

Shuker, Roy. Understanding Popular Music Culture. 4th ed. London: Routledge, 2013. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9780203094358>.

Waldman, Tom. We All Want to Change the World: Rock and Politics from Elvis to Eminem. 1st Taylor Trade Pub. ed. Lanham, Md: Taylor Trade Pub, 2003. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9781461625797>.