Bibliography for DCH150: The Reader

[1]
Novack, C. J., ‘Looking at Movement as Culture: contact improvisation to disco’, in The Routledge dance studies reader, 2nd ed., London: Routledge, 2010, pp. 168–180 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203860984

[2]
Carter, A., ‘Destabilising the Discipline: Critical debates about history and their impact on the study of dance’, in Rethinking dance history: a reader, London: Routledge, 2004, pp. 10–19 [Online]. Available: http://content.talisaspire.com/falmouth/bundles/5307677af430e95b49000004

[3]
S. Banes, Democracy’s body : Judson Dance Theater, 1962-1964. Durham, N.C.; London: Duke University Press, 1993.

[4]
R. Burt, Judson Dance Theater: performative traces. London: Routledge, 2006 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203969663

[5]
A. Kolb, Dance and politics. Bern: Peter Lang, 2011.

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S. Banes, ‘Introduction: Sources of Post-Modern Dance’, in Terpsichore in sneakers: post-modern dance, vol. Wesleyan paperback, Middletown, Conn: Wesleyan University Press, 1987, pp. 1–19 [Online]. Available: https://ebookcentral.proquest.com/lib/falmouth-ebooks/reader.action?docID=776783&ppg=42

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S. Banes, M. Baryshnikov, and A. Harris, Reinventing dance in the 1960s: everything was possible. Madison, Wis: University of Wisconsin, 2003.

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C. Butler, Postmodernism: a very short introduction, vol. Very short introductions. Oxford: Oxford University Press, 2002 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191539077

[9]
Ann Daly, Marcia B. Siegel, Anna Halprin, Janice Ross, Cynthia J. Novack, Deborah Hay, Sally Banes, Senta Driver, Roger Copeland and Susan L. Foster, ‘What Has Become of Postmodern Dance? Answers and Other Questions by Marcia B. Siegel, Anna Halprin, Janice Ross, Cynthia J. Novack, Deborah Hay, Sally Banes, Senta Driver, Roger Copeland, and Susan L. Foster’, TDR (1988-), vol. 36, no. 1, pp. 48–69, 1992.

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S. Whatley, ‘Dance and disability: the dancer, the viewer and the presumption of difference’, Research in Dance Education, vol. 8, no. 1, pp. 5–25, Apr. 2007, doi: 10.1080/14647890701272639. [Online]. Available: https://go.openathens.net/redirector/falmouth.ac.uk?url=http://www.tandfonline.com/doi/pdf/10.1080/14647890701272639

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‘Invisible Difference: Research Blog Archive’. [Online]. Available: http://www.invisibledifference.org.uk/blog/archive/

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A. C. Albright, Choreographing difference: the body and identity in contemporary dance. [Middletown, Conn.]: Wesleyan University Press [Online]. Available: https://ebookcentral.proquest.com/lib/falmouth-ebooks/detail.action?docID=776743

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A. Benjamin, Making an entrance: theory and practice for disabled and non-disabled dancers. London: Routledge, 2002.

[14]
D. Jowitt, Time and the dancing image. New York: W. Morrow, 1988.

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P. Kuppers, Disability and contemporary performance: bodies on edge. London: Routledge, 2003.

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Reed, Susan A.1 sreed@qal.berkeley.edu, ‘The Politics and Poetics of Dance.’, Annual Review of Anthropology., vol. 27, no. 1, 1998 [Online]. Available: http://search.ebscohost.com.ezproxy.falmouth.ac.uk/login.aspx?direct=true&db=sih&AN=1295362&site=ehost-live

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C. Sandahl, P. Auslander, and ebrary, Inc, Bodies in commotion: disability & performance, vol. Corporealities. Ann Arbor, Mich: University of Michigan Press, 2005 [Online]. Available: http://site.ebrary.com/lib/falmouth/Doc?id=10356824

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S. Whatley, ‘Dance and disability: the dancer, the viewer and the presumption of difference’, Research in Dance Education, vol. 8, no. 1, pp. 5–25, Apr. 2007, doi: 10.1080/14647890701272639.

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‘People Dancing - Foundation for Community Dance :: Does education include?’ [Online]. Available: http://www.communitydance.org.uk/DB/animated-library/does-education-include.html?ed=32213

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Pakes, A, ‘Knowing through dance-making: choreography, practical knowledge and practice-as-research [IN] Contemporary choreography: a critical reader’, in Contemporary choreography: a critical reader, London: Routledge, 2009, pp. 10–22 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203124918

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L. Wildschut and J. Butterworth, Eds., Contemporary choreography: a critical reader, Second edition. London, [England]: Routledge, 2018 [Online]. Available: https://ebookcentral.proquest.com/lib/falmouth-ebooks/detail.action?docID=5178425

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Ric Allsopp, ‘Performance Research’, vol. 13, no. 1, pp. 1–6 [Online]. Available: http://ejournals.ebsco.com.ezproxy.falmouth.ac.uk/Issue.asp?IssueID=982884

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G. H. Kester, Conversation pieces: community and communication in modern art, Updated edition. Berkeley, California: University of California Press, 2013.

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‘Art safari: Part I: Relational art : is it an ism?’ Bergmann Pictures for BBC4, 2003 [Online]. Available: http://trlibdocs.fxplus.ac.uk/KalturaWeb/kaltura.php?vid=0_dmrwvtns

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‘RB JEROME BEL’. [Online]. Available: http://www.jeromebel.fr/

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‘about “Nom donné par l’auteur” (1994) 1’. 7AD [Online]. Available: https://www.youtube.com/watch?v=H-Lp6KG8bbs

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‘Other Perspectives /// Discussions with Nicolas Bourriaud’. 17AD [Online]. Available: https://www.youtube.com/watch?v=vihpjZOq4VI

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J. Bunker, A. Pakes, and B. Rowell, Thinking through dance: the philosophy of dance through performance and practices. Alton: Dance Books, 2013.

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BAUER, UNA1,2, ‘The Movement of Embodied Thought The Representational Game of the Stage Zero of Signification in Jérôme Bel.’, Performance Research. Mar, vol. 13, no. 1, pp. 35–41, 2008 [Online]. Available: http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=35761446&site=ehost-live&authtype=shib&custid=s9799604

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‘Veronique Doisneau 1’. 11AD [Online]. Available: https://www.youtube.com/watch?v=OIuWY5PInFs

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‘Veronique Doisneau 3’. 11AD [Online]. Available: https://www.youtube.com/watch?v=L10LlVPE-kg

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‘Ivana Müller - While we were holding it together’. 26AD [Online]. Available: https://www.youtube.com/watch?v=XbPBoq_A5vg

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‘Dance Magazine: Ivana Müller by Nancy Alfaro’. [Online]. Available: https://www.dancemagazine.com/ivana-ma1-4ller-2306861990.html

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‘Philosophical trip with a maelstrom of images and ideas by Fleur Bokhoven’. [Online]. Available: http://www.ivanamuller.com/contexts/while-we-were-holding-it-together-review-theatercentraal/

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X. Le Roy, ‘Self unfinished’. .

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‘Possibilising dance : a space for thinking in choreography - Roehampton University Research Repository (RURR)’. [Online]. Available: http://roehampton.openrepository.com/roehampton/handle/10142/118506

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Rowell, B., ‘The United Kingdom, an expanded map [IN] Europe dancing: perspectives on theatre dance and cultural identity’, in Europe dancing: perspectives on theatre dance and cultural identity, London: Routledge, 2000 [Online]. Available: http://site.ebrary.com/lib/falmouth/Doc?id=10054262

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Bishop, Claire, ‘Introduction/Viewers as Producers’, in Participation, vol. Documents of contemporary art, London: Whitechapel, 2006, pp. 10–17.

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‘Paul Ramirez Jonas and Claire Bishop Exchange Keys’. 14AD [Online]. Available: https://www.youtube.com/watch?v=Csr6x4i6zYw

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‘Rosemary Lee - Square Dances’. Nov. 18, 2011 [Online]. Available: https://www.youtube.com/watch?v=wXamnO0nE6A

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G. Whelan, G. Winters, and Lone Twin, On Everest. Ltd edition of 100.

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D. Williams and C. Lavery, Lone Twin: journeys performances conservations. Aberystwyth: Performance Research Books, 2011.

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G. White, Audience participation in theatre: aesthetics of the invitation. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2013 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9781137010742

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J. Thompson, Performance affects: applied theatre and the end of effect, [New] ed. Basingstoke: Palgrave Macmillan, 2011.

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P. Kuppers and G. Robertson, The community performance reader. London: Routledge, 2007.

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C. Bishop, Artificial hells: participatory art and the politics of spectatorship. London: Verso, 2012 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9781781683972

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J. Machon, Immersive theatres: intimacy and immediacy in contemporary performance. Basingstoke: Palgrave Macmillan, 2013.

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H. Freshwater, Theatre & audience. Basingstoke: Palgrave Macmillan, 2009 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230364608

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Llandsdale , J, ‘A tapestry of inter-texts – Dance Analysis for the 21st Century [IN] The Routledge dance studies reader’, in The Routledge dance studies reader, 2nd ed., London: Routledge, 2010 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203860984

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Hossaini. Ali, ‘Mediation and Civilisation: the prehistory of optical representation [IN] Vision, memory and media’, in Vision, memory and media, Liverpool: FACT, 2010, pp. 25–32.

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P. Auslander and ebrary, Inc, Liveness: performance in a mediatized culture. London: Routledge, 1999 [Online]. Available: http://site.ebrary.com/lib/falmouth/Doc?id=10054880

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C. Baugh, Theatre, performance and technology: the development and transformation of scenography, Second edition., vol. Theatre and performance practices. Basingstoke: Palgrave Macmillan, 2013.

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J. H. Birringer, Performance, technology, & science, 1st ed. New York: PAJ Publications, 2008.

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S. Broadhurst and J. Machon, Performance and technology: practices of virtual embodiment and interactivity. Basingstoke: Palgrave Macmillan, 2011 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230288157

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S. Broadhurst, J. Machon, and R. Allsopp, Sensualities/textualities and technologies: writings of the body in 21st-century performance. Basingstoke: Palgrave Macmillan, 2009.

[61]
G. Debord and D. Nicholson-Smith, The society of the spectacle. New York: Zone Books, 1995.

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S. Dixon, Digital performance: a history of new media in theater, dance, performance art, and installation. Cambridge, Mass: MIT, 2007 [Online]. Available: https://ebookcentral.proquest.com/lib/falmouth-ebooks/detail.action?docID=3338680

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G. Giesekam, Staging the screen: the use of film and video in theatre, Illustrated edition. Basingstoke: Palgrave Macmillan, 2007.

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N. K. Hayles, How we became posthuman: virtual bodies in cybernetics, literature, and informatics. Chicago & London: University of Chicago Press, 1999.

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A. Brøgger, O. Kholeif, FACT (Great Britain), and Nikolaj kirke (Copenhagen, Denmark), Vision, memory and media. Liverpool: FACT, 2010.

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M. McLuhan, Q. Fiore, and J. Agel, The medium is the massage, [New ed.]., vol. Modern classics. London: Penguin, 2008.

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M. McLuhan, Understanding media: the extensions of man. London: Routledge, 2001.

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Culler, Jonathan, ‘What is theory?’, in Literary theory: a very short introduction, Oxford: Oxford University Press, 2000, pp. 1–17 [Online]. Available: https://falmouth.primo.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3472959900005136&institutionId=5136&customerId=5135&VE=true

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S. Delahunta and R. Allsopp, The Connected body?: an interdisciplinary approach to the body and performance. Amsterdam: Amsterdam School of the Arts, 1996.

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M. McLuhan, Q. Fiore, and J. Agel, The medium is the massage, [New ed.]., vol. Modern classics. London: Penguin, 2008.

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P. Barry, Beginning theory: an introduction to literary and cultural theory, 3rd ed. Manchester: Manchester University Press, 2009.

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G. L. Ulmer, Teletheory, 2nd ed., vol. Philosophy/Media Studies. Lightning Source UK Ltd, 2004.

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D. Wills, Dorsality: thinking back through technology and politics, vol. Posthumanities. Minneapolis: University of Minnesota Press, 2008.

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A. Vesalius, J. B. de C. M. Saunders, and C. D. O’Malley, The illustrations from the works of Andreas Vesalius of Brussels: with annotations and translations, a discussion of the plates and their background, authorship and influence, and a biographical sketch of Vesalius. New York: Dover Publications, 1973.

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A. Lepecki and Whitechapel Art Gallery, Dance, vol. Documents of contemporary art. London: Whitechapel Art Gallery, 2012.

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‘Disney Shorts (HD) - 1929 - Silly Symphony: The Skeleton Dance’. Nov. 23, 2012 [Online]. Available: https://www.youtube.com/watch?v=yrtcAHhOVXQ

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‘Pina Bausch - Café Müller (1978)’. Dec. 14, 2011 [Online]. Available: https://www.youtube.com/watch?v=36s1UxPM9LA

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‘Rosas | ROSAS DANST ROSAS’. Oct. 10, 2008 [Online]. Available: https://www.youtube.com/watch?v=oQCTbCcSxis

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A. Lepecki and Whitechapel Art Gallery, Dance, vol. Documents of contemporary art. London: Whitechapel Art Gallery, 2012.

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‘Amplified Body by Stelarc (1994)’. [Online]. Available: https://vimeo.com/44181542

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‘Fractal Flesh - Alternate Anatomical Architectures: Interview with Stelarc by Marco Donnarumma’. [Online]. Available: http://cec.sonus.ca/econtact/14_2/donnarumma_stelarc.html

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Stelarc, Stelarc: the body is obsolete. Contemporary Arts Media, 2005.

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C. E. Hungate and Institute of Contemporary Arts, London, Totally wired: science, technology and the human form. I.C.A., 1996.

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R. Williams, Keywords: a vocabulary of culture and society, Rev. and Expanded ed. London: Fontana, 1988 [Online]. Available: https://ebookcentral.proquest.com/lib/falmouth-ebooks/detail.action?docID=679632

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‘Harvard at FU | ASK: Academic Skills’. [Online]. Available: http://ask.fxplus.ac.uk/referencing/harvard-fu

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C. Adair, Women and dance: sylphs and sirens. Basingstoke: Macmillan, 1992.

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S. Au, Ballet and modern dance. London: Thames & Hudson, 1988.

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S. Banes and ebrary, Inc, Terpsichore in sneakers: post-modern dance, vol. Wesleyan paperback. Middletown, Conn: Wesleyan University Press, 1987 [Online]. Available: http://site.ebrary.com/lib/falmouth/Doc?id=10481041

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S. Banes, Democracy’s body : Judson Dance Theater, 1962-1964. Durham, N.C.; London: Duke University Press, 1993.

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S. Barber, Hijikata: revolt of the body, vol. Solar East. Los Angeles: Solar Books, 2010.

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A. Benjamin, Making an entrance: theory and practice for disabled and non-disabled dancers. London: Routledge, 2002.

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H. K. Bhabha, The location of culture, vol. Routledge classics. London: Routledge, 2004 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9780203820551

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J. Birringer, Theatre, theory, postmodernism, First Midland book edition., vol. Drama and performance studies. Bloomington: Indiana University Press, 1993.

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V. A. Briginshaw, Dance, space and subjectivity. Basingstoke: Palgrave, 2001.

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M. Bremser and L. Sanders, Fifty contemporary choreographers, 2nd ed., vol. Routledge key guides. London: Routledge, 2011 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9780203831298

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A. Carter and J. O’Shea, The Routledge dance studies reader, 2nd ed. London: Routledge, 2010 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9780203860984

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A. Carter, Rethinking dance history: a reader. London: Routledge, 2004.

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A. De Mille, Martha: the life and work of Martha Graham. New York: Random House, 1991.

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J. Desmond, Meaning in motion: new cultural studies of dance, vol. Post-contemporary interventions. London: Duke University Press, 1997.

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J. Desmond, Dancing desires: choreographing sexualities on and off the stage. London: University of Wisconsin, 2001.

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A. Dils and A. C. Albright, Moving history / dancing cultures: a dance history reader. Middletown, Conn: Wesleyn University Press, 2001.

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A. Easthope and K. McGowan, A critical and cultural theory reader, 2nd ed. Maidenhead: Open University Press, 2004.

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A. Grau and S. Jordan, Europe dancing: perspectives on theatre dance and cultural identity. London: Routledge, 2000 [Online]. Available: http://site.ebrary.com/lib/falmouth/Doc?id=10054262

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M. Horosko, Martha Graham: the evolution of her dance theory and training, Rev. ed. Gainesville, Fla: University Press of Florida, 2002.

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L. Horst and C. Russell, Modern dance forms in relation to the other modern arts. Princeton, N.J.: Princeton Book Co, 1987.

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S. L. Foster, Reading dancing: bodies and subjects in contemporary American dance. Berkley: University of California Press, 1986.

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S. L. Foster, Corporealities: dancing knowledge, culture and power. London: Routledge, 1996.

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M. Featherstone, M. Hepworth, and B. S. Turner, The Body: social process and cultural theory, vol. Theory, culture&society. London: Sage, 1990.

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J. L. Foulkes, Modern bodies: dance and American modernism from Martha Graham to Alvin Ailey. London: University of North Carolina Press, 2002 [Online]. Available: http://site.ebrary.com/lib/falmouth/Doc?id=10202634

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M. Franko, Dancing modernism/performing politics. Bloomington: Indiana University Press, 1995.

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B. D. Gottschild, Digging the Africanist presence in American performance: dance and other contexts. Westport, Conn: Praeger, 1996.

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R. Martin, Critical moves: dance studies in theory and politics. London: Duke University Press, 1998.

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K. Ōno and Y. Ohno, Kazuo Ohno’s world from without and within. Middletown, Conn: Wesleyan University Press, 2004.

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V. M. Preston-Dunlop, Dance words, vol. Choreography and dance studies. Amsterdam: Harwood Academic Publishers, 1995.

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J. L. Roseman and A. King, Dance was her religion: the sacred choreography of Isadora Duncan, Ruth St. Denis and Martha Graham. Prescott, AZ: Hohm Press, 2004.

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J. Storey, Cultural Theory and Popular Culture: An Introduction, 9th ed. London: Routledge, 2021.

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H. Thomas, Dance, modernity and culture: explorations in the sociology of dance. London: Routledge, 1995 [Online]. Available: https://go.openathens.net/redirector/falmouth.ac.uk?url=https://www.taylorfrancis.com/books/9780203359730

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V. Kuchelmeister, N. Haffner, and C. Ziegler, ‘William Forsythe: improvisation technologies’. Hatje Cantz, Ostfildern, 2012.

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S. Davies, D. Hinton, and J. Heffernan, ‘All this can happen’. Siobhan Davies Dance DVD [Online]. Available: http://trlibdocs.fxplus.ac.uk/KalturaWeb/kaltura.php?vid=0_0aq3otak&licenceType=c

Bibliography for DCH150: The Reader BETA