1
Novack, C. J. Looking at Movement as Culture: contact improvisation to disco. The Routledge dance studies reader. London: Routledge 2010:168–80.
2
Carter, A. Destabilising the Discipline: Critical debates about history and their impact on the study of dance. Rethinking dance history: a reader. London: Routledge 2004:10–9.
3
Banes S. Democracy’s body : Judson Dance Theater, 1962-1964. Durham, N.C.; London: Duke University Press 1993.
4
Burt R. Judson Dance Theater: performative traces. London: Routledge 2006.
5
Kolb A. Dance and politics. Bern: Peter Lang 2011.
6
Banes S. Introduction: Sources of Post-Modern Dance. Terpsichore in sneakers: post-modern dance. Middletown, Conn: Wesleyan University Press 1987:1–19.
7
Banes S, Baryshnikov M, Harris A. Reinventing dance in the 1960s: everything was possible. Madison, Wis: University of Wisconsin 2003.
8
Butler C. Postmodernism: a very short introduction. Oxford: Oxford University Press 2002.
9
Ann Daly, Marcia B. Siegel, Anna Halprin, Janice Ross, Cynthia J. Novack, Deborah Hay, Sally Banes, Senta Driver, Roger Copeland and Susan L. Foster. What Has Become of Postmodern Dance? Answers and Other Questions by Marcia B. Siegel, Anna Halprin, Janice Ross, Cynthia J. Novack, Deborah Hay, Sally Banes, Senta Driver, Roger Copeland, and Susan L. Foster. TDR (1988-). 1992;36:48–69.
10
Whatley S. Dance and disability: the dancer, the viewer and the presumption of difference. Research in Dance Education. 2007;8:5–25. doi: 10.1080/14647890701272639
11
Invisible Difference: Research Blog Archive. http://www.invisibledifference.org.uk/blog/archive/
12
Albright AC. Choreographing difference: the body and identity in contemporary dance. [Middletown, Conn.]: Wesleyan University Press .
13
Benjamin A. Making an entrance: theory and practice for disabled and non-disabled dancers. London: Routledge 2002.
14
Jowitt D. Time and the dancing image. New York: W. Morrow 1988.
15
Kuppers P. Disability and contemporary performance: bodies on edge. London: Routledge 2003.
16
Reed, Susan A.1 sreed@qal.berkeley.edu. The Politics and Poetics of Dance. Annual Review of Anthropology. 1998;27.
17
Sandahl C, Auslander P, ebrary, Inc. Bodies in commotion: disability & performance. Ann Arbor, Mich: University of Michigan Press 2005.
18
Whatley S. Dance and disability: the dancer, the viewer and the presumption of difference. Research in Dance Education. 2007;8:5–25. doi: 10.1080/14647890701272639
19
People Dancing - Foundation for Community Dance :: Does education include? http://www.communitydance.org.uk/DB/animated-library/does-education-include.html?ed=32213
20
Pakes, A. Knowing through dance-making: choreography, practical knowledge and practice-as-research [IN] Contemporary choreography: a critical reader. Contemporary choreography: a critical reader. London: Routledge 2009:10–22.
21
Wildschut L, Butterworth J, editors. Contemporary choreography: a critical reader. Second edition. London, [England]: Routledge 2018.
22
Ric Allsopp. Performance Research. ;13:1–6.
23
Kester GH. Conversation pieces: community and communication in modern art. Updated edition. Berkeley, California: University of California Press 2013.
24
Art safari: Part I: Relational art : is it an ism? 2003.
25
RB JEROME BEL. http://www.jeromebel.fr/
26
about ‘Nom donné par l’auteur’ (1994) 1. 7 AD.
27
Other Perspectives /// Discussions with Nicolas Bourriaud. 17 AD.
28
Bunker J, Pakes A, Rowell B. Thinking through dance: the philosophy of dance through performance and practices. Alton: Dance Books 2013.
29
BAUER, UNA1,2. The Movement of Embodied Thought The Representational Game of the Stage Zero of Signification in Jérôme Bel. Performance Research Mar. 2008;13:35–41.
30
Veronique Doisneau 1. 11 AD.
31
Veronique Doisneau 3. 11 AD.
32
Ivana Müller - While we were holding it together. 26 AD.
33
Dance Magazine: Ivana Müller by Nancy Alfaro. https://www.dancemagazine.com/ivana-ma1-4ller-2306861990.html
34
Philosophical trip with a maelstrom of images and ideas by Fleur Bokhoven. http://www.ivanamuller.com/contexts/while-we-were-holding-it-together-review-theatercentraal/
35
Le Roy X. Self unfinished.
36
Performance 15: On Line/Xavier Le Roy Feb 2, 5 & 6, 2011. 14 AD.
37
Possibilising dance : a space for thinking in choreography - Roehampton University Research Repository (RURR). http://roehampton.openrepository.com/roehampton/handle/10142/118506
38
Rowell, B. The United Kingdom, an expanded map [IN] Europe dancing: perspectives on theatre dance and cultural identity. Europe dancing: perspectives on theatre dance and cultural identity. London: Routledge 2000.
39
Bishop, Claire. Introduction/Viewers as Producers. Participation. London: Whitechapel 2006:10–7.
40
Paul Ramirez Jonas and Claire Bishop Exchange Keys. 14 AD.
41
Rosemary Lee - Square Dances. 2011.
42
On Everest - Lone Twin. http://www.lonetwin.com/nodes/view/83
43
Whelan G, Winters G, Lone Twin. On Everest. Ltd edition of 100 .
44
Street Dance - Lone Twin. http://www.lonetwin.com/nodes/view/54
45
David Binder: The arts festival revolution | Talk Video | TED.com. https://www.ted.com/talks/david_binder_the_arts_festival_revolution?language=en
46
Speeches - Lone Twin. http://www.lonetwin.com/nodes/view/35
47
Williams D, Lavery C. Lone Twin: journeys performances conservations. Aberystwyth: Performance Research Books 2011.
48
White G. Audience participation in theatre: aesthetics of the invitation. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan 2013.
49
Thompson J. Performance affects: applied theatre and the end of effect. [New] ed. Basingstoke: Palgrave Macmillan 2011.
50
Kuppers P, Robertson G. The community performance reader. London: Routledge 2007.
51
Bishop C. Artificial hells: participatory art and the politics of spectatorship. London: Verso 2012.
52
Machon J. Immersive theatres: intimacy and immediacy in contemporary performance. Basingstoke: Palgrave Macmillan 2013.
53
Freshwater H. Theatre & audience. Basingstoke: Palgrave Macmillan 2009.
54
Llandsdale , J. A tapestry of inter-texts – Dance Analysis for the 21st Century [IN] The Routledge dance studies reader. The Routledge dance studies reader. London: Routledge 2010.
55
Hossaini. Ali. Mediation and Civilisation: the prehistory of optical representation [IN] Vision, memory and media. Vision, memory and media. Liverpool: FACT 2010:25–32.
56
Auslander P, ebrary, Inc. Liveness: performance in a mediatized culture. London: Routledge 1999.
57
Baugh C. Theatre, performance and technology: the development and transformation of scenography. Second edition. Basingstoke: Palgrave Macmillan 2013.
58
Birringer JH. Performance, technology, & science. 1st ed. New York: PAJ Publications 2008.
59
Broadhurst S, Machon J. Performance and technology: practices of virtual embodiment and interactivity. Basingstoke: Palgrave Macmillan 2011.
60
Broadhurst S, Machon J, Allsopp R. Sensualities/textualities and technologies: writings of the body in 21st-century performance. Basingstoke: Palgrave Macmillan 2009.
61
Debord G, Nicholson-Smith D. The society of the spectacle. New York: Zone Books 1995.
62
Dixon S. Digital performance: a history of new media in theater, dance, performance art, and installation. Cambridge, Mass: MIT 2007.
63
Giesekam G. Staging the screen: the use of film and video in theatre. Illustrated edition. Basingstoke: Palgrave Macmillan 2007.
64
Hayles NK. How we became posthuman: virtual bodies in cybernetics, literature, and informatics. Chicago & London: University of Chicago Press 1999.
65
Brøgger A, Kholeif O, FACT (Great Britain), et al. Vision, memory and media. Liverpool: FACT 2010.
66
McLuhan M, Fiore Q, Agel J. The medium is the massage. [New ed.]. London: Penguin 2008.
67
McLuhan M. Understanding media: the extensions of man. London: Routledge 2001.
68
Culler, Jonathan. What is theory? Literary theory: a very short introduction. Oxford: Oxford University Press 2000:1–17.
69
Delahunta S, Allsopp R. The Connected body?: an interdisciplinary approach to the body and performance. Amsterdam: Amsterdam School of the Arts 1996.
70
McLuhan M, Fiore Q, Agel J. The medium is the massage. [New ed.]. London: Penguin 2008.
71
Barry P. Beginning theory: an introduction to literary and cultural theory. 3rd ed. Manchester: Manchester University Press 2009.
72
Ulmer GL. Teletheory. 2nd edn. Lightning Source UK Ltd 2004.
73
Wills D. Dorsality: thinking back through technology and politics. Minneapolis: University of Minnesota Press 2008.
74
Vesalius A, Saunders JB de CM, O’Malley CD. The illustrations from the works of Andreas Vesalius of Brussels: with annotations and translations, a discussion of the plates and their background, authorship and influence, and a biographical sketch of Vesalius. New York: Dover Publications 1973.
75
Der Mensch als Industriepalast [Man as Industrial Palace].
76
Lepecki A, Whitechapel Art Gallery. Dance. London: Whitechapel Art Gallery 2012.
77
Disney Shorts (HD) - 1929 - Silly Symphony: The Skeleton Dance. 2012.
78
Pina Bausch - Café Müller (1978). 2011.
79
Rosas | ROSAS DANST ROSAS. 2008.
80
StevePaxton Solo Dance Performance at CI25. 2 AD.
81
Lepecki A, Whitechapel Art Gallery. Dance. London: Whitechapel Art Gallery 2012.
82
Amplified Body by Stelarc (1994).
83
Fractal Flesh - Alternate Anatomical Architectures: Interview with Stelarc by Marco Donnarumma. http://cec.sonus.ca/econtact/14_2/donnarumma_stelarc.html
84
Stelarc. Stelarc: the body is obsolete. Contemporary Arts Media 2005.
85
Hungate CE, Institute of Contemporary Arts, London. Totally wired: science, technology and the human form. I.C.A. 1996.
86
Cottrell, Stella. Critical, analytical writing: Critical thinking when writing [IN] Critical thinking skills: developing effective analysis and argument. Critical thinking skills: developing effective analysis and argument. Basingstoke: Palgrave Macmillan 2011:167–90.
87
Williams R. Keywords: a vocabulary of culture and society. Rev. and expanded ed. London: Fontana 1988.
88
Harvard at FU | ASK: Academic Skills. http://ask.fxplus.ac.uk/referencing/harvard-fu
89
Adair C. Women and dance: sylphs and sirens. Basingstoke: Macmillan 1992.
90
Au S. Ballet and modern dance. London: Thames & Hudson 1988.
91
Banes S, ebrary, Inc. Terpsichore in sneakers: post-modern dance. Middletown, Conn: Wesleyan University Press 1987.
92
Banes S. Democracy’s body : Judson Dance Theater, 1962-1964. Durham, N.C.; London: Duke University Press 1993.
93
Barber S. Hijikata: revolt of the body. Los Angeles: Solar Books 2010.
94
Benjamin A. Making an entrance: theory and practice for disabled and non-disabled dancers. London: Routledge 2002.
95
Bhabha HK. The location of culture. London: Routledge 2004.
96
Birringer J. Theatre, theory, postmodernism. First Midland book edition. Bloomington: Indiana University Press 1993.
97
Briginshaw VA. Dance, space and subjectivity. Basingstoke: Palgrave 2001.
98
Bremser M, Sanders L. Fifty contemporary choreographers. 2nd ed. London: Routledge 2011.
99
Carter A, O’Shea J. The Routledge dance studies reader. 2nd ed. London: Routledge 2010.
100
Carter A. Rethinking dance history: a reader. London: Routledge 2004.
101
Copeland R, Cohen M. What is dance?: readings in theory and criticism. Oxford: Oxford University Press 1983.
102
De Mille A. Martha: the life and work of Martha Graham. New York: Random House 1991.
103
Desmond J. Meaning in motion: new cultural studies of dance. London: Duke University Press 1997.
104
Desmond J. Dancing desires: choreographing sexualities on and off the stage. London: University of Wisconsin 2001.
105
Dils A, Albright AC. Moving history / dancing cultures: a dance history reader. Middletown, Conn: Wesleyn University Press 2001.
106
Easthope A, McGowan K. A critical and cultural theory reader. 2nd ed. Maidenhead: Open University Press 2004.
107
Grau A, Jordan S. Europe dancing: perspectives on theatre dance and cultural identity. London: Routledge 2000.
108
Horosko M. Martha Graham: the evolution of her dance theory and training. Rev. ed. Gainesville, Fla: University Press of Florida 2002.
109
Horst L, Russell C. Modern dance forms in relation to the other modern arts. Princeton, N.J.: Princeton Book Co 1987.
110
Foster SL. Reading dancing: bodies and subjects in contemporary American dance. Berkley: University of California Press 1986.
111
Foster SL. Corporealities: dancing knowledge, culture and power. London: Routledge 1996.
112
Featherstone M, Hepworth M, Turner BS. The Body: social process and cultural theory. London: Sage 1990.
113
Foulkes JL. Modern bodies: dance and American modernism from Martha Graham to Alvin Ailey. London: University of North Carolina Press 2002.
114
Franko M. Dancing modernism/performing politics. Bloomington: Indiana University Press 1995.
115
Gottschild BD. Digging the Africanist presence in American performance: dance and other contexts. Westport, Conn: Praeger 1996.
116
Martin R. Critical moves: dance studies in theory and politics. London: Duke University Press 1998.
117
Ōno K, Ohno Y. Kazuo Ohno’s world from without and within. Middletown, Conn: Wesleyan University Press 2004.
118
Preston-Dunlop VM. Dance words. Amsterdam: Harwood Academic Publishers 1995.
119
Roseman JL, King A. Dance was her religion: the sacred choreography of Isadora Duncan, Ruth St. Denis and Martha Graham. Prescott, AZ: Hohm Press 2004.
120
Pavis P. The intercultural performance reader. London: Routledge 1996.
121
Storey J. Cultural Theory and Popular Culture: An Introduction. 9th edn. London: Routledge 2021.
122
Thomas H. The body, dance, and cultural theory. Basingstoke: Palgrave Macmillan 2003.
123
Thomas H. Dance, modernity and culture: explorations in the sociology of dance. London: Routledge 1995.
124
Kuchelmeister V, Haffner N, Ziegler C. William Forsythe: improvisation technologies. 2012.
125
Davies S, Hinton D, Heffernan J. All this can happen.
