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Carter, A. Destabilising the Discipline: Critical debates about history and their impact on the study of dance. In: Rethinking dance history: a reader. London: : Routledge 2004. 10–9.http://content.talisaspire.com/falmouth/bundles/5307677af430e95b49000004
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Banes S. Democracy’s body : Judson Dance Theater, 1962-1964. Durham, N.C.; London: : Duke University Press 1993.
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Burt R. Judson Dance Theater: performative traces. London: : Routledge 2006. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203969663
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Kolb A. Dance and politics. Bern: : Peter Lang 2011.
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Banes S. Introduction: Sources of Post-Modern Dance. In: Terpsichore in sneakers: post-modern dance. Middletown, Conn: : Wesleyan University Press 1987. 1–19.https://ebookcentral.proquest.com/lib/falmouth-ebooks/reader.action?docID=776783&ppg=42
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Banes S, Baryshnikov M, Harris A. Reinventing dance in the 1960s: everything was possible. Madison, Wis: : University of Wisconsin 2003.
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Butler C. Postmodernism: a very short introduction. Oxford: : Oxford University Press 2002. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191539077
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Ann Daly, Marcia B. Siegel, Anna Halprin, Janice Ross, Cynthia J. Novack, Deborah Hay, Sally Banes, Senta Driver, Roger Copeland and Susan L. Foster. What Has Become of Postmodern Dance? Answers and Other Questions by Marcia B. Siegel, Anna Halprin, Janice Ross, Cynthia J. Novack, Deborah Hay, Sally Banes, Senta Driver, Roger Copeland, and Susan L. Foster. TDR (1988-) 1992;36:48–69.
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Whatley S. Dance and disability: the dancer, the viewer and the presumption of difference. Research in Dance Education 2007;8:5–25. doi:10.1080/14647890701272639
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Invisible Difference: Research Blog Archive. http://www.invisibledifference.org.uk/blog/archive/
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Albright AC. Choreographing difference: the body and identity in contemporary dance. [Middletown, Conn.]: : Wesleyan University Press https://ebookcentral.proquest.com/lib/falmouth-ebooks/detail.action?docID=776743
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Benjamin A. Making an entrance: theory and practice for disabled and non-disabled dancers. London: : Routledge 2002.
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Jowitt D. Time and the dancing image. New York: : W. Morrow 1988.
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Kuppers P. Disability and contemporary performance: bodies on edge. London: : Routledge 2003.
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Reed, Susan A.1 sreed@qal.berkeley.edu. The Politics and Poetics of Dance. Annual Review of Anthropology 1998;27.http://search.ebscohost.com.ezproxy.falmouth.ac.uk/login.aspx?direct=true&db=sih&AN=1295362&site=ehost-live
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Sandahl C, Auslander P, ebrary, Inc. Bodies in commotion: disability & performance. Ann Arbor, Mich: : University of Michigan Press 2005. http://site.ebrary.com/lib/falmouth/Doc?id=10356824
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Whatley S. Dance and disability: the dancer, the viewer and the presumption of difference. Research in Dance Education 2007;8:5–25. doi:10.1080/14647890701272639
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People Dancing - Foundation for Community Dance :: Does education include? http://www.communitydance.org.uk/DB/animated-library/does-education-include.html?ed=32213
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Pakes, A. Knowing through dance-making: choreography, practical knowledge and practice-as-research [IN] Contemporary choreography: a critical reader. In: Contemporary choreography: a critical reader. London: : Routledge 2009. 10–22.https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203124918
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Wildschut L, Butterworth J, editors. Contemporary choreography: a critical reader. Second edition. London, [England]: : Routledge 2018. https://ebookcentral.proquest.com/lib/falmouth-ebooks/detail.action?docID=5178425
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Ric Allsopp. Performance Research. ;13:1–6.http://ejournals.ebsco.com.ezproxy.falmouth.ac.uk/Issue.asp?IssueID=982884
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Kester GH. Conversation pieces: community and communication in modern art. Updated edition. Berkeley, California: : University of California Press 2013.
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Art safari: Part I: Relational art : is it an ism? 2003.http://trlibdocs.fxplus.ac.uk/KalturaWeb/kaltura.php?vid=0_dmrwvtns
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RB JEROME BEL. http://www.jeromebel.fr/
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about ‘Nom donné par l’auteur’ (1994) 1. 7AD.https://www.youtube.com/watch?v=H-Lp6KG8bbs
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Other Perspectives /// Discussions with Nicolas Bourriaud. 17AD.https://www.youtube.com/watch?v=vihpjZOq4VI
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Bunker J, Pakes A, Rowell B. Thinking through dance: the philosophy of dance through performance and practices. Alton: : Dance Books 2013.
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BAUER, UNA1,2. The Movement of Embodied Thought The Representational Game of the Stage Zero of Signification in Jérôme Bel. Performance Research Mar 2008;13:35–41.http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=35761446&site=ehost-live&authtype=shib&custid=s9799604
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Veronique Doisneau 1. 11AD.https://www.youtube.com/watch?v=OIuWY5PInFs
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Veronique Doisneau 3. 11AD.https://www.youtube.com/watch?v=L10LlVPE-kg
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Ivana Müller - While we were holding it together. 26AD.https://www.youtube.com/watch?v=XbPBoq_A5vg
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Dance Magazine: Ivana Müller by Nancy Alfaro. https://www.dancemagazine.com/ivana-ma1-4ller-2306861990.html
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Philosophical trip with a maelstrom of images and ideas by Fleur Bokhoven. http://www.ivanamuller.com/contexts/while-we-were-holding-it-together-review-theatercentraal/
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Le Roy X. Self unfinished.
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Performance 15: On Line/Xavier Le Roy Feb 2, 5 & 6, 2011. 14AD.https://www.youtube.com/watch?v=z0HS_DU-stc
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Possibilising dance : a space for thinking in choreography - Roehampton University Research Repository (RURR). http://roehampton.openrepository.com/roehampton/handle/10142/118506
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Rowell, B. The United Kingdom, an expanded map [IN] Europe dancing: perspectives on theatre dance and cultural identity. In: Europe dancing: perspectives on theatre dance and cultural identity. London: : Routledge 2000. http://site.ebrary.com/lib/falmouth/Doc?id=10054262
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Bishop, Claire. Introduction/Viewers as Producers. In: Participation. London: : Whitechapel 2006. 10–7.
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Paul Ramirez Jonas and Claire Bishop Exchange Keys. 14AD.https://www.youtube.com/watch?v=Csr6x4i6zYw
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Rosemary Lee - Square Dances. 2011.https://www.youtube.com/watch?v=wXamnO0nE6A
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Thompson J. Performance affects: applied theatre and the end of effect. [New] ed. Basingstoke: : Palgrave Macmillan 2011.
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Bishop C. Artificial hells: participatory art and the politics of spectatorship. London: : Verso 2012. http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9781781683972
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Machon J. Immersive theatres: intimacy and immediacy in contemporary performance. Basingstoke: : Palgrave Macmillan 2013.
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Freshwater H. Theatre & audience. Basingstoke: : Palgrave Macmillan 2009. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230364608
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Llandsdale , J. A tapestry of inter-texts – Dance Analysis for the 21st Century [IN] The Routledge dance studies reader. In: The Routledge dance studies reader. London: : Routledge 2010. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203860984
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Giesekam G. Staging the screen: the use of film and video in theatre. Illustrated edition. Basingstoke: : Palgrave Macmillan 2007.
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