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Novack, C. J. Looking at Movement as Culture: contact improvisation to disco. In: The Routledge Dance Studies Reader. 2nd ed. Routledge; 2010:168-180. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203860984
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Carter, A. Destabilising the Discipline: Critical debates about history and their impact on the study of dance. In: Rethinking Dance History: A Reader. Routledge; 2004:10-19. http://content.talisaspire.com/falmouth/bundles/5307677af430e95b49000004
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Banes S. Democracy’s Body : Judson Dance Theater, 1962-1964. Duke University Press; 1993.
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Burt R. Judson Dance Theater: Performative Traces. Routledge; 2006. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203969663
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Kolb A. Dance and Politics. Peter Lang; 2011.
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Banes S. Introduction: Sources of Post-Modern Dance. In: Terpsichore in Sneakers: Post-Modern Dance. Vol Wesleyan paperback. Wesleyan University Press; 1987:1-19. https://ebookcentral.proquest.com/lib/falmouth-ebooks/reader.action?docID=776783&ppg=44&c=RVBVQg
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Banes S, Baryshnikov M, Harris A. Reinventing Dance in the 1960s: Everything Was Possible. University of Wisconsin; 2003.
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Butler C. Postmodernism: A Very Short Introduction. Vol Very short introductions. Oxford University Press; 2002. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191539077
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Ann Daly, Marcia B. Siegel, Anna Halprin, Janice Ross, Cynthia J. Novack, Deborah Hay, Sally Banes, Senta Driver, Roger Copeland and Susan L. Foster. What Has Become of Postmodern Dance? Answers and Other Questions by Marcia B. Siegel, Anna Halprin, Janice Ross, Cynthia J. Novack, Deborah Hay, Sally Banes, Senta Driver, Roger Copeland, and Susan L. Foster. TDR (1988-). 1992;36(1):48-69.
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Invisible Difference: Research Blog Archive. http://www.invisibledifference.org.uk/blog/archive/
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Albright AC. Choreographing Difference: The Body and Identity in Contemporary Dance. Wesleyan University Press https://ebookcentral.proquest.com/lib/falmouth-ebooks/detail.action?docID=776743
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Benjamin A. Making an Entrance: Theory and Practice for Disabled and Non-Disabled Dancers. Routledge; 2002.
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Jowitt D. Time and the Dancing Image. W. Morrow; 1988.
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Kuppers P. Disability and Contemporary Performance: Bodies on Edge. Routledge; 2003.
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Reed, Susan A.1 sreed@qal.berkeley.edu. The Politics and Poetics of Dance. Annual Review of Anthropology. 1998;27(1). http://search.ebscohost.com.ezproxy.falmouth.ac.uk/login.aspx?direct=true&db=sih&AN=1295362&site=ehost-live
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Sandahl C, Auslander P, ebrary, Inc. Bodies in Commotion: Disability & Performance. Vol Corporealities. University of Michigan Press; 2005. http://site.ebrary.com/lib/falmouth/Doc?id=10356824
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Whatley S. Dance and disability: the dancer, the viewer and the presumption of difference. Research in Dance Education. 2007;8(1):5-25. doi:10.1080/14647890701272639
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People Dancing - Foundation for Community Dance :: Does education include? http://www.communitydance.org.uk/DB/animated-library/does-education-include.html?ed=32213
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Pakes, A. Knowing through dance-making: choreography, practical knowledge and practice-as-research [IN] Contemporary choreography: a critical reader. In: Contemporary Choreography: A Critical Reader. Routledge; 2009:10-22. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203124918
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Wildschut L, Butterworth J, eds. Contemporary Choreography: A Critical Reader. Second edition. Routledge; 2018. https://ebookcentral.proquest.com/lib/falmouth-ebooks/detail.action?docID=5178425
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Ric Allsopp. Performance Research. 13(1):1-6. http://ejournals.ebsco.com.ezproxy.falmouth.ac.uk/Issue.asp?IssueID=982884
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Kester GH. Conversation Pieces: Community and Communication in Modern Art. Updated edition. University of California Press; 2013.
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Art safari: Part I: Relational art : is it an ism? Published online 2003. http://trlibdocs.fxplus.ac.uk/KalturaWeb/kaltura.php?vid=0_dmrwvtns
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RB JEROME BEL. http://www.jeromebel.fr/
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about ‘Nom donné par l’auteur’ (1994) 1. Published online 7 AD. https://www.youtube.com/watch?v=H-Lp6KG8bbs
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Other Perspectives /// Discussions with Nicolas Bourriaud. Published online 17 AD. https://www.youtube.com/watch?v=vihpjZOq4VI
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Bunker J, Pakes A, Rowell B. Thinking through Dance: The Philosophy of Dance through Performance and Practices. Dance Books; 2013.
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BAUER, UNA1,2. The Movement of Embodied Thought The Representational Game of the Stage Zero of Signification in Jérôme Bel. Performance Research Mar. 2008;13(1):35-41. http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=35761446&site=ehost-live&authtype=shib&custid=s9799604
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Veronique Doisneau 1. Published online 11 AD. https://www.youtube.com/watch?v=OIuWY5PInFs
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Veronique Doisneau 3. Published online 11 AD. https://www.youtube.com/watch?v=L10LlVPE-kg
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Ivana Müller - While we were holding it together. Published online 26 AD. https://www.youtube.com/watch?v=XbPBoq_A5vg
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Dance Magazine: Ivana Müller by Nancy Alfaro. https://www.dancemagazine.com/ivana-ma1-4ller-2306861990.html
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Philosophical trip with a maelstrom of images and ideas by Fleur Bokhoven. http://www.ivanamuller.com/contexts/while-we-were-holding-it-together-review-theatercentraal/
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Le Roy X. Self unfinished.
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Performance 15: On Line/Xavier Le Roy Feb 2, 5 & 6, 2011. Published online 14 AD. https://www.youtube.com/watch?v=z0HS_DU-stc
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Possibilising dance : a space for thinking in choreography - Roehampton University Research Repository (RURR). http://roehampton.openrepository.com/roehampton/handle/10142/118506
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Rowell, B. The United Kingdom, an expanded map [IN] Europe dancing: perspectives on theatre dance and cultural identity. In: Europe Dancing: Perspectives on Theatre Dance and Cultural Identity. Routledge; 2000. http://site.ebrary.com/lib/falmouth/Doc?id=10054262
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Bishop, Claire. Introduction/Viewers as Producers. In: Participation. Vol Documents of contemporary art. Whitechapel; 2006:10-17.
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Paul Ramirez Jonas and Claire Bishop Exchange Keys. Published online 14 AD. https://www.youtube.com/watch?v=Csr6x4i6zYw
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Rosemary Lee - Square Dances. Published online 18 November 2011. https://www.youtube.com/watch?v=wXamnO0nE6A
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On Everest - Lone Twin. http://www.lonetwin.com/nodes/view/83
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Thompson J. Performance Affects: Applied Theatre and the End of Effect. [New] ed. Palgrave Macmillan; 2011.
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Bishop C. Artificial Hells: Participatory Art and the Politics of Spectatorship. Verso; 2012. http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9781781683972
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Machon J. Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. Palgrave Macmillan; 2013.
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Llandsdale , J. A tapestry of inter-texts – Dance Analysis for the 21st Century [IN] The Routledge dance studies reader. In: The Routledge Dance Studies Reader. 2nd ed. Routledge; 2010. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203860984
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Dixon S. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. MIT; 2007. https://ebookcentral.proquest.com/lib/falmouth-ebooks/detail.action?docID=3338680
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Giesekam G. Staging the Screen: The Use of Film and Video in Theatre. Illustrated edition. Palgrave Macmillan; 2007.
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Hayles NK. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. University of Chicago Press; 1999.
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McLuhan M. Understanding Media: The Extensions of Man. Routledge; 2001.
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Culler, Jonathan. What is theory? In: Literary Theory: A Very Short Introduction. Oxford University Press; 2000:1-17. https://falmouth.primo.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3472959900005136&institutionId=5136&customerId=5135&VE=true
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Delahunta S, Allsopp R. The Connected Body?: An Interdisciplinary Approach to the Body and Performance. Amsterdam School of the Arts; 1996.
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StevePaxton Solo Dance Performance at CI25. Published online 2 AD. https://www.youtube.com/watch?v=KQNJPpAG_UM
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