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Amplified Body by Stelarc (1994). (n.d.). https://vimeo.com/44181542
Ann Daly, Marcia B. Siegel, Anna Halprin, Janice Ross, Cynthia J. Novack, Deborah Hay, Sally Banes, Senta Driver, Roger Copeland and Susan L. Foster. (1992). What Has Become of Postmodern Dance? Answers and Other Questions by Marcia B. Siegel, Anna Halprin, Janice Ross, Cynthia J. Novack, Deborah Hay, Sally Banes, Senta Driver, Roger Copeland, and Susan L. Foster. TDR (1988-), 36(1), 48–69.
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Banes, S. (1993a). Democracy’s body : Judson Dance Theater, 1962-1964. Duke University Press.
Banes, S. (1993b). Democracy’s body : Judson Dance Theater, 1962-1964. Duke University Press.
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Carter, A. (2004). Destabilising the Discipline: Critical debates about history and their impact on the study of dance. In Rethinking dance history: a reader (pp. 10–19). Routledge. http://content.talisaspire.com/falmouth/bundles/5307677af430e95b49000004
Carter, A. (2004). Rethinking dance history: a reader. Routledge.
Carter, A., & O’Shea, J. (2010). The Routledge dance studies reader (2nd ed). Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9780203860984
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Der Mensch als Industriepalast [Man as Industrial Palace]. (n.d.). https://vimeo.com/6505158
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Paul Ramirez Jonas and Claire Bishop Exchange Keys. (14 C.E.). https://www.youtube.com/watch?v=Csr6x4i6zYw
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Ric  Allsopp. (n.d.). Performance Research. 13(1), 1–6. http://ejournals.ebsco.com.ezproxy.falmouth.ac.uk/Issue.asp?IssueID=982884
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Wills, D. (2008). Dorsality: thinking back through technology and politics: Vol. Posthumanities. University of Minnesota Press.