Ames, A. 2008. ‘Fashion Design for a Projected Future’. Clothing and Textiles Research Journal 26 (2): 103–18. https://doi.org/10.1177/0887302X08314790.
Beylerian, George M., Andrew Dent, and Bradley Quinn. 2007. Ultra Materials: How Materials Innovation Is Changing the World. London: Thames & Hudson.
Birringer, Johannes, and Michèle Danjoux. 2009. ‘Wearable Performance’. Digital Creativity 20 (1–2): 95–113. https://doi.org/10.1080/14626260902868095.
BLACK, Prudence, and FARREN, Anne. 2010. ‘The Wool Industry in Australia [IN] Berg Encyclopaedia of World Dress and Fashion: V. 7: Australia, New Zealand and the Pacific Islands’. In Berg Encyclopedia of World Dress and Fashion: V. 7: Australia, New Zealand and the Pacific Islands. Oxford: Berg. http://ezproxy.falmouth.ac.uk/login?url=http://dx.doi.org/10.2752/BEWDF.
Bolton, Andrew. 2002a. The Supermodern Wardrobe. London: V&A.
———. 2002b. The Supermodern Wardrobe. London: V&A.
Braddock Clarke, Sarah, and Marie O’Mahony. 2005a. Techno Textiles 2: Revolutionary Fabrics for Fashion and Design. London: Thames & Hudson.
———. 2005b. Techno Textiles 2: Revolutionary Fabrics for Fashion and Design. London: Thames & Hudson.
Braun, Emily. 2015. ‘Making Waves: Giacomo Balla and Emilio Pucci’. Journal of Modern Italian Studies 20 (1): 67–82. https://doi.org/10.1080/1354571X.2015.974909.
Brownell, Blaine Erickson and ebrary, Inc. 2010. Transmaterial 3: A Catalog of Materials That Redefine Our Physical Environment. Electronic resource. 1st ed. New York, N.Y.: Princeton Architectural Press. http://ezproxy.falmouth.ac.uk/login?url=http://site.ebrary.com/lib/falmouth/Doc?id=10460112.
CARDIN, PIERRE, and VALERIE D. MENDES. 1990. PIERRE CARDIN: PAST, PRESENT, FUTURE. LONDON: DIRK NISHEN.
Chalayan, Hussein, Judith Clark, and Robert Violette. 2011. Hussein Chalayan. New York: Rizzoli.
Clarke, Sarah E. Braddock, and Jane Harris. 2012a. Digital Visions for Fashion + Textiles: Made in Code. London: Thames & Hudson.
———. 2012b. Digital Visions for Fashion + Textiles: Made in Code. London: Thames & Hudson.
———. 2012c. Digital Visions for Fashion + Textiles: Made in Code. London: Thames & Hudson.
———. 2012d. Digital Visions for Fashion + Textiles: Made in Code. London: Thames & Hudson.
———. 2012e. Digital Visions for Fashion + Textiles: Made in Code. London: Thames & Hudson.
———. 2012f. Digital Visions for Fashion + Textiles: Made in Code. London: Thames & Hudson.
Curtis, Barry. 2014. ‘Dressing for the Future: Speculative Fashion in 1930s Hollywood’. Film, Fashion & Consumption 3 (1): 47–59. https://doi.org/10.1386/ffc.3.1.47_1.
Dawber, Martin. 2005a. Pixel Surgeons: Extreme Manipulation of the Figure in Photography. London: Mitchell Beazley.
———. 2005b. Pixel Surgeons: Extreme Manipulation of the Figure in Photography. London: Mitchell Beazley.
———. 2005c. Pixel Surgeons: Extreme Manipulation of the Figure in Photography. London: Mitchell Beazley.
Evans, Caroline. 2007. ‘Chapter 11 – Exploration [IN] Fashion at the Edge: Spectacle, Modernity and Deathliness’. In Fashion at the Edge: Spectacle, Modernity and Deathliness, 267–75. New Haven: Yale University Press.
Evans, Caroline. 2007. Fashion at the Edge: Spectacle, Modernity and Deathliness. New Haven: Yale University Press.
Evans, Caroline, Suzi Menkes, Ted Polhemus, and Bradley Quinn. 2005a. Hussein Chalayan. Rotterdam: Netherlands Architecture Institute.
———. 2005b. Hussein Chalayan. Rotterdam: Netherlands Architecture Institute.
Fletcher, Kate. 2014. Sustainable Fashion and Textiles: Design Journeys. Second edition. London: Routledge. https://go.openathens.net/redirector/falmouth.ac.uk?url=https://www.taylorfrancis.com/books/9781315857930.
Fukai, Akiko, Catherine Ince, and Rie Nii. 2010a. Future Beauty: 30 Years of Japanese Fashion. London: Merrell.
———. 2010b. Future Beauty: 30 Years of Japanese Fashion. London: Merrell.
———. 2010c. Future Beauty: 30 Years of Japanese Fashion. London: Merrell.
Hallett, Clive, and Amanda Johnston. 2022. Fabric for Fashion: The Complete Guide Second Edition. London: Laurence King Publishing. https://ebookcentral.proquest.com/lib/falmouth-ebooks/detail.action?docID=6946126.
Handley, Susannah. 1999. ‘Chapter 9 - 1990 – Science Fiction Becomes Science Fashion [IN] Nylon: The Manmade Fashion Revolution : A Celebration of Design from Art Silk to Nylon and Thinking Fibres’. In Nylon: The Manmade Fashion Revolution : A Celebration of Design from Art Silk to Nylon and Thinking Fibres, 169–76. London: Bloomsbury.
Herschdorfer, Nathalie and C/O Berlin (Gallery). 2012a. Coming into Fashion: A Century of Photography at Condé Nast. London: Thames & Hudson.
———. 2012b. Coming into Fashion: A Century of Photography at Condé Nast. London: Thames & Hudson.
———. 2012c. Coming into Fashion: A Century of Photography at Condé Nast. London: Thames & Hudson.
Hodge, Brooke, and Patricia Mears. 2006a. Skin and Bones: Parallel Practices in Fashion and Architecture. London: Thames & Hudson Ltd.
———. 2006b. Skin and Bones: Parallel Practices in Fashion and Architecture. London: Thames & Hudson Ltd.
Howes, Philip, and Zoe Laughlin. 2012. Material Matters: New Materials in Design. London: Black Dog.
Khan, Nathalie. 2012. ‘Stealing the Moment: The Non-Narrative Fashion Films of Ruth Hogben and Gareth Pugh’. Film, Fashion & Consumption 1 (3): 251–62. https://doi.org/10.1386/ffc.1.3.251_1.
Kismaric, Susan. 2004. Fashioning Fiction in Photography since 1990. New York: Museum of Modern Art.
Knight, Nick. 2009a. Nick Knight. New York: Collins Design.
———. 2009b. Nick Knight. New York: Collins Design.
Lee, Suzanne, Warren Du Preez, and Nick Thornton Jones. 2005a. Fashioning the Future: Tomorrow’s Wardrobe. London: Thames & Hudson.
———. 2005b. Fashioning the Future: Tomorrow’s Wardrobe. London: Thames & Hudson.
———. 2005c. Fashioning the Future: Tomorrow’s Wardrobe. London: Thames & Hudson.
———. 2005d. Fashioning the Future: Tomorrow’s Wardrobe. London: Thames & Hudson.
———. 2005e. Fashioning the Future: Tomorrow’s Wardrobe. London: Thames & Hudson.
McQuaid, Matilda. 2005. Extreme Textiles: Designing for High Performance. London: Thames & Hudson.
Mitchell, Louise. 2005. The Cutting Edge: Fashion from Japan. Sydney: Powerhouse.
Miyake, Issey, Dai Fujiwara, Mateo Kries, and Vitra Design Museum. 2001. A-Poc Making: [Issey Miyake & Dai Fujiwara : Vitra Design Museum Berlin June 1-July 1, 2001]. Weil: Vitra Design Museum.
Myers, William. 2012. Bio Design: Nature, Science, Creativity. London: Thames & Hudson.
Quinn, Bradley. 2008a. Textile Futures: Fashion, Design and Technology. Oxford: Berg.
———. 2008b. Textile Futures: Fashion, Design and Technology. Oxford: Berg.
———. 2008c. Textile Futures: Fashion, Design and Technology. Oxford: Berg.
———. 2008d. Textile Futures: Fashion, Design and Technology. Oxford: Berg.
———. 2012a. Fashion Futures. London: Merrell.
———. 2012b. Fashion Futures. London: Merrell.
Quinn, Bradley. 2012. ‘Introduction and Chapter 1 [IN] Fashion Futures’. In Fashion Futures. London: Merrell.
Salazar, Ligaya and Victoria and Albert Museum. 2011. Yohji Yamamoto. London: V and A.
Seymour, Sabine. 2008. Fashionable Technology: The Intersection of Design, Fashion, Science, and Technology. Wien: Springer. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9783211745007.
———. 2010. Functional Aesthetics: Visions in Fashionable Technology. Vienna: Springer. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9783709103128.
Steele, Valerie and Fashion Institute of Technology (New York). 2010a. Japan Fashion Now. New Haven, [Conn.]: Yale University Press.
———. 2010b. Japan Fashion Now. New Haven, [Conn.]: Yale University Press.
Sudjic, Deyan. 2009. ‘Chapter 4 [IN] The Language of Things’. In The Language of Things, 160–65. London: Penguin.