Ames, A. (2008). Fashion Design for a Projected Future. Clothing and Textiles Research Journal, 26(2), 103–118. https://doi.org/10.1177/0887302X08314790
Beylerian, G. M., Dent, A., & Quinn, B. (2007). Ultra materials: how materials innovation is changing the world. Thames & Hudson.
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Bolton, A. (2002a). The supermodern wardrobe. V&A.
Bolton, A. (2002b). The supermodern wardrobe. V&A.
Braddock Clarke, S., & O’Mahony, M. (2005a). Techno textiles 2: revolutionary fabrics for fashion and design. Thames & Hudson.
Braddock Clarke, S., & O’Mahony, M. (2005b). Techno textiles 2: revolutionary fabrics for fashion and design. Thames & Hudson.
Braun, E. (2015). Making waves: Giacomo Balla and Emilio Pucci. Journal of Modern Italian Studies, 20(1), 67–82. https://doi.org/10.1080/1354571X.2015.974909
Brownell, B. E. & ebrary, Inc. (2010). Transmaterial 3: a catalog of materials that redefine our physical environment (1st ed) [Electronic resource]. Princeton Architectural Press. http://ezproxy.falmouth.ac.uk/login?url=http://site.ebrary.com/lib/falmouth/Doc?id=10460112
CARDIN, P., & MENDES, V. D. (1990). PIERRE CARDIN: PAST, PRESENT, FUTURE. DIRK NISHEN.
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Clarke, S. E. B., & Harris, J. (2012a). Digital visions for fashion + textiles: made in code. Thames & Hudson.
Clarke, S. E. B., & Harris, J. (2012b). Digital visions for fashion + textiles: made in code. Thames & Hudson.
Clarke, S. E. B., & Harris, J. (2012c). Digital visions for fashion + textiles: made in code. Thames & Hudson.
Clarke, S. E. B., & Harris, J. (2012d). Digital visions for fashion + textiles: made in code. Thames & Hudson.
Clarke, S. E. B., & Harris, J. (2012e). Digital visions for fashion + textiles: made in code. Thames & Hudson.
Clarke, S. E. B., & Harris, J. (2012f). Digital visions for fashion + textiles: made in code. Thames & Hudson.
Curtis, B. (2014). Dressing for the future: Speculative fashion in 1930s Hollywood. Film, Fashion & Consumption, 3(1), 47–59. https://doi.org/10.1386/ffc.3.1.47_1
Dawber, M. (2005a). Pixel surgeons: extreme manipulation of the figure in photography. Mitchell Beazley.
Dawber, M. (2005b). Pixel surgeons: extreme manipulation of the figure in photography. Mitchell Beazley.
Dawber, M. (2005c). Pixel surgeons: extreme manipulation of the figure in photography. Mitchell Beazley.
Evans, C. (2007). Fashion at the edge: spectacle, modernity and deathliness. Yale University Press.
Evans, C., Menkes, S., Polhemus, T., & Quinn, B. (2005a). Hussein Chalayan. Netherlands Architecture Institute.
Evans, C., Menkes, S., Polhemus, T., & Quinn, B. (2005b). Hussein Chalayan. Netherlands Architecture Institute.
Evans, Caroline. (2007). Chapter 11 – Exploration [IN] Fashion at the edge: spectacle, modernity and deathliness. In Fashion at the edge: spectacle, modernity and deathliness (pp. 267–275). Yale University Press.
Fletcher, K. (2014). Sustainable fashion and textiles: design journeys (Second edition). Routledge. https://go.openathens.net/redirector/falmouth.ac.uk?url=https://www.taylorfrancis.com/books/9781315857930
Fukai, A., Ince, C., & Nii, R. (2010a). Future beauty: 30 years of Japanese fashion. Merrell.
Fukai, A., Ince, C., & Nii, R. (2010b). Future beauty: 30 years of Japanese fashion. Merrell.
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Hallett, C., & Johnston, A. (2022). Fabric for Fashion: The Complete Guide Second Edition. Laurence King Publishing. https://ebookcentral.proquest.com/lib/falmouth-ebooks/detail.action?docID=6946126
Handley, Susannah. (1999). Chapter 9 - 1990 – Science Fiction Becomes Science Fashion [IN] Nylon: the manmade fashion revolution : a celebration of design from art silk to nylon and thinking fibres. In Nylon: the manmade fashion revolution : a celebration of design from art silk to nylon and thinking fibres (pp. 169–176). Bloomsbury.
Herschdorfer, N. & C/O Berlin (Gallery). (2012a). Coming into fashion: a century of photography at Condé Nast. Thames & Hudson.
Herschdorfer, N. & C/O Berlin (Gallery). (2012b). Coming into fashion: a century of photography at Condé Nast. Thames & Hudson.
Herschdorfer, N. & C/O Berlin (Gallery). (2012c). Coming into fashion: a century of photography at Condé Nast. Thames & Hudson.
Hodge, B., & Mears, P. (2006a). Skin and bones: parallel practices in fashion and architecture. Thames & Hudson Ltd.
Hodge, B., & Mears, P. (2006b). Skin and bones: parallel practices in fashion and architecture. Thames & Hudson Ltd.
Howes, P., & Laughlin, Z. (2012). Material matters: new materials in design. Black Dog.
Khan, N. (2012). Stealing the moment: The non-narrative fashion films of Ruth Hogben and Gareth Pugh. Film, Fashion & Consumption, 1(3), 251–262. https://doi.org/10.1386/ffc.1.3.251_1
Kismaric, S. (2004). Fashioning fiction in photography since 1990. Museum of Modern Art.
Knight, N. (2009a). Nick Knight. Collins Design.
Knight, N. (2009b). Nick Knight. Collins Design.
Lee, S., Du Preez, W., & Jones, N. T. (2005a). Fashioning the future: tomorrow’s wardrobe. Thames & Hudson.
Lee, S., Du Preez, W., & Jones, N. T. (2005b). Fashioning the future: tomorrow’s wardrobe. Thames & Hudson.
Lee, S., Du Preez, W., & Jones, N. T. (2005c). Fashioning the future: tomorrow’s wardrobe. Thames & Hudson.
Lee, S., Du Preez, W., & Jones, N. T. (2005d). Fashioning the future: tomorrow’s wardrobe. Thames & Hudson.
Lee, S., Du Preez, W., & Jones, N. T. (2005e). Fashioning the future: tomorrow’s wardrobe. Thames & Hudson.
McQuaid, M. (2005). Extreme textiles: designing for high performance. Thames & Hudson.
Mitchell, L. (2005). The cutting edge: fashion from Japan. Powerhouse.
Miyake, I., Fujiwara, D., Kries, M., & Vitra Design Museum. (2001). A-Poc making: [Issey Miyake & Dai Fujiwara : Vitra Design Museum Berlin June 1-July 1, 2001]. Vitra Design Museum.
Myers, W. (2012). Bio design: nature, science, creativity. Thames & Hudson.
Quinn, B. (2008a). Textile futures: fashion, design and technology. Berg.
Quinn, B. (2008b). Textile futures: fashion, design and technology. Berg.
Quinn, B. (2008c). Textile futures: fashion, design and technology. Berg.
Quinn, B. (2008d). Textile futures: fashion, design and technology. Berg.
Quinn, B. (2012a). Fashion futures. Merrell.
Quinn, B. (2012b). Fashion futures. Merrell.
Quinn, Bradley. (2012). Introduction and Chapter 1 [IN] Fashion futures. In Fashion futures. Merrell.
Salazar, L. & Victoria and Albert Museum. (2011). Yohji Yamamoto. V and A.
Seymour, S. (2008). Fashionable technology: the intersection of design, fashion, science, and technology. Springer. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9783211745007
Seymour, S. (2010). Functional aesthetics: visions in fashionable technology. Springer. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9783709103128
Steele, V. & Fashion Institute of Technology (New York). (2010a). Japan fashion now. Yale University Press.
Steele, V. & Fashion Institute of Technology (New York). (2010b). Japan fashion now. Yale University Press.
Sudjic, Deyan. (2009). Chapter 4 [IN] The language of things. In The language of things (pp. 160–165). Penguin.