1.
Novak, Cynthia J. Looking at movement as culture [IN] The Routledge dance studies reader. In: The Routledge Dance Studies Reader. 2nd ed. Routledge; 2010:168-180. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203860984
2.
Delahunta S, Allsopp R. The Connected Body?: An Interdisciplinary Approach to the Body and Performance. Amsterdam School of the Arts; 1996.
3.
Featherstone M, Hepworth M, Turner BS. The Body: Social Process and Cultural Theory. Vol Theory, culture&society. Sage; 1990.
4.
Turner BS. Routledge Handbook of Body Studies. Vol Routledge international handbooks. Routledge; 2012. https://go.openathens.net/redirector/falmouth.ac.uk?url=https://www.taylorfrancis.com/books/9780203842096
5.
Turner BS. The Body and Society: Explorations in Social Theory. Vol Theory, culture&society. 2nd ed. Sage Publications; 1996.
6.
O’Reilly S. The Body in Contemporary Art. Vol World of art. Thames & Hudson; 2009.
7.
Thomas H, Ahmed J. Cultural Bodies: Ethnography and Theory. Blackwell; 2004.
8.
Thomas H. The Body, Dance, and Cultural Theory. Palgrave Macmillan; 2003.
9.
Olsen, Andrea. Basic Concepts: Change, Posture, Structure, Choice [IN] Body stories: a guide to experiential anatomy. In: Body Stories: A Guide to Experiential Anatomy. [Expanded ed.]. Barrytown Ltd; 1998:1-13.
10.
Cohen, Bonnie Bainbridge. Introduction to body-mind centering [IN] Sensing, feeling, and action: the experiential anatomy of body-mind centering. In: Sensing, Feeling, and Action: The Experiential Anatomy of Body-Mind Centering. 2nd ed. Contact Editions; 2008:1-6.
11.
Coulter, H. David. Anatomy of Hatha Yoga: A Manual for Students, Teachers, and Practitioners. Body and Breath; 2001.
12.
Hanna, Thomas. Somatics: Reawakening the Mind’s Control of Movement, Flexibility, and Health. Da Capo; 1988.
13.
Blakey, Paul. The Muscle Book. [New ed.]. Bibliotek Books; 2007.
14.
Brodie, Julie A., Lobel, Elin E. Dance and Somatics: Mind-Body Principles of Teaching and Performance. McFarland; 2012.
15.
Arnheim, Daniel D. Dance Injuries: Their Prevention and Care. 2nd ed. Dance Books; 1986.
16.
Coulter, H. David. Anatomy of Hatha Yoga: A Manual for Students, Teachers, and Practitioners. Body and Breath; 2001.
17.
Thomasen, Eivind, Rist, Rachel-Anne. Anatomy and Kinesiology for Ballet Teachers. Dance Books; 1996.
18.
Kaminoff, Leslie, Matthews, Amy, Ellis, Sharon. Yoga Anatomy. Human Kinetics; 2007. https://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9781450403542
19.
Long, Ray, MacIvor, Chris. The Key Muscles of Yoga: Your Guide to Functional Anatomy in Yoga. Vol Scientific keys. 3rd ed. Bandha Yoga; 2006.
20.
Long, Ray, Macivor, Chris. The Key Poses of Yoga: Your Guide to Functional Anatomy in Yoga. Vol Scientific keys. Bandha Yoga; 2008.
21.
Cohen, Bonnie Bainbridge. Sensing, Feeling, and Action: The Experiential Anatomy of Body-Mind Centering. 2nd ed. Contact Editions; 2008.
22.
Franklin, Eric N. Dance Imagery: For Technique and Performance. Human Kinetics; 1996.
23.
Howse, Justin, McCormack, Moira. Anatomy, Dance Technique & Injury Prevention. 4th ed. Methuen Drama; 2009.
24.
Juhan, Deane. Job’s Body: A Handbook for Bodywork. 3rd ed. Station Hill Press; 2003. https://ebookcentral.proquest.com/lib/falmouth-ebooks/detail.action?docID=1935627
25.
Todd, Mabel Elsworth. The Thinking Body: A Study of Balancing Forces of Dynamic Man. Dance Books; 1997.
26.
Albinus, Bernhard Siegfried, HALE, ROBERT BEVERLY., Coyle, Terence. Albinus on Anatomy: With 80 Original Albinus Plates. Dover Publications; 1988.
27.
Barlow, Wilfred. The Alexander Principle: How to Use Your Body without Stress. New ed. Orion; 2001.
28.
M.O’Donnell. Release Dance Curriculum written for ARTEZ, Arnhem, the Netherlands. Published online June 2005. http://www.timeless-records.com/releasedance/pdf/one%20line%20release.pdf
29.
Grieg, Valerie. Inside Ballet Technique: Separating Anatomical Fact from Fiction in the Ballet Class. Princeton; 1994.
30.
Haas, Jacqui Greene. Dance Anatomy. Human Kinetics; 2010. https://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9781450404334
31.
Kapit, Wynn, Elson, Lawrence M. The Anatomy Coloring Book. 3rd ed. Benjamin Cummings; 2001.
32.
Olsen, Andrea, Mchose, Caryn. Body Stories: A Guide to Experiential Anatomy. [Expanded ed.]. Barrytown Ltd; 1998.
33.
Journal of Dance and Somatic Practices.
34.
Research in dance education.
35.
Body and society. Published online 1995.
36.
Performance Research Vol 14 no 2 On Training. 14(2). https://go.openathens.net/redirector/falmouth.ac.uk?url=http://www.tandfonline.com/toc/rprs20/14/2#.VflDAGRVhBc
37.
Performance ResearchVol 8 no 2 Bodiescapes. 2003;8(2). https://go.openathens.net/redirector/falmouth.ac.uk?url=http://www.tandfonline.com/toc/rprs20/8/2
38.
Batson, Glenna. Teaching alignment from a mechanical model to a dynamic one [IN] The body eclectic: evolving practices in dance training. In: The Body Eclectic: Evolving Practices in Dance Training. University of Illinois Press; 2008:134-152.
39.
Hanna, Thomas. What Is Somatics? In: Bone, Breath & Gesture: Practices of Embodiment. North Atlantic Books; California Institute of Integral Studies; 1995:341-352.
40.
Batson, Glenna,, Wilson, Margaret. Introduction. In: Body and Mind in Motion: Dance and Neuroscience in Conversation. Intellect; 2014:1-12.
41.
Fraleigh, Sondra. A Vulnerable Glance: Seeing Dance Through Phenomenology. In: The Routledge Dance Studies Reader. Routledge; 1998:135-143.