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Burlingame, JonCrowdus, Gary, 1945-. Music at the service of the cinema: an interview with Ennio Morricone. Cineaste 1995;21:76–2.https://www.proquest.com/docview/222652536?accountid=15894
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Jordan R. The Visible Acousmêtre: Voice, body and space across the two versions of Donnie Darko. Music, Sound, and the Moving Image 2009;3:47–70. doi:10.3828/msmi.3.1.3
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Goldmark, Daniel, Kramer, Lawrence, Leppert, Richard D. Beyond the soundtrack: representing music in cinema. Berkeley: : University of California Press 2007. http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9780520940550
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Brophy, Philip. 100 modern soundtracks. London: : BFI ( British Film Institute) 2004.
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Burt, George. The art of film music: special emphasis on Hugo Friedhofer, Alex North, David Raksin, Leonard Rosenman. Boston, [Mass.]: : Northeastern University Press 1994.
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Chadabe, Joel. Electric sound: the past and promise of electronic music. Upper Saddle River, N.J.: : Prentice Hall 1997.
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Howard, David M., Angus, J. A. S. Acoustics and psychoacoustics. 4th ed. Amsterdam: : Focal 2009.
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Rumsey, Francis. Spatial audio. Oxford: : Focal Press 2001.
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Tozzoli, Rich. Pro Tools surround sound mixing. 2nd ed. Milwaukee, Wis: : Hal Leonard 2011.
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Freesound.org - license free effects. https://www.freesound.org/
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mobygratis - music from Moby, for students. http://www.mobygratis.com/
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