@article{Allen, title={Chamber of Horrors: Julien Allen on ‘Saving Private Ryan’}, number={No. 27}, journal={Reverse Shot}, author={Allen, Julien} }
@book{Altman, Rick_1992, address={New York}, title={Sound theory, sound practice}, volume={AFI film readers}, publisher={Routledge}, author={Altman, Rick}, year={1992} }
@article{Atkinson_2011, title={Surrounded by sound: The aesthetics of multichannel and hypersonic soundscapes and aural architectures}, volume={4}, DOI={10.1386/st.4.1.5_1}, number={1}, journal={The Soundtrack}, author={Atkinson, Sarah}, year={2011}, month={Aug}, pages={5–21} }
@article{Barnes_2007, title={The sound of Coen comedy: music, dialogue and sound effects in Raising Arizona}, volume={1}, DOI={10.1386/st.1.1.15_1}, number={1}, journal={The Soundtrack}, author={Barnes, Randall}, year={2007}, month={Nov}, pages={15–28} }
@article{Beck_2002, title={Citing the sound: ‘The Conversation’, ‘Blow out’ and the mythological ontology of the soundtrack in ‘70s film’}, volume={XXIX}, number={No. 4}, journal={Journal of popular film and television}, author={Beck, Jay}, year={2002} }
@book{Boorman, John_1995, address={London}, title={Projections: film-makers on film-making, 4}, publisher={Faber}, author={Boorman, John}, year={1995} }
@book{Boorman, John_Donohue, Walter_1996, address={London}, title={Projections 6: film-makers on film-making}, publisher={Faber}, author={Boorman, John and Donohue, Walter}, year={1996} }
@book{Brophy, Philip_2004, address={London}, title={100 modern soundtracks}, volume={BFI screen guides}, publisher={BFI ( British Film Institute)}, author={Brophy, Philip}, year={2004} }
@inbook{Brown_1994, address={Berkeley}, title={Actions/Interactions: the source beyond the source [IN] Overtones and undertones: reading film music}, booktitle={Overtones and undertones: reading film music}, publisher={University of California Press}, author={Brown, Royal S}, year={1994}, pages={67–91} }
@book{Brown, Royal S._1994, address={Berkeley}, title={Overtones and undertones: reading film music}, url={https://go.openathens.net/redirector/falmouth.ac.uk?url=https://www.jstor.org/stable/jj.2711586}, publisher={University of California Press}, author={Brown, Royal S.}, year={1994} }
@inbook{Brown_2008, address={Oxford}, title={Music and/as cine-narrative or ceci n’est pas un leitmotif}, volume={Blackwell companions to literature and culture}, booktitle={A companion to narrative theory}, publisher={Blackwell}, author={Brown, Royal S}, year={2008}, pages={451–465} }
@book{Buhler, James_Flinn, Caryl_Neumeyer, David_2000, address={Hanover, N.H.}, title={Music and cinema}, publisher={Wesleyan University Press}, author={Buhler, James and Flinn, Caryl and Neumeyer, David}, year={2000} }
@article{Burlingame, JonCrowdus, Gary, 1945-_1995, title={Music at the service of the cinema: an interview with Ennio Morricone.}, volume={21}, url={https://www.proquest.com/docview/222652536?accountid=15894}, number={1}, journal={Cineaste}, author={Burlingame, JonCrowdus, Gary, 1945-}, year={1995}, pages={76–2} }
@book{Burt, George_1994, address={Boston, [Mass.]}, title={The art of film music: special emphasis on Hugo Friedhofer, Alex North, David Raksin, Leonard Rosenman}, publisher={Northeastern University Press}, author={Burt, George}, year={1994} }
@book{Chadabe, Joel_1997, address={Upper Saddle River, N.J.}, title={Electric sound: the past and promise of electronic music}, publisher={Prentice Hall}, author={Chadabe, Joel}, year={1997} }
@book{Chion, Michel_2009, address={Chichester}, title={Film: a sound art}, volume={Film and culture}, publisher={Columbia University Press}, author={Chion, Michel}, year={2009} }
@book{Chion_2018, address={New York}, title={Audio-vision: sound on screen}, url={http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9780231546379}, publisher={Columbia University Press}, author={Chion, Michel}, year={2018} }
@inbook{Chion, Michel_Gorbman, Claudia_1994a, address={Chichester}, title={Introduction to audiovisual analysis [IN] Audio-vision: sound on screen}, booktitle={Audio-vision: sound on screen}, publisher={Columbia University Press}, author={Chion, Michel and Gorbman, Claudia}, year={1994}, pages={185–214} }
@inbook{Chion, Michel_Gorbman, Claudia_1994b, address={Chichester}, title={The Audio visual scene}, booktitle={Audio-vision: sound on screen}, publisher={Columbia University Press}, author={Chion, Michel and Gorbman, Claudia}, year={1994}, pages={66–94} }
@inbook{Chion, Michel_Gorbman, Claudia_1994c, address={Chichester}, title={Toward an audiological poetics}, booktitle={Audio-vision: sound on screen}, publisher={Columbia University Press}, author={Chion, Michel and Gorbman, Claudia}, year={1994}, pages={169–184} }
@book{Chion, Michel_Gorbman, Claudia_1999, address={Chichester}, title={The voice in cinema}, publisher={Columbia University Press}, author={Chion, Michel and Gorbman, Claudia}, year={1999} }
@inproceedings{Collins_Tagg_2001, address={Totnes}, title={The sonic aesthetics of the industrial: re-constructing yesterday’s soundscape for today’s alienation and tomorrow’s dystopia}, booktitle={Sound practice: the 1st UKISC conference on sound culture and environments. Dartington Hall Conference Centre and Dartington College of Arts 16th-20th February 2001}, publisher={UK and Ireland Soundscape Community}, author={Collins, K and Tagg, P}, year={2001}, pages={101–108} }
@inbook{Cook, David A._2000, address={Berkeley}, title={Technological innovation and aesthetic response}, volume={History of the American cinema}, booktitle={Lost illusions: American cinema in the shadow of Watergate and Vietnam, 1970-1979}, publisher={University of California Press}, author={Cook, David A.}, year={2000}, pages={355–370} }
@book{Cook, Frank D._Digidesign Training & Education_ebrary, Inc_2009, address={Boston, MA}, title={Pro tools 101: official courseware version 8.0}, publisher={Course Technology}, author={Cook, Frank D. and Digidesign Training & Education and ebrary, Inc}, year={2009} }
@book{Cook, Perry R._1999, address={Cambridge, Mass}, title={Music, cognition, and computerized sound: an introduction to psychoacoustics}, publisher={MIT Press}, author={Cook, Perry R.}, year={1999} }
@book{Cox, Christoph_Warner, Daniel_2004, address={London}, title={Audio culture: readings in modern music}, publisher={Continuum}, author={Cox, Christoph and Warner, Daniel}, year={2004} }
@inbook{Dickinson, Kay_2003a, address={London}, title={Pop speed, teenagers and the MTV aesthetic}, volume={In focus (Routledge film readers)}, booktitle={Movie music, the film reader}, publisher={Routledge}, author={Dickinson, Kay}, year={2003}, pages={143–151} }
@book{Dickinson, Kay_2003b, address={London}, title={Movie music, the film reader}, volume={In focus (Routledge film readers)}, publisher={Routledge}, author={Dickinson, Kay}, year={2003} }
@book{Donnelly_2001, address={Edinburgh}, title={Film music: critical approaches}, url={https://go.openathens.net/redirector/falmouth.ac.uk?url=https://www.jstor.org/stable/10.3366/j.ctvxcrhsn}, publisher={Edinburgh University Press}, author={Donnelly, K. J.}, year={2001} }
@inbook{Donnelly_2009, address={London}, title={Saw heard: musical sound design in contemporary cinema}, booktitle={Film theory and contemporary Hollywood movies}, publisher={Routledge}, author={Donnelly, KJ}, year={2009} }
@inbook{Elsaesser_2009, address={Malden, MA}, title={The Mind game film [IN] Puzzle films: complex storytelling in contemporary world cinema}, booktitle={Puzzle films: complex storytelling in contemporary world cinema}, publisher={Wiley-Blackwell}, author={Elsaesser, Thomas}, year={2009}, pages={13–41} }
@inbook{Fawell, John Wesley_2005a, address={Jefferson, N.C.}, title={The Music of sound and dialogue}, booktitle={The art of Sergio Leone’s Once upon a time in the West: a critical appreciation}, publisher={McFarland}, author={Fawell, John Wesley}, year={2005}, pages={189–202} }
@book{Fawell, John Wesley_2005b, address={Jefferson, N.C.}, title={The art of Sergio Leone’s Once upon a time in the West: a critical appreciation}, publisher={McFarland}, author={Fawell, John Wesley}, year={2005} }
@book{Gibbs, Tony_2007, address={Lausanne}, title={The Fundamentals of Sonic Art and Sound Design}, publisher={AVA Academia}, author={Gibbs, Tony}, year={2007} }
@book{Goldmark, Daniel_Kramer, Lawrence_Leppert, Richard D._2007, address={Berkeley}, title={Beyond the soundtrack: representing music in cinema}, url={http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9780520940550}, publisher={University of California Press}, author={Goldmark, Daniel and Kramer, Lawrence and Leppert, Richard D.}, year={2007} }
@book{Gorbman, Claudia_1987, title={Unheard melodies: narrative film music}, publisher={BFI.}, author={Gorbman, Claudia}, year={1987} }
@book{Hayward, Philip_2004, address={Bloomington, IN}, title={Off the planet: music, sound and science fiction cinema}, publisher={Distributed in North America by Indiana University Press}, author={Hayward, Philip}, year={2004} }
@inbook{2010, address={London}, edition={3rd ed}, title={Objective Sound [IN] Sound for film and television}, url={https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://shibboleth.falmouth.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080517407}, booktitle={Sound for film and television}, publisher={Focal}, author={Holman, Tomlinson}, year={2010}, pages={1–21} }
@book{Holman, Tomlinson_2010, address={Amsterdam}, edition={3rd ed}, title={Sound for film and television}, publisher={Focal}, author={Holman, Tomlinson}, year={2010} }
@book{Holman, Tomlinson_Holman, Tomlinson_2007, address={Amsterdam}, edition={2nd ed}, title={Surround sound: up and running}, publisher={Focal}, author={Holman, Tomlinson and Holman, Tomlinson}, year={2007} }
@book{Howard, David M._Angus, J. A. S._2009, address={Amsterdam}, edition={4th ed}, title={Acoustics and psychoacoustics}, publisher={Focal}, author={Howard, David M. and Angus, J. A. S.}, year={2009} }
@book{Jonze, Spike_Lewman, Mark_Jenkins, Andy_2003, title={[The work of director Spike Jonze]}, publisher={Directors Label DVD}, author={Jonze, Spike and Lewman, Mark and Jenkins, Andy}, year={2003} }
@article{Jordan_2009, title={The Visible Acousmêtre: Voice, body and space across the two versions of Donnie Darko}, volume={3}, DOI={10.3828/msmi.3.1.3}, number={1}, journal={Music, Sound, and the Moving Image}, author={Jordan, Randolph}, year={2009}, month={Jun}, pages={47–70} }
@book{Karlin, Fred_Wright, Rayburn_2004, address={New York}, edition={2nd ed}, title={On the track: a guide to contemporary film scoring}, publisher={Routledge}, author={Karlin, Fred and Wright, Rayburn}, year={2004} }
@book{Kassabian, Anahid_2001, address={London}, title={Hearing film: tracking identifications in contemporary Hollywood film music}, publisher={Routledge}, author={Kassabian, Anahid}, year={2001} }
@book{Kompanek, Sonny_2004, address={New York}, title={From score to screen: sequencers, scores, & second thoughts : the new film scoring process}, publisher={Schirmer Trade Books}, author={Kompanek, Sonny}, year={2004} }
@book{Krikler, Anne_2007, address={Guildford}, title={The magic of music in film}, publisher={Grosvenor House}, author={Krikler, Anne}, year={2007} }
@book{Lack, Russell_1997, address={London}, title={Twenty four frames under: a buried history of film music}, publisher={Quartet Books}, author={Lack, Russell}, year={1997} }
@article{Manolas_Pauletto_2009, title={Enlarging the Diegetic Space: Uses of the Multi-channel Soundtrack in Cinematic Narrative}, volume={2}, DOI={10.1386/st.2.1.39_1}, number={1}, journal={The Soundtrack}, author={Manolas, Christos and Pauletto, Sandra}, year={2009}, month={Aug}, pages={39–55} }
@article{Marijke de Valck 1_2005, title={The sound gag: the use of sound for comic effect in the films of Jacques Tati}, volume={3}, number={No. 2}, journal={New review of film and television}, author={Marijke de Valck 1}, year={2005} }
@book{Mera, Miguel_Burnand, David_2006, address={Aldershot}, title={European film music}, volume={Ashgate popular and folk music series}, publisher={Ashgate}, author={Mera, Miguel and Burnand, David}, year={2006} }
@book{Mundy, John_1999, address={Manchester}, title={Popular music on screen: from the Hollywood musical to music video}, volume={Music and society}, publisher={Manchester University Press}, author={Mundy, John}, year={1999} }
@book{Prendergast, Roy M._1992, address={London}, edition={2nd ed}, title={Film music: a neglected art : a critical study of music in films}, publisher={W.W. Norton}, author={Prendergast, Roy M.}, year={1992} }
@book{Reay, Pauline_2004, address={London}, title={Music in film: soundtracks and synergy}, volume={Short cuts}, publisher={Wallflower Press}, author={Reay, Pauline}, year={2004} }
@article{Rick Altman_1980, title={Moving Lips: Cinema as Ventriloquism}, url={https://go.openathens.net/redirector/falmouth.ac.uk?url=http://www.jstor.org/stable/2930005}, number={No. 60}, journal={Yale French Studies}, publisher={Yale University Press}, author={Rick Altman}, year={1980} }
@book{Rona, Jeffrey C._2009, address={New York}, edition={2nd ed., rev.expanded}, title={The reel world: scoring for pictures}, publisher={Hal Leonard}, author={Rona, Jeffrey C.}, year={2009} }
@book{Rose, Jay_2009, address={Oxford}, edition={2nd ed}, title={Audio postproduction for film and video}, publisher={Focal}, author={Rose, Jay}, year={2009} }
@book{Rumsey, Francis_2001, address={Oxford}, title={Spatial audio}, volume={Music technology series}, publisher={Focal Press}, author={Rumsey, Francis}, year={2001} }
@book{Rumsey, Francis_McCormick, Tim_2009, address={Amsterdam}, edition={6th ed}, title={Sound and recording}, publisher={Elsevier/Focal}, author={Rumsey, Francis and McCormick, Tim}, year={2009} }
@book{Schafer, R. Murray, address={Rochester, Vt}, title={The soundscape: our sonic environment and the tuning of the world}, publisher={Destiny Books}, author={Schafer, R. Murray} }
@book{Schelle, Michael_1999, address={Los Angeles}, title={The score: interviews with film composers}, publisher={Silman-James Press}, author={Schelle, Michael}, year={1999} }
@inbook{Sergi_2004, address={Manchester}, title={Sound matters}, volume={Inside popular film}, booktitle={The Dolby era: film sound in contemporary Hollywood}, publisher={Manchester University Press}, author={Sergi, Gianluca}, year={2004}, pages={3–10} }
@inbook{Sergi, Gianluca_2004a, address={Manchester}, title={Tackling sound: suggestions for sound analysis [IN] The Dolby era: film sound in contemporary Hollywood}, volume={Inside popular film}, booktitle={The Dolby era: film sound in contemporary Hollywood}, publisher={Manchester University Press}, author={Sergi, Gianluca}, year={2004}, pages={136–163} }
@inbook{Sergi, Gianluca_2004b, address={Manchester}, title={Interviews with the makers of sound: Gary Rydstrom}, volume={Inside popular film}, booktitle={The Dolby era: film sound in contemporary Hollywood}, publisher={Manchester University Press}, author={Sergi, Gianluca}, year={2004}, pages={163–180} }
@inbook{Sergi, Gianluca_2004c, address={Manchester}, title={The Dolby phenomenon}, volume={Inside popular film}, booktitle={The Dolby era: film sound in contemporary Hollywood}, publisher={Manchester University Press}, author={Sergi, Gianluca}, year={2004}, pages={11–35} }
@book{Sergi, Gianluca_2004d, address={Manchester}, title={The Dolby era: film sound in contemporary Hollywood}, volume={Inside popular film}, publisher={Manchester University Press}, author={Sergi, Gianluca}, year={2004} }
@book{Sider, Larry_Freeman, Diane_Sider, Jerry_2010, address={London}, edition={[New ed.]}, title={Soundscape: The School of Sound lectures 1998-2001}, publisher={The School of Sound}, author={Sider, Larry and Freeman, Diane and Sider, Jerry}, year={2010} }
@article{Smith_2007, title={The edge of perception: sound in Tarkovsky’s Stalker}, volume={1}, DOI={10.1386/st.1.1.41_1}, number={1}, journal={The Soundtrack}, author={Smith, Stefan}, year={2007}, month={Nov}, pages={41–52} }
@book{Sonnenschein, David_2001, address={Studio City, Calif}, title={Sound design: the expressive power of music, voice and sound effects in cinema}, publisher={Michael Wiese}, author={Sonnenschein, David}, year={2001} }
@book{Sullivan, Jack_ebrary, Inc_2006, address={New Haven [Conn.]}, title={Hitchcock’s music}, publisher={Yale University Press}, author={Sullivan, Jack and ebrary, Inc}, year={2006} }
@inbook{Thom_2010, address={London}, edition={[New ed.]}, title={Designing a movie for sound}, booktitle={Soundscape: The School of Sound lectures 1998-2001}, publisher={The School of Sound}, author={Thom, Randy}, year={2010}, pages={121–137} }
@book{Tozzoli, Rich_2011, address={Milwaukee, Wis}, edition={2nd ed}, title={Pro Tools surround sound mixing}, publisher={Hal Leonard}, author={Tozzoli, Rich}, year={2011} }
@inbook{Vernallis, Carol_2004, address={New York}, title={Telling and not telling}, booktitle={Experiencing music video: aesthetics and cultural context}, publisher={Columbia University Press}, author={Vernallis, Carol}, year={2004}, pages={3–26} }
@inbook{2005, address={Edinburgh}, title={Mike Figgis : Time Code and the screen [IN] New punk cinema}, volume={Traditions in world cinema}, booktitle={New punk cinema}, publisher={Edinburgh University Press}, author={Ververis, Constantine}, year={2005}, pages={168–179} }
@article{1999, title={The Trail of the Snail: Recent Literature on Sound Design}, volume={27}, journal={IRIS}, author={WEIS, E.}, year={1999}, pages={95–109} }
@article{Weis, Elisabeth_1995, title={Sync tanks: the art and technique of postproduction sound.}, volume={21}, url={https://www.proquest.com/docview/222695187?accountid=15894}, number={1}, journal={Cineaste}, author={Weis, Elisabeth}, year={1995}, pages={56–2} }
@book{Weis, Elisabeth_Belton, John_1985, address={Guildford}, title={Film sound: theory and practice}, publisher={Columbia University Press}, author={Weis, Elisabeth and Belton, John}, year={1985} }
@inbook{Whittington, William_2007, address={Austin, TX}, edition={1st ed}, title={Suggestive fragments in THX 1138}, url={https://ebookcentral.proquest.com/lib/falmouth-ebooks/reader.action?ppg=84&docID=3443235&tm=1540291484292}, booktitle={Sound design & science fiction}, publisher={University of Texas Press}, author={Whittington, William}, year={2007}, pages={75–92} }
@inbook{Yewdall, David Lewis_2007a, address={Oxford}, edition={3rd ed}, title={Dialog editors [IN] Practical art of motion picture sound}, booktitle={Practical art of motion picture sound}, publisher={Focal}, author={Yewdall, David Lewis}, year={2007}, pages={345–364} }
@inbook{Yewdall, David Lewis_2007b, address={Oxford}, edition={3rd ed}, title={The Re-recording stage: predubbing and the final mix [IN] Practical art of motion picture sound}, booktitle={Practical art of motion picture sound}, publisher={Focal}, author={Yewdall, David Lewis}, year={2007}, pages={475–497} }
@inbook{Yewdall_2012, address={Amsterdam}, edition={4th ed}, title={Sound editorial: sync-sync, chop chop}, url={https://ebookcentral.proquest.com/lib/falmouth-ebooks/reader.action?docID=709490&ppg=302}, booktitle={Practical art of motion picture sound}, publisher={Focal}, author={Yewdall, David Lewis}, year={2012}, pages={291–332} }
@inbook{Yewdall, David Lewis_2012a, address={Oxford}, edition={4th ed}, title={Custom recording sound effects}, url={https://ebookcentral.proquest.com/lib/falmouth-ebooks/reader.action?docID=709490&ppg=202}, booktitle={Practical art of motion picture sound}, publisher={Focal}, author={Yewdall, David Lewis}, year={2012}, pages={191–228} }
@inbook{Yewdall, David Lewis_2012b, address={Oxford}, edition={4th ed}, title={Foley: The Art of footsteps, props and cloth movement}, url={https://ebookcentral.proquest.com/lib/falmouth-ebooks/reader.action?docID=709490&ppg=436}, booktitle={Practical art of motion picture sound}, publisher={Focal}, author={Yewdall, David Lewis}, year={2012}, pages={425–464} }
@inbook{2012, address={Amsterdam}, edition={4th ed}, title={ADR and looping: getting the lips to flap in sync}, url={https://ebookcentral.proquest.com/lib/falmouth-ebooks/detail.action?docID=709490&pq-origsite=primo}, booktitle={Practical art of motion picture sound}, publisher={Focal}, author={Yewdall, David Lewis}, year={2012}, pages={383–424} }
@book{Yewdall, David Lewis_2012c, address={Oxford}, edition={4th ed}, title={Practical art of motion picture sound}, url={https://go.openathens.net/redirector/falmouth.ac.uk?url=https://www.taylorfrancis.com/books/9780240815237}, publisher={Focal Press}, author={Yewdall, David Lewis}, year={2012} }
@article{Sound and music in the movies._1995, volume={21}, url={https://www.proquest.com/docview/222652631?accountid=15894}, number={1}, journal={Cineaste}, year={1995}, pages={46–2} }
@misc{Jamendo Music | Free music downloads, url={https://www.jamendo.com/} }
@misc{Freesound.org - license free effects, url={https://www.freesound.org/} }
@misc{mobygratis - music from Moby, for students, url={http://www.mobygratis.com/} }
@misc{FilmSound.org: dedicated to the Art of Film Sound Design & Film Sound Theory, url={http://filmsound.org/} }
@misc{Framework Journal of Cinema and Media, url={http://www.frameworknow.com/} }
@article{Music, Sound, and the Moving Image, address={Liverpool, Eng}, publisher={Liverpool University Press} }
@article{The Soundtrack, address={Bristol, England}, publisher={Intellect Ltd} }
@article{The New Soundtrack, url={http://www.euppublishing.com/loi/sound} }
@article{Journal of Sonic Studies, url={http://sonicstudies.org/} }
@article{Sound Studies, url={http://www.tandfonline.com/loi/rfso20} }
