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Everest, F. Alton, Critical listening skills for audio professionals. Boston, Mass: Thomson Course Technology, 2007 [Online]. Available: https://ebookcentral.proquest.com/lib/falmouth-ebooks/detail.action?docID=3135922
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Izhaki, Roey, Mixing audio: concepts, practices and tools. Amsterdam: Focal, 2008 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9780080556154
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R. A. Katz, Mastering audio: the art and the science, Third edition. Burlington, MA: Focal Press, 2015.
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Moylan, William and Moylan, William, Understanding and crafting the mix: the art of recording, 2nd ed. Amsterdam: Focal, 2007 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9780080475196
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F. RUMSEY, ‘What is Sound?’, in Sound and recording, 6th ed., Amsterdam: Elsevier/Focal, 2009, pp. 1–28 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9780080953960
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Stavrou, Michael Paul, Mixing with your mind. Mixing with Your Mind.
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Bartlett, Bruce, ‘Judging Sound Quality’, in Practical recording techniques: the step-by-step approach to professional audio recording, 6th ed., New York: Focal, 2013, pp. 235–255.
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STREICHER, RON and DOOLEY, WES, ‘Basic Stereo Microphone Perspectives’, Journal of the Audio Engineering Society, vol. 33, no. 7/8, pp. 548–556, 1985.
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Nisbett, Alec, Technique of the sound studio: for radio, recording studio, television and film, 4th rev. ed., vol. Library of communication techniques. Focal Press, 1987.
