1
Everest, F. Alton. Critical listening skills for audio professionals. Boston, Mass: : Thomson Course Technology 2007. https://ebookcentral.proquest.com/lib/falmouth-ebooks/detail.action?docID=3135922
2
Izhaki, Roey. Mixing audio: concepts, practices and tools. Amsterdam: : Focal 2008. http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9780080556154
3
Katz RA. Mastering audio: the art and the science. Third edition. Burlington, MA: : Focal Press 2015.
4
Moylan, William, Moylan, William. Understanding and crafting the mix: the art of recording. 2nd ed. Amsterdam: : Focal 2007. http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9780080475196
5
RUMSEY F. What is Sound? In: Sound and recording. Amsterdam: : Elsevier/Focal 2009. 1–28.http://www.vlebooks.com/vleweb/product/openreader?id=Falmouth&isbn=9780080953960
6
Stavrou, Michael Paul. Mixing with your mind. Mixing with Your Mind
7
Bartlett, Bruce. Judging Sound Quality. In: Practical recording techniques: the step-by-step approach to professional audio recording. New York: : Focal 2013. 235–55.
8
STREICHER, RON, DOOLEY, WES. Basic Stereo Microphone Perspectives. Journal of the Audio Engineering Society 1985;33:548–56.
9
Nisbett, Alec. Technique of the sound studio: for radio, recording studio, television and film. 4th rev. ed. Focal Press 1987.
